RIYL: Flying Burrito Brothers, early Wilco, Gram Parsons
We say Part I because Jayhawks guitarist Gary Louris personally told us that there are plans to reissue the band’s remaining three albums with American and Lost Highway before the end of the year. Insert fist pump here.
It sure seemed like the planets were aligned, on several occasions, for the Jayhawks to become a much bigger band. They were discovered in an only-in-the-movies fashion, as American Recordings A&R chief George Drakoulias was on the phone with the president of Twin Tone Records and heard Blue Earth, the band’s 1989 sophomore album, in the background. He quickly signed them and produced their first two major label albums. They sold well, but beneath the ‘next Black Crowes’ hype they were tagged with at the time, which was a silly tag to hit them with in retrospect, but you know how the music business works, even when it’s counterproductive to a band’s long-term health.
And ultimately, that inability to break through to the next level cost them in more ways than one. Singer and founder Mark Olson left the band shortly after the song “Blue” failed to take off the way they had hoped it would, and Louris took over the band for three more albums before quietly calling it a day. Then something strange and wonderful happened: Olson realized that he and Louris had unfinished business. The two made a quiet album together, 2009’s Ready for the Flood, and before they knew it, the definitive Jayhawks lineup was playing together again and are currently putting the finishing touches on their first album in eight years. As an appetizer, Sony Legacy has reissued the band’s first two albums for American Recordings along with some hard-to-find B-sides and basement tapes that were the stuff of urban legend. Dig in.
Hollywood Town Hall
Modern rock radio was still in its infancy when Hollywood Town Hall came out in late 1992, and you can’t help but think that the fact that they received support from modern rock stations actually cost them airplay on the traditional rock stations. Whatever the reasons, it deserved to do better, because this is one solid rock album, thanks in no small part to the blossoming of Louris as a songwriter. The Jayhawks were Olson’s band in the beginning, but he would never have written something like “Waiting for the Sun” or “Settled Down Like Rain,” and it’s no coincidence that both of those songs were tapped as singles. The harmonies are as tight as ever, and the inclusion of piano and organ fleshes the songs out and gives even the more countrified moments a rock flavor. For a band that began as country rock act, Hollywood Town Hall is certainly far removed from their roots, yet the band’s essence remains intact.
The bonus tracks are just as good, too, particularly “Leave No Gold” and a raucous version of the gospel standard “Up Above My Head.” Many of these songs never saw the light of day in the US (and two of them were never released at all), so their inclusion here is a big, big plus.
Tomorrow the Green Grass
Here is all you need to know about Tomorrow the Green Grass: when the band announced that they had reformed and were doing a mini-tour, and would be dedicating certain nights to playing one of these two albums in its entirety, the shows where they were playing all of Tomorrow the Green Grass were the first ones to sell out. With keyboardist Karen Grotberg involved in the recording sessions (she came on board after the band had finished recording Hollywood Town Hall) and the band ready to experiment with different sonic textures, songs like the string-kissed “I’d Run Away” soared like no Jayhawks song had ever soared before. “Nothing Left to Borrow” is the best song the Byrds never wrote, and “Blue” practically started its own religion. It’s pop in the best sense of the word, melding a myriad of influences (check out the rockin’ “Real Light”) to create something wholly unique. Tomorrow the Green Grass is in a class all its own.
And look what Legacy dug up to go with it – the so-called Mystery Demos that Jayhawks fans gossiped about for a good 10 years on message boards. Comprised of two sessions between Olson and Louris (one of which featured a violinist), several of these songs wound up on Tomorrow the Green Grass, but the stark versions here are just as memorable, particularly “Red’s Song” and an almost fully formed “Nothing Left to Borrow.” Of the tracks to receive the deluxe recording treatment, the Grotberg-sung “Last Cigarette” and the stomping title track are highlights. We eagerly await Round II of the Jayhawks reissue campaign, not to mention the band’s new album, their first in eight years, later this spring. For the first time in a long time, it’s good to be a Jayhawks fan. (Sony Legacy 2010)
It’s funny how people can surprise you even when you think you know them better than they know themselves. After spending a good decade releasing albums that ranged from underrated (Medazzaland) to underwritten (Pop Trash), Duran Duran reunited the Fab Five lineup early in the 2000s and dropped Astronaut in 2004. It was the closest the band had come to their trademark sound in 20 years, and they were rewarded with some of the best reviews of their career. But old feelings die hard, and guitarist Andy Taylor bailed on the band again the middle of making the follow-up to Astronaut. That album, titled Reportage, was supposed to be a back-to-basics affair, an angrier, more aggressive album. Rather than finish the album, though, the band dissolved their partnership (we’re guessing that’s a money move, so Andy would no longer be involved in any revenue sharing) and started over from scratch…
…with Timbaland and his hack protege, Danja Hills. Ye gods.
The ensuing album, 2007’s Red Carpet Massacre, was a gigantic step backward, filled with wonky synthesizers and the worst drum sounds a rock band ever put to tape (and that includes Missing Persons’ Rhyme & Reason). The whole modern-day hip-hop production didn’t suit them at all, and the worst part is that there were ways that Duran Duran could have modernized their sound without looking silly; Timbaland was not one of them.
And clearly the band realized this, because midway through the tour for Red Carpet Massacre, they teamed up with UK It Boy Mark Ronson and asked him to remodel their hits. The collaboration proved to be fruitful, as Simon Le Bon would go on to sing on Ronson’s (great) 2010 album Record Collection (the title track, no less), and keyboardist Nick Rhodes contributed a song. Ronson returned the favor by producing the band’s new album, All You Need Is Now, and with that, they found their new Colin Thurston and released their best album since Rio.
Let’s qualify that best-album-since-Rio line, though. It’s their most consistent album since Rio, no question, with nary a duff track in the bunch. But it’s surprisingly lacking in the ‘killer hit single’ department. The title track is a gem, and “Runaway Runaway” captures the essence of the band’s glory days better than anything here, but as good as these songs are, it’s an album full of songs on par with “Anyone Out There” and “My Own Way.” There isn’t an “Ordinary World,” “Planet Earth” or even a “New Moon on Monday” to be found.
There is, however, a new “The Chauffeur” buried in the album’s final third. “The Man Who Stole a Leopard” is a masterpiece, but its run time (over six minutes) and tone will make it a hard sell for release as a single. Beginning with a flanged keyboard, string accents (courtesy of Arcade Fire’s Owen Pallet) and minimalist percussion, the song slowly builds into a melancholy dance track not unlike Massive Attack’s “Unfinished Sympathy,” with haunting call-and-respond vocals from Kelis. Easily the best song the band’s done since “Ordinary World” and “Come Undone.”
It looks as though something good came out of Red Carpet Massacre after all. The band realized that chasing the pop charts is a fool’s errand, and that the best thing they can do at this point in time is simply be themselves. All You Need Is Now could be better, sure, but Duran Duran hasn’t shown this kind of focus in nearly 30 years, and that alone is reason to be cheerful. Well done. (Skin Divers 2011)
Welcome to a new column here at ESDMusic, which I created for the sole purpose of talking about new songs that make me giddy. First up: my boys from Birmingham, Duran Duran.
Last time we heard from Duran, they were, well, royally pissing me off. They had just shelved an album that was reportedly a harder-edged back-to-basics affair, modeled after the Kaiser Chiefs and Bloc Party, two bands that Duran bassist John Taylor loved. Why would they do such a thing, you ask? Because Andy Taylor had left the band, again, because the band expressed interest in adding one more song to the album…featuring Timbaland and Justin Timberlake. Now, I can see where a guy like Justin might appeal to them, but Timbaland? Really? Do they know what he does to the people he produces? He makes sure they all sound like him. You will use this drum machine; you will use this keyboard sound. And you will let him say “wicky wicky” at some point. Is there any place for that on a Duran album? Answer: no, and Andy knew it, so he bailed.
So the band started over from scratch, using the Timbaland collaboration not as a one-off but as a starting point (!). The end result: Red Carpet Massacre, where Duran Duran traded in their identity for one last attempt to remain relevant to the pop charts. The single stiffed, the label dropped them, and Duran went about making things right by doing what I’ve been wanting them to do since 2007: work with Mark Ronson. The band’s new album, All You Need Is Now, released on their own Skin Divers label – a curious name, considering it’s the name of the failed Timbaland collaboration – is the most traditional-sounding Duran Duran album since Seven and the Ragged Tiger (and is actually better than Tiger). And tucked away in the album’s back half is one of the best songs they’ve ever done.
“The Man Who Stole a Leopard”… Jesus, what do you say about this? It builds slowly, a la “The Chauffeur,” and features this gorgeous call-and-response vocal from Kelis that borders on haunting. The lyrics, based on an idea of John and Nick’s (and inspired by the 1965 Terence Stamp movie “The Collector”), tell the tale of a man who, you guessed it, kept a leopard in his apartment, and how his obsession with said creature fulfilled him like nothing else, but also led to his undoing. Ronson tones down the drum tracks some, making for one of those melancholy dance tracks along the lines of “Enjoy the Silence” or “Unfinished Sympathy.” With a run time of over six minutes, “The Man Who Stole a Leopard” is not likely to be among the songs chosen for release as a single, but you can bet that it will – and if the YouTube comments are any indication, already has – become a fan favorite. Give the video one listen, and see if you’re not running to the iTunes store seconds later.
It’s been kind of quiet here in ESD Land, and that’s intentional – everyone has stuff to do during the holidays, and we’re only happy to wind things down so we can get our shopping done. But here’s a little pre-Christmas treat for you all, courtesy of the people behind what my daughter calls the doggie video, OK Go.
Like most remixes these days, the majority of the original song didn’t survive, but there are a few lines from the song and a keyboard riff here and there. And hey, it’s free. Can’t beat free. Happy holidays, everyone. See you in 2011.
Having children has had a profound impact on my musical tastes. Will it make them cry? Will it teach them naughty words? Will it bore them? Then it doesn’t get played around the house, which has resulted in my sharp turn towards the poppier side of modern. And really, once you’ve seen your three-year-old completely lose his shit when hearing a song with a chorus of “Na, na na na, na na na, na na na na na na na,” it’s hard to push anything on him that doesn’t come armed to the teeth with the pop hooks. Mind you, I think the Ramones are a pop band too, so I’m painting with a pretty broad brush here. But make no mistake – these bands are pop bands, of varying stripes and shapes. If you fancy yourself a hipster, you’d be best to move on and check out one of the other writers’ lists. I gave up being hip a couple years ago, and let me tell you: it’s extremely liberating.
Note: Some of the notes at the end of the write-ups will offer suggestions of which songs to check out. Others actually offer the songs. If you see “Click here for a free download…”, those songs are on our server, meaning you won’t be dragged off to some site that asks you to give up your email address for a song. These puppies all come with no strings attached, so please download away.
Top 10 Albums of 2010
1. Mark Ronson: Record Collection
Ahhhhhh. If I get to heaven, this is what the radio station will sound like. Tasteful drum beats paired with even tastier synth tracks, highlighted by brilliantly chosen guest contributors from Q-Tip and D’Angelo to Simon Le Bon and a devastating performance by Boy George. Definitely gonna ride this bike until we get home. Download these: “The Bike Song,” “Somebody to Love Me,” “Record Collection”
3. Prefab Sprout: Let’s Change the World with Music
Man, what a sweet surprise this was. Originally scheduled to be the follow-up album to 1990’s Jordan: The Comeback, the album was scrapped despite Prefab leader Paddy McAloon already finishing studio-quality demo versions of every song. Eighteen years later, the songs finally see the light of day, and the result is instant nostalgia. He supposedly has dozens more albums on his shelves from the same period. Please don’t make us wait 18 years for the next one, Paddy. Download these: “Let There Be Music,” “Ride,” “God Watch Over You”
4. The Hours: It’s Not How You Start, It’s How You Finish
This one is knocked down a few rungs on a technicality, in that it’s a Franken-album consisting of the best songs from the band’s two UK-only releases. But hot damn, are those songs good. Shimmering, sky-high, piano-driven pop that addresses the darkness in people’s lives but strives for hope and change. No wonder Nike used one of these songs for their unforgettable “Human Chain” ad earlier this year. Favorite lyric: “I can understand how someone can go over to the dark side, ’cause the Devil, he’s got all the tunes.” Download these: “See the Light,” “Big Black Hole,” “Come On”
5. The Silver Seas: Chateau Revenge
I’m still pissed about this one. I got a sneak peek of the record months before its release because our publicist is tight with the band. We played the daylights out of it, and couldn’t wait to sing its praises when it came out in April…only April never happened. Then it was July, and when it came out, the damn thing was buried. Why, why, why? Not enough irony or cynicism? I see no reason why the Shins can sell millions while the Silver Seas still toil in obscurity. The phrase ‘criminally underrated’ was written about bands like this. Click here for a free download of the Silver Seas’ “The Best Things in Life”
6. Midnight Juggernauts: The Crystal Axis
The back half of “Lara Versus the Savage Pack” makes me positively giddy. Armed with a hypnotic six-note riff, this Australian trio lays on the strangest chord sequence before finally landing on the original chord in spectacular fashion, then sending one note climbing the walls, guaranteeing that everyone lucky enough to be in the club that plays this song will do the same. A little odder and more groove-oriented than their (awesome) alt-dance debut Dystopia, but one gets the sense that the Midnight Juggernauts are just getting warmed up. Sweet. Download these: “Lara Versus the Savage Pack,” “The Great Beyond,” “Vital Signs”
7. Codeine Velvet Club: Codeine Velvet Club
The lead singer of the Fratellis hooks up with his wife’s friend (not in that way) and makes what is arguably his best album yet, a collection of ’60s-minded boy/girl songs that could be spy anthems or ballads that Nancy Sinatra would have killed for. They even had the guts to cover a song from one of the most hallowed English pop records of all time (that would be the Stone Roses’ first album, see clip below). Yes, it’s true: Fratelli wrote “I Would Send You Roses” for Roger Daltrey. (Click here to read our interview with Jon Fratelli.) Click here for a free download of Codeine Velvet Club’s “Hollywood”
8. Scissor Sisters: Night Work
It’s officially time to recognize Jake Shears as one of the most versatile singers in music today. He has a baritone that would give Chris Difford pause and a falsetto that would give Barry Gibb a hissy fit. His band, meanwhile, chugs out the most awesome disco pop the world has heard since, well, disco. I get why these guys aren’t chartbusters in the States – they’re far too comfortable with their sexuality than most Americans are. Still, you’d think that their craft as songwriters would rise above what they do in their private lives. Sigh. Download these: “Invisible Light,” “Nightlife,” “Harder You Get”
9. Trashcan Sinatras: In the Music
Ah, my beloved Trashcans. I hope they will forgive me for not putting them at the top of my list, but let’s face it: they’re in a different musical place now, and so am I. I still love them – I even made good on my promise to buy guitarist Paul Livingston a drink after their show in Chicago the weekend of Lollapalooza last year – but not quite like I once did. It’s a beautiful record – it’s just not the record I needed this year, hence its ranking in the bottom part of my list. I’ll definitely play it more when the kids get older, though. Click here for a free download of the Trashcan Sinatras’ “People”
10. Home Video: The Automatic Process
I’m shocked that, in the Internet age, any band would give themselves the name Home Video. I even teased the lead singer for the Australian band Oh Mercy for the same thing earlier this year – who the hell is going to find your band among a million Google hits about Bob Dylan album reviews, or in the case of this electro-pop duo, old VHS titles? But when you’re armed with a song that sounds like a modern-day take on Seal’s “Future Love Paradise” (that would be “Beatrice”), then you can probably name your band any old thing you want. If you like the idea of Radiohead more than the band itself these days, definitely give this a listen. Doves fans should take note, too. Download these: “The Smoke,” “Beatrice,” “You Will Know What to Do”
The Coral: Butterfly House
This was the first I had heard from them in eight years. Nice to see you again.
Fitz & the Tantrums: Pickin’ Up the Pieces
I was late to this party, but once I arrived, I couldn’t stop dancing. We could use about a dozen more bands like this.
Nitzer Ebb: Industrial Complex
Alan Wilder told us that Nitzer Ebb always had good rhythmic ideas, but lacked melodic content. The band listened.
Surprise of the Year
Ratt: Infestation
Shockingly good for a group of guys whose last good song is old enough to buy its own beer.
Notable songs that kicked ass
“He’s Not a Boy,” The Like (Click here for a free download)
It’s like a female Strokes, only fun. And check out this video. Those ’60s outfits just slay me. Va-voom.
“Closer,” Kylie Minogue
I’m still baffled as to how this hasn’t been released as a single. This is the most epic three-minute bubblegum pop song I’ve heard in years. I bet Muse would do a killer cover of it. This version is a little sped up, to keep Kylie’s label from throwing the hammer down, but you get the idea.
“Hot ‘n Fun,” N.E.R.D. featuring Nelly Furtado
How on earth was this song not huge? It’s like a modern-day “Wanna Be Startin’ Something,” for crying out loud.
“Burn It Down,” Awolnation (Click here for a free download)
Little Richard surely loves this song, though I’m betting he opts for the version that doesn’t say “motherfucker” in the chorus.
“How You Like Me Now,” The Heavy
A bit of a cheat, since the album came out last year, but the single came out this year. And it made for a hell of a Super Bowl commercial.
“Remedy,” Little Boots
My pop star crush of 2010. She makes me tingly. (Click here to see the video, embedding disabled.)
“I L U,” School of Seven Bells(Click here for a free download)
Breakup song of the year. It’s also the best song My Bloody Valentine never wrote.
“Numbers Don’t Lie,” The Mynabirds
The video for this one totally won me over. Clever low-budget clip, and the lead singer is a total cutie.
“DHDQ,” Andy Bell
Think Eurythmics’ “Would I Lie to You” on synth steroids, about a Debbie Harry drag queen. Yep, that’s what “DHDQ” stands for.
“From Above,” Ben Folds & Nick Hornby
Best song Ben Folds has sung in nearly a decade, and quite possibly the definitive ‘ships passing in the night’ anthem.
“Thinking Bout Somethin’,” Hanson
Go ahead, you can laugh all you want (Ben Folds fans just nodded knowingly), but good luck getting this one out of your head. The video is about 16 different flavors of awesome, too.
Exit Calm: Exit Calm
Liam Gallagher and Mani from the Stone Roses love ’em. Big, loud, epic indie guitar rock.
Diego Garcia: The Girls Are Yours
If the first track from the former Elefant man (oh, I hate myself for typing that) is any indication, we have a guitar pop classic waiting in the wings. Click here to download Diego Garcia’s “You Were Never There”
Hollywood Town Hall
Tomorrow the Green Grass
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