Welcome to a new column here at ESDMusic, which I created for the sole purpose of talking about new songs that make me giddy. First up: my boys from Birmingham, Duran Duran.

Last time we heard from Duran, they were, well, royally pissing me off. They had just shelved an album that was reportedly a harder-edged back-to-basics affair, modeled after the Kaiser Chiefs and Bloc Party, two bands that Duran bassist John Taylor loved. Why would they do such a thing, you ask? Because Andy Taylor had left the band, again, because the band expressed interest in adding one more song to the album…featuring Timbaland and Justin Timberlake. Now, I can see where a guy like Justin might appeal to them, but Timbaland? Really? Do they know what he does to the people he produces? He makes sure they all sound like him. You will use this drum machine; you will use this keyboard sound. And you will let him say “wicky wicky” at some point. Is there any place for that on a Duran album? Answer: no, and Andy knew it, so he bailed.

So the band started over from scratch, using the Timbaland collaboration not as a one-off but as a starting point (!). The end result: Red Carpet Massacre, where Duran Duran traded in their identity for one last attempt to remain relevant to the pop charts. The single stiffed, the label dropped them, and Duran went about making things right by doing what I’ve been wanting them to do since 2007: work with Mark Ronson. The band’s new album, All You Need Is Now, released on their own Skin Divers label – a curious name, considering it’s the name of the failed Timbaland collaboration – is the most traditional-sounding Duran Duran album since Seven and the Ragged Tiger (and is actually better than Tiger). And tucked away in the album’s back half is one of the best songs they’ve ever done.

“The Man Who Stole a Leopard”… Jesus, what do you say about this? It builds slowly, a la “The Chauffeur,” and features this gorgeous call-and-response vocal from Kelis that borders on haunting. The lyrics, based on an idea of John and Nick’s (and inspired by the 1965 Terence Stamp movie “The Collector”), tell the tale of a man who, you guessed it, kept a leopard in his apartment, and how his obsession with said creature fulfilled him like nothing else, but also led to his undoing. Ronson tones down the drum tracks some, making for one of those melancholy dance tracks along the lines of “Enjoy the Silence” or “Unfinished Sympathy.” With a run time of over six minutes, “The Man Who Stole a Leopard” is not likely to be among the songs chosen for release as a single, but you can bet that it will – and if the YouTube comments are any indication, already has – become a fan favorite. Give the video one listen, and see if you’re not running to the iTunes store seconds later.