Tag: The Beatles (Page 2 of 4)

10 Books for the *REAL* Music Fan on your Holiday Shopping List

Got a music fan on your holiday shopping list? We’re not talking about someone who only listens to the radio in the car and, even then, spends half of their time talking on their cell phone. We’re talking about someone who – like the name of this blog – eats, sleeps, and drinks music, someone who isn’t afraid to do a little bit of genre-jumping and who, after being introduced to an artist or a scene, seeks out reference material to learn more about the songs they’re hearing and the people who brought them to fruition. If so, we’ve got a few books for you.

Now, mind you, this isn’t intended to be a comprehensive list, as most obviously evidenced by the fact that neither Keith Richards’ Life nor Jay-Z’s Decoded are anywhere to be found, not to mention Justin Bieber’s scintillating story, First Step 2 Forever. All we’re trying to do is offer up some suggestions based on what we’ve seen, read, and gotten excited about over the course of 2010. And now that you know that, read on…

1. John Lennon: Life is What Happens, by John Borack

Beatles-related coffee-table books are practically a literary industry unto themselves, but John Borack’s contribution to the field is one of the best to come down the pipeline in quite some time, offering a blend of photographs, album covers, movie posters, memorabilia and minutiae from throughout John Lennon’s career while interspersing the visual presentation with text.

Some of it comes courtesy of the author himself, who provides a more thorough history of Lennon’s life and times than you might expect; given the eye candy with which he’s surrounded his words, Borack could’ve gone the simple route, but rest assured that this is no rote history. Beyond his contributions, there are quotes from Lennon himself, of course, both from his lyrics and his interviews, but there are also comments from various musicians, DJs, and others who have been affected by Lennon’s work throughout the years.

You’d be right to hesitate and think to yourself, “Do I really need another big-arse book about John Lennon and the Beatles?” In this case, though, you probably do.

2. Fab: An Intimate Life of Paul McCartney, by Howard Sounes

Ah, but do you need another big-arse book about Paul McCartney and the Beatles? Fortunately, in the case of Howard Sounes’s Fab, you’re not looking at a coffee-table volume but, rather, a proper biography. Sure, Barry Miles would seem to have the upper hand on McCartney bios, given that his contribution, Many Years from Now, was actually authorized by Macca himself, but with the 200+ interviews done by Sounes, the fact that he wasn’t working directly with his subject means that you’ll probably end up learning a few things that Sir Paul probably would prefer that you hadn’t. Given that Sounes manages to tackle both the highs and the lows of McCartney’s career while neither rhapsodizing nor crucifying the man, it’s no surprise that the reviews for Fab have been, well, fab.

3. Talking to Girls About Duran Duran: One Young Man’s Quest for True Love and a Cooler Haircut, by Rob Sheffield

I mean this in the best possible way and intend absolutely no disrespect to Rob Sheffield, but…I totally could’ve written this book. And so, for that matter, could my fellow Bullz-Eye editor, David Medsker. Even though this book may not mirror either of our lives precisely, it contains enough universal truths about growing up in the 1980s and the soundtrack of the era that the experience of reading it proves at various times to be heartwarming and heartbreaking but – fortunately – with a whole lot of hilarity also thrown into the mix. Covering everything from Duran Duran and Depeche Mode to Rob Base and DJ E-Z Rock and Def Leppard, it may be Sheffield’s memoir, but a lot of it is our lives, too. You’ll probably find it contains a bit of yours as well, even if you weren’t even yet born when the ’80s ended (man, did you just hear that really loud collective sigh from all of the thirty- and fortysomethings?)…and if you’re like David and I, it’ll probably make you want to write your own book. But until after you curse Sheffield for having written his first.

4. A Wizard, A True Star: Todd Rundgren in the Studio, by Paul Myers

Paul Myers may have made his biggest literary splash – or certainly his most high profile, anyway – by penning Barenaked Ladies’ authorized biography, Public Stunts, Private Stories, but it’s his passion projects which have proven the most educational for music-bio aficionados.

2007 brought us his examination of the British blues scene of the 1960s as viewed through the kaleidoscope of Long John Baldry’s career (It Ain’t Easy: Long John Baldry and the Birth of the British Blues). Now, Myers has set his sights on a more mainstream musical figure…although, really, when someone inspires his followers to declare, “Todd is God,” doesn’t that by definition mean that they have a cult following?

But I digress.

With A Wizard, A True Star, Myers attempts the daunting task of exploring Rundgren’s work behind the board, as it were, exploring in great detail the albums that he’s produced over the years, including Meat Loaf’s Bat Out of Hell, the New York Dolls’ self-titled album, XTC’s Skylarking, and, as the cliche goes, many, many more. Researched and written with the participation and cooperation of Rundgren himself, Myers also draws upon exclusive new interviews with Robbie Robertson, Patti Smith, XTC, Sparks, Daryl Hall and John Oates, Meat Loaf, Jim Steinman, Cheap Trick, Grand Funk, The Psychedelic Furs, The Tubes, Steve Hillage, and the members of Utopia.

If you’re a Rundgren fan and didn’t already know what you wanted for Christmas before reading this, I think it’s fair to say that you do now.

5. Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock, by Andrew Earles

In the interest of full disclosure, I must admit that I have yet to pick up a copy of this book, but while I’m not necessarily expecting it to top Michael Azerrad’s look at the band in Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991, the idea of someone putting together a full-fledged history of the work that Bob Mould, Grant Hart, and Greg Norton did together has me excited enough that I feel like I should at least spread the word about it.

Here’s the official description of the book:

Taking their name from a popular Danish children’s board game, Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in St. Paul, Minnesota, in 1979 as a wildly cathartic outfit fueled by a cocktail of volume and velocity. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume, and in the process become one of the most influential rock bands of the 1980s indie underground. Earles also explores how the Twin Cities music scene, the creative and competitive dynamic between Mould and Hart, and their personal lives all contributed to the band’s incredible canon and messy demise. Few bands from the American indie movement did more than Hüsker Dü to inform the alternative rock styles that breached the mainstream in the 1990s. Here, finally, is the story behind their brilliance.

Hey, it certainly sounds good. Whichever one of us gets it first, meet back here and let the other know how it is, deal?

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Peter Block: Peter Block


RIYL: Candy Butchers, The Beatles, Randy Newman

Peter Block has done what many others have done before him – assembled a solid batch of songs following the pain of a divorce. Block was divorced after 16 years of marriage, and channeled the pain of that and the physical pain from two herniated discs in his back into creating music. Along with producer Mike Viola of Candy Butchers fame, and with co-writers that included Viola as well as Tracy Bonham and Dan Miller of They Might Be Giants, Block has a record he can be proud of as he jumps full force into the next chapter of his life. The songs on here are bright and breezy, yet intellectual pop. But one of the reasons Block is so compelling is that no one song sounds the same. The best tracks are the opener “Die a Little Everyday,” a melancholy pop gem; the bouncy Randy Newman-ish “In a State,” which has some slick guitar and key production; and the sad but catchy “Good to See You Gone,” in which Block attempts to do his best Shawn Mullins impression. Block is clearly at his best when he’s going up-tempo. Otherwise, as on the pulsing slow rocker “Room Full of Empty Chairs,” he just sounds like he’s trying too hard. Either way though, this is a solid release if you’re into the adult alternative thing and a fan of good songwriting in general. (Engine Room Recordings 2010)

Peter Block website

Saul Zonana: Phatso


RIYL: The Beatles, Butch Walker, Crowded House

Singer/songwriter/rocker Saul Zonana may sometimes experiment with different ideas, sounds and songwriting nuggets, but regardless, his music is almost always melodic and extremely appealing. Such is the case with Zonana’s latest, Phatso, self-recorded and produced in his hometown of Nashville with a small supporting cast. Zonana has also toured with and hung around the legendary Adrian Belew a lot the last few years, and some of Belew’s eccentric ways have rubbed off on Zonana where his songwriting is concerned. Tracks like “Boogyman,” “Mr. Pulsfuss,” and “Direction” are signature Saul, with the same Beatlesque harmonies and guitar tones, and are worth the price of admission here. But he veers left of center a few times, especially on the title track, which features female old-timey vocals and instrumentation. This one sounds like a radio commercial, but as far as that goes, “Really Expensive Cream” is not a song but a comedic bit that is actually meant to be a commercial. It’s funny, but it’s not something you’ll want to listen to over and over again. And two of the best tracks are the acoustic-driven “About You” and “In the Moment.” The former especially is not the type of song we’ve come to expect from Saul, but a really pleasant, stripped-down surprise. And with Phatso, surprise is the name of the game – from a good game at that. (20/20 Music 2010)

Saul Zonana website

Nada Surf: If I Had a Hi-Fi


RIYL: Josh Rouse, Rogue Wave, The Silver Seas

The cool thing about alt-pop band Nada Surf is that they appear to always do things their own way. For whatever reason, though, they stayed together all these years and broke through in 2005 with The Weight Is a Gift, which was produced by Death Cab for Cutie’s Chris Walla. The band continued some of that magic with 2008’s Lucky, and instead of lying low as they had planned, decided to release an album of cover tunes. Fast-forward to today, and If I Had a Hi-Fi. While it’s a set of songs that varies widely from the known (Depeche Mode’s “Enjoy the Silence” and The Moody Blues’ “Question”) to the currently hip (The Go Betweens’ “Love Goes On” and Spoon’s “Agony of Lafitte”) to the mostly obscure (Bill Fox’s “Electrocution” and Macromina’s “Evolucion”), the base of this is Nada Surf’s signature sound, which is akin to Josh Rouse or Ben Folds fronting a modern version of the Beatles. And it’s that sound that is so endearing. That said, there is something about this album that, while nice enough, may leave you wanting more. That could be because Nada Surf’s original material is that good, or it could be that they just chose these songs on a whim based on what they were listening to at the moment. Surely we can’t fault them for taking chances, because they even covered Kate Bush’s “Love and Anger.” But one or two covers on a new Nada Surf record would have worked just as well. (Mardev 2010)

Nada Surf MySpace page

21st Century Breakdown: The iDecade: Michael Fortes’ Ten “Best” Albums of the Aughts

As the aughts draw to a close… who cares? Seriously, who really does care? Does it mean the same to you as it does to me? I ask because this is what I see:

The span of time between the years 2000 and 2009 was like no decade that came before in that, given the rapid and ever more sophisticated advances in technology, we’ve been able to create our own very unique cultural experiences. There may be no “i” in “team” or “us” or “together,” but “i” creeped into our TV viewing experiences (TiVo), our telephones (the iPhone), our computers (how about the iMac?), and – most significantly – the way we listen to music (iTunes, the iPod, etc.), which is arguably where many of our personalized media experiences began in the first place. Which is great, on one level. If we only want to hear what we want to hear at the moment that we want, we can have that experience for relatively little money, at any time we please.

But on the other hand, what was threatening to become reality pretty much happened in the ’00s – we collectively eliminated the possibility of there ever being another Beatles, Elvis Presely or Michael Jackson, someone that most of us can all agree on. Given that Michael left us mid-way through the last year of the decade, we have effectively lost our last great pop culture figure, and even he was vulnerable to the pressures of our shape-shifting culture. The one album of all original material he released this decade (2001’s Invincible) was not only one of his poorest sellers, it also sucked way more often than it didn’t. Granted, we still have two Beatles left, but even Paul McCartney hasn’t been able to produce an album that could unite all of his old and young fans the way his work with the Beatles continues to do.

Which brings us to the album itself. It’s not completely dead, and will always have a place so long as musicians think of themselves as artists and still revel in the joy of creating a cohesive work of art. But let’s face it – fewer people are buying albums (on CD, that is – digital download sales and even sales of vinyl records continue to increase, though not nearly enough to offset the decline in CD purchases). And that translates to fewer people who can come together to agree on which ones are great, and which ones are best forgotten. And fewer people to care.

Having said all that, in conjunction with our End of Decade series, I present to you my picks for ten best albums of the decade, in no particular order. These are albums that, for one reason or another, connected me to many, many different people over the past ten years, all of whom mean something to me. Maybe you’re one of them, or maybe you will be someday.

Doves – Lost Souls (2000)
Queens of the Stone Age – Rated R (2000)
Fleet Foxes – Fleet Foxes (2008)
M. Ward – The Transfiguration of Vincent (2003)
Brian Wilson – Smile (2004)
The Gutter Twins – Saturnalia (2008)
Beck – Sea Change (2002)
Ambulance LTD – LP (2004)
Erykah Badu – Mama’s Gun (2000)
Herbie Hancock – River: The Joni Letters (2007)

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