Michael Jackson hanging out . . .

Here’s a cool photo of Michael Jackson hanging out with Bette Midler, David Bowie and Cher.


Ohio State Marching Band “Michael Jackson Tribute”

The Ohio State Marching Band is appropriately known as the “best damn band in the land” and you’ll probably agree after watching this Michael Jackson tribute that has gained a ton of attention and millions of views on YouTube. You’ll be stunned to watch the band simulate Michael Jackson moonwalking.


Underground Rapper of the Week: Das Racist

Underground Rapper of the Week is a new feature designed to raise awareness of rappers from all over the world who, if that world were a perfect place, would be more famous than they are. It will be updated every Tuesday before the sun goes down. Feel free to email suggestions of slept-on rappers from your city or wherever to: ezra.stead@gmail.com

When rap music and other aspects of Hip-Hop culture originated in the 1970s, they were wrongly seen by many as a passing fad that wouldn’t last long. Now that Hip-Hop has infiltrated all of popular culture and become perhaps the most important musical and cultural movement since rock and roll, it is fitting that it has moved into its postmodern stage, and no one epitomizes this idea better than the New York duo (or trio, if you count their hype man, Dapwell) known as Das Racist. Emcees Heems and Kool A.D. named their crew after a brief but memorable moment in the brilliant sketch comedy series Wonder Showzen, just one of the staggering multitude of pop culture references that fill their lyrics. As Heems explains it, “I think being minorities at a liberal arts college and that type of environment had an impact on both the way we view race and our sense of humor, which people often use as a tool to deal with race. I always felt like Wonder Showzen was a television show that captured that type of thing perfectly.”

This balance between humor and genuine anger at racism and other social ills fills DR’s music as well, competing with jokes, allusions and references for space in their absurdly dense lyrics over club beats that allow the casual listener to just bob their heads and dance, in case they’re not inclined to decipher what DR means when they describe someone as “hard to read like Finnegan’s Wake” (in an insanely catchy song called “Coochie Dip City,” no less). The irreverence of their wordplay and the fact that they first gained notice for the almost sublimely ridiculous single, “Combination Pizza Hut and Taco Bell,” has led some to dismiss DR as joke rap, but this is an unfair label because they are actually extremely skilled emcees with an obviously deep knowledge and love of Hip-Hop. Heems sums their approach up quite well on “Don Dada,” from their first mixtape, Shut Up, Dude: “Is it parody, comedy, novelty or scholarly? A little bit of column A, a little bit of column B.”

With their follow-up mixtape, Sit Down, Man, Das Racist continued to gain respect as true lyricists, moving further away from both the “joke rap” label and the often equally irksome “conscious” one. However, this is not to say they don’t clearly embrace the power of humor, without sliding down the slippery slope of making actual novelty music. As Heems says in one of the most brilliant and hilarious interviews of all time, “All I wanted to do was make some jokes – mostly about race, though not necessarily consciously – over dance music that would serve to undermine it so Talib Kweli fans wouldn’t like it.” With their two mixtapes and the full-length debut album, Relax, Das Racist is proving to be no joke, even if their live show is a little bit like House Party 2.


Bullz-Eye’s Top Ten Music Moments of 2010: Staff Writer Rob Smith’s Picks

In my mind, 2010 will be remembered more for moments of strangeness, oddity, and lessened expectation, than it will be for transcendent music. The throwaway nature of pop has never been more transient or incidental; technology enables us to hear as much as we want and, by the sheer volume of those possibilities, to actively listen as little as we ever have. How else to explain Ke$ha and the Glee cast recordings, much less the continuing nonsense of Black Eyed Peas? Raise your hand if you think Bruno Mars or Rihanna are still going to be churning out hits ten years from now, or that Katy Perry (more about her below) will still be squeezing into latex after she and her pasty Brit hubby have two or three little Russells to contend with, and things start saggin’.

I will remember 2010 for several key moments:

Top 10 Music Moments of 2010

1. The Roots, Being the Roots. Are they the best band on the planet? It’s hard to argue when their versatility is put on display every weeknight, and when they reiterate their overall excellence by turning out two of the best records of the year (How I Got Over and Wake Up, with John Legend).

2. Dio, Chilton Die. We lost metal’s gentle sorcerer (Ronnie James Dio) and Big Star’s genius-in-residence (Alex Chilton) within a few months of one another. May they both rock in peace.

Read the rest after the jump...

Michael Jackson estate and Sony reach deal

The Wall Street Journal is reporting that the estate of Michael Jackson and Sony have reached a record-setting deal worth $250 million. The terms guarantee the estate at least $200 million while giving Sony the rights to produce 10 albums of both new and previously material over the next seven years.

Since Mr. Jackson’s death on June 25, Sony has sold an estimated 31 million of his albums globally. By the first anniversary of his death, his estate expects to have earned $250 million from sales of music, merchandise and tickets to the posthumous concert film “This Is It.”

The advances being paid by Sony are to be offset by sales of albums as well as revenue generated by licensing Mr. Jackson’s music for uses like videogames, movies and theatrical performances. But unlike the megadeals struck in recent years by concert promoter Live Nation Entertainment Inc. with pop stars Jay-Z and Madonna, the Jackson deal doesn’t give Sony income from other parts of the late singer’s business, such as merchandise sales or fees for licensing his name and likeness.

With deals such as this between a business and an estate, the business certainly employs more of a long-term strategy to making a profit. Michael Jackson’s estate, however, had to act quickly since it had a massive debt to pay off the massive debt caused by the King of Pop’s spending in recent years. Sony simply realizes everlasting appeal of Michael Jackson’s music. With the cash to back it, I think it safe to safe the company will recoup its investment.

Photo from fOTOGLIF