Got a music fan on your holiday shopping list? We’re not talking about someone who only listens to the radio in the car and, even then, spends half of their time talking on their cell phone. We’re talking about someone who – like the name of this blog – eats, sleeps, and drinks music, someone who isn’t afraid to do a little bit of genre-jumping and who, after being introduced to an artist or a scene, seeks out reference material to learn more about the songs they’re hearing and the people who brought them to fruition. If so, we’ve got a few books for you.

Now, mind you, this isn’t intended to be a comprehensive list, as most obviously evidenced by the fact that neither Keith Richards’ Life nor Jay-Z’s Decoded are anywhere to be found, not to mention Justin Bieber’s scintillating story, First Step 2 Forever. All we’re trying to do is offer up some suggestions based on what we’ve seen, read, and gotten excited about over the course of 2010. And now that you know that, read on…

1. John Lennon: Life is What Happens, by John Borack

Beatles-related coffee-table books are practically a literary industry unto themselves, but John Borack’s contribution to the field is one of the best to come down the pipeline in quite some time, offering a blend of photographs, album covers, movie posters, memorabilia and minutiae from throughout John Lennon’s career while interspersing the visual presentation with text.

Some of it comes courtesy of the author himself, who provides a more thorough history of Lennon’s life and times than you might expect; given the eye candy with which he’s surrounded his words, Borack could’ve gone the simple route, but rest assured that this is no rote history. Beyond his contributions, there are quotes from Lennon himself, of course, both from his lyrics and his interviews, but there are also comments from various musicians, DJs, and others who have been affected by Lennon’s work throughout the years.

You’d be right to hesitate and think to yourself, “Do I really need another big-arse book about John Lennon and the Beatles?” In this case, though, you probably do.

2. Fab: An Intimate Life of Paul McCartney, by Howard Sounes

Ah, but do you need another big-arse book about Paul McCartney and the Beatles? Fortunately, in the case of Howard Sounes’s Fab, you’re not looking at a coffee-table volume but, rather, a proper biography. Sure, Barry Miles would seem to have the upper hand on McCartney bios, given that his contribution, Many Years from Now, was actually authorized by Macca himself, but with the 200+ interviews done by Sounes, the fact that he wasn’t working directly with his subject means that you’ll probably end up learning a few things that Sir Paul probably would prefer that you hadn’t. Given that Sounes manages to tackle both the highs and the lows of McCartney’s career while neither rhapsodizing nor crucifying the man, it’s no surprise that the reviews for Fab have been, well, fab.

3. Talking to Girls About Duran Duran: One Young Man’s Quest for True Love and a Cooler Haircut, by Rob Sheffield

I mean this in the best possible way and intend absolutely no disrespect to Rob Sheffield, but…I totally could’ve written this book. And so, for that matter, could my fellow Bullz-Eye editor, David Medsker. Even though this book may not mirror either of our lives precisely, it contains enough universal truths about growing up in the 1980s and the soundtrack of the era that the experience of reading it proves at various times to be heartwarming and heartbreaking but – fortunately – with a whole lot of hilarity also thrown into the mix. Covering everything from Duran Duran and Depeche Mode to Rob Base and DJ E-Z Rock and Def Leppard, it may be Sheffield’s memoir, but a lot of it is our lives, too. You’ll probably find it contains a bit of yours as well, even if you weren’t even yet born when the ’80s ended (man, did you just hear that really loud collective sigh from all of the thirty- and fortysomethings?)…and if you’re like David and I, it’ll probably make you want to write your own book. But until after you curse Sheffield for having written his first.

4. A Wizard, A True Star: Todd Rundgren in the Studio, by Paul Myers

Paul Myers may have made his biggest literary splash – or certainly his most high profile, anyway – by penning Barenaked Ladies’ authorized biography, Public Stunts, Private Stories, but it’s his passion projects which have proven the most educational for music-bio aficionados.

2007 brought us his examination of the British blues scene of the 1960s as viewed through the kaleidoscope of Long John Baldry’s career (It Ain’t Easy: Long John Baldry and the Birth of the British Blues). Now, Myers has set his sights on a more mainstream musical figure…although, really, when someone inspires his followers to declare, “Todd is God,” doesn’t that by definition mean that they have a cult following?

But I digress.

With A Wizard, A True Star, Myers attempts the daunting task of exploring Rundgren’s work behind the board, as it were, exploring in great detail the albums that he’s produced over the years, including Meat Loaf’s Bat Out of Hell, the New York Dolls’ self-titled album, XTC’s Skylarking, and, as the cliche goes, many, many more. Researched and written with the participation and cooperation of Rundgren himself, Myers also draws upon exclusive new interviews with Robbie Robertson, Patti Smith, XTC, Sparks, Daryl Hall and John Oates, Meat Loaf, Jim Steinman, Cheap Trick, Grand Funk, The Psychedelic Furs, The Tubes, Steve Hillage, and the members of Utopia.

If you’re a Rundgren fan and didn’t already know what you wanted for Christmas before reading this, I think it’s fair to say that you do now.

5. Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock, by Andrew Earles

In the interest of full disclosure, I must admit that I have yet to pick up a copy of this book, but while I’m not necessarily expecting it to top Michael Azerrad’s look at the band in Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991, the idea of someone putting together a full-fledged history of the work that Bob Mould, Grant Hart, and Greg Norton did together has me excited enough that I feel like I should at least spread the word about it.

Here’s the official description of the book:

Taking their name from a popular Danish children’s board game, Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in St. Paul, Minnesota, in 1979 as a wildly cathartic outfit fueled by a cocktail of volume and velocity. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume, and in the process become one of the most influential rock bands of the 1980s indie underground. Earles also explores how the Twin Cities music scene, the creative and competitive dynamic between Mould and Hart, and their personal lives all contributed to the band’s incredible canon and messy demise. Few bands from the American indie movement did more than Hüsker Dü to inform the alternative rock styles that breached the mainstream in the 1990s. Here, finally, is the story behind their brilliance.

Hey, it certainly sounds good. Whichever one of us gets it first, meet back here and let the other know how it is, deal?

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For many die-hard Bruce Springsteen fans, the 1978 tour ranks as his best. It was Springsteen at the height of his powers, when his live shows truly became the stuff of legend. The tour lasted only seven months, and he wasn’t playing arenas yet so he wasn’t yet drawing the huge crowds that would see him in the 1980’s, but the tour lived on in the numerous bootlegs created during these incredible shows.

So, when I heard of a new book about the tour, I had to check it out. The Light in Darkness by Lawrence Kirsch is an excellent tribute to Bruce Springsteen and the E Street Band and the memorable tour from 1978. Bruce would release Darkness on the Edge of Town during the tour, which broke a three-year drought caused by Springsteen’s legal battles with his previous manager following the success of Born to Run.

The first thing you notice is the photography. Kirsch compiled an impressive collection of photos from that time period, many of which came from fans and had never been previously published. But the stories are equally rich, as writers, fans, DJs and others who saw the tour or participated in various ways share their experiences.

Growing up in Cleveland, I was introduced to Springsteen through WMMS, the legendary AOR station that featured Kid Leo as the afternoon drive DJ. Kid Leo became Springsteen’s most enthusiastic supporter outside of Springsteen Jersey/Philly base. I didn’t get to see my first Springsteen show until 1980, but I was introduced to the 1978 tour when WMMS would replay the incredible free concert Bruce gave at the Agora in Cleveland that was broadcast on WMMS. Like everyone else I taped it and memorized the entire show. Kid Leo game the memorable introduction to Bruce and the band that everyone can hear on the recording: “I have the duty and the pleasure of welcoming, ladies and gentlemen, the main event. Round for round, pound for pound, there ain’t no finer band around – Bruce Springsteen and the E Street Band!” Bruce then tore into Eddie Cochran’s “Summertime Blues” and then “Badlands” to kick off the epic performance. Through the years you hear the evolution of Springsteen’s live versions of his signature songs, but the raw intensity he displayed on this tour has always stuck with me as Bruce at his very best.

In The Light in Darkness, Kirsch includes four stories about this memorable performance, two from die-hard fans, one from John Gorman who helped produce the show’s broadcast and one from WMMS DJ Denny Sanders. I learned that Bob Segar was quoted as saying “This was the greatest rock and roll show I ever heard,” and that Max Weinberg called it “The best show the E Street Band ever did.”

The book is a celebration of rock history. If you’re a Springsteen fan, it’s something you’ll have to add to your collection. You’ll want to break out the old bootlegs and rock out to the Boss all over again. If you’re a rock and roll junkie who’s never been a big Springsteen fan, this book might be the introduction you need to one of the best live artists in rock history.

For fans of iconic rock band Led Zeppelin, there will forever be a hole in their collective heart stemming from the tragic death of drummer John Bonham in 1980. There have been several attempts at reunion performances, most recently in 2007 with Bonham’s son Jason pounding the skins for a tribute to Atlantic Records’ founder Ahmet Ertegun. But there has never been another tour, or any new music from the band, nor any real promise of such. And as difficult as that may be to swallow for a Led Zep fan, it may be best to remember these guys as they were – pioneers of hard rock, filling arenas with loud music and prompting young musicians everywhere to dream of becoming rock stars.

And it’s easier to remember the good times when you have books like “Led Zeppelin: Good Times Bad Times (A Visual Biography of the Ultimate Band)” by long-time Led Zep researchers Jerry Prochnicky and Ralph Hulett. This 200-plus page hardcover is filled with some incredible shots of the band from the early days when they were known as the New Yardbirds, all the way up to that 2007 performance that features a white-haired Jimmy Page on guitar. Throughout, there are live shots, shots of the band hanging out at home with their families, shots that might be considered ubiquitous and others that are quite obscure. Sometimes photos can tell a story better than words can, and in this case the authors have put together one of the finest retrospectives possible. The only thing missing is an accompanying music CD, but we suggest drawing from your own Zep collection, and crank it up really loud while you peruse. It’s the only way. (Abrams Books 2009)

Aptly priced at $16.66, Bozza’s tribute to the “greatest living rock band” is packaged like any of a million little impulse-buy, gift books that clutter the front counters of chain stores and independents alike. Unlike those books, which tend to be scant collections of unfunny jokes, sappy homilies, or sound-bite life instructions, Bozza has written a fiery, fast paced, aggressively written love cry to one of the most indestructible and eminently powerful rock bands ever.

Like AC/DC itself, Bozza’s writing is both straightforward and accessible, while challenging in its condemnation of rock criticism in general and unquestionably catchy as any good story should be. His introduction is as short and hard-hitting as the intro to Back in Black, quickly setting down the purpose behind his book and giving us a personal feel for his relationship with the band and music that has been nearly lifelong. It also provides a quick, but important critique of modern music writing that is a must read for anyone (this reviewer included) who wants to be an authentic voice in musical journalism.

The chapters are divided into small bios of the band members, crossed with succinct but erudite studies of the various musicalities. While getting the story of the “youngest Youngs” Malcolm and Angus and their rise to iconic status, we also get a fine analysis of their guitar method and idiosyncrasies. What comes across is the surprising quality of brotherly support that is not only at the heart of AC/DC’s professional success, but also their self-taught musical skill; skill that can be lost in the visceral impact of the songs themselves. When telling the truth-is-stranger-than-fiction tale of Bon Scott and the transition to Brian Johnson, Bozza not only grants us an immerse sense of the musical history behind the band, but we get a physiology lesson in hard rock singing. Continuing through Mark Evans, Cliff Williams and the amazing Phil Rudd, he manages to deconstruct AC/DC’s music without killing the magic.

The book ends with a heartfelt ode to the fans who have stood by this band for 36 years, providing a sense of continuity that provides an excellent case study in AC/DC of the massive changes to the music industry; massive changes the band has navigated with an unrelenting forward momentum based on honest, blood & guts, rock & roll integrity.

Bozza loves AC/DC, and with this short, gut punch of a book, he proves you should to.

For those about to rock… read this book!

Click to buy Why AC/DC Matters from Amazon

For those looking forward to a detailed analysis of one of music’s all-time greatest producers, “Rick Rubin: In the Studio” is a colossal letdown. Based on the number of paragraphs that feature lines like “as he told Australian Guitar,” “Rubin told the LA Times,” “Rubin said to Mix,” and so on, one wonders if author Jake Brown spoke to a single person associated with Rubin when assembling his book, or if he put it together using Wikipedia. To make matters worse, four or five pages will go by without even a mention of the man, instead focusing on how the Red Hot Chili Peppers like to jam and what gear they use in the studio. It’s not a laborious read – barring the first chapter, which is a nightmare – but it’s also not nearly as interesting as one would hope. Pity. (ECW Press 2009)