Underground Rapper of the Week: Prof

Underground Rapper of the Week is a new feature designed to raise awareness of rappers from all over the world who, if that world were a perfect place, would be more famous than they are. It will be updated every Tuesday before the sun goes down. Feel free to email suggestions of slept-on rappers from your city or wherever to: ezra.stead@gmail.com

Undoubtedly one of the most consistently entertaining underground rappers out right now, Southside Minneapolis’ Prof is a powerhouse of energy and skill wrapped up in an intentionally goofy exterior. Recently named one of City Pages’ Top 20 Best Minnesota Rappers, Prof has been on his grind in the Twin Cities for over a decade, and is now beginning to see some serious national exposure through his collaborations with the Alabama emcee Yelawolf and the Atlanta production duo Beat Chefs, who produced the stellar “Cold Outside” from Raekwon‘s Only Built 4 Cuban Linx … Pt. II, as well as fellow hometown heroes like Atmosphere and Brother Ali. Though his lyrics, stage presence and videos are mostly hilarious, Prof’s skill as an emcee is no joke, and his ability to engage an audience is extraordinary.

Prof released his first full-length with his rapping partner Rahzwell, the self-titled Prof & Rahzwell, in 2006, before breaking out with his Beat Chefs-produced solo debut, Project Gampo, in 2007. Like so many great emcees before him, Prof has invented a new slang term, “Gampo,” and it fits his hard-partying aesthetic perfectly. The hit single from that album, “Rocketman,” showcases his rapid-fire lyricism and playful swagger, as when he raps, “I keep ill, I eat skills / I climb mountains, I need thrills / Keep a couple dollar bills under my collar / So when I pop, know that I don’t mean pills.” Another standout track from that album is the hangover anthem “I Dry Heave,” which features great storytelling like these bars in which he describes barely getting to work and throwing up once more on the way in: “Rode on my niece’s handlebars all the way to work / My drunk ass might have been her training wheels, sure / And pull the trigger in the bushes before I walk in / My sweet niece left me gum in my pocket.”

Prof has stayed busy ever since, releasing two mixtapes under the title Kaiser von Powderhorn in 2008 and 2010, with a third on the way this summer. He also released the free album Recession Music, with fellow Minnesota rapper St. Paul Slim, in 2009; part of the ad campaign for that album, which includes the excellent “Horses in the Ghetto,” included old-fashioned “Wanted” posters of Prof and Slim illegally hung around the Twin Cities. This is a prime example of what sets Prof apart from a lot of other rappers: he has a unique way of making himself known, including some of the funniest promotional videos you’ll likely ever see. He also has a strong singing voice, which lends itself well to monster hooks such as the hilarious “Need Your Love” and “Animal,” as well as the straight-up blues jam “Whiskey.” Prof’s latest full-length, King Gampo, is available for free download now from Stophouse Music Group, so click that link and get Gampo!

  

Bullz-Eye’s Favorite Albums of 2010: Staff Writer Mike Heyliger’s picks

I seriously can’t remember the last time I’ve had to struggle with a list of my favorite music in a particular year. Actually, I can, so I should clarify: I seriously can’t remember the last time I’ve had so much good music to choose from when paring down my list of favorites for the year. Upon looking at my CD collection (yes, I’m one of those guys), I still see another 10 or 20 albums that could make the list if I listen more carefully. But without the benefit of the free time it would take to check those CDs out, here’s a list of the 20 best albums I’ve heard in 2010.

1. Kanye West: My Beautiful Dark Twisted Fantasy
As much as Kanye’s childish tirades infuriate me, I’ll be damned if his music doesn’t always win me over. Fantasy is amazing from just about every facet: musically, lyrically, thematically. I’ll forgive ‘Ye for a million idiotic public statements if he keeps making music like this.

2. Gil Scott-Heron: I’m New Here
One of two albums in my Top 20 recorded by artists re-emerging after a 14-year absence, I’m New Here is a haunting listen. The ravages of time have wreaked havoc on Scott-Heron’s voice, but much like Bob Dylan’s most recent work, age has given the artist’s voice additional resonance.

3. The Black Keys: Brothers
Sometimes the album that breaks a band through to a mainstream audience is indeed their best work. That’s definitely the case with the Black Keys’ Brothers. Bluesy garage-rock with enough hooks to keep guys like me interested, I feel like this is the album Dan Auerbach and Patrick Carney were aiming for with their Danger Mouse-helmed Attack & Release album. As it turned out, they didn’t (really) need Danger Mouse, anyway, just their bad selves and the ghosts of Muscle Schoals, Alabama.

4. The Roots: How I Got Over
Can someone give these guys a medal for the most consistently awesome act not only in hip-hop, but in music period? I feel like the Roots are incapable of making a bad album even if they tried to. Although I suppose if they replaced Black Thought with Jimmy Fallon…

5. Cee Lo Green: The Lady Killer
“Fuck You” (or “Forget You,” if you’re easily offended) was a gimmick single, sure. However, even gimmick singles can be genius, and what’s more is that the Goodie Mob/Gnarls Barkley frontman was able to back the promise of that song up with an incredible album. I wish he rapped more, but when you can outsing just about every artist in contemporary pop and R&B, I guess you can be excused.


Read the rest after the jump...