Tag: Eat Sleep Drink Music (Page 13 of 31)

Me, Myself, and iPod 6/23/10: A literal animal collective

esd ipod

!!! – AM/FM
I am admittedly late to the !!! party, as I spent a good year trying to figure out how to even say the band’s name (Jason Thompson finally set me straight by going “Ch-ch-ch”), but after hearing this Frankie Goes to Hollywood-sampling number – and if it’s not Frankie, it’s gotta be something produced by Trevor Horn – you can bet I’ll be keeping an eye on them going forward.

Joemca – Big Dreams
It’s like a glitchy Bruce Springsteen song. That’s a good thing, by the way.

Brock Enright – Maybe
Blissed out Jesus and Mary Chain? Sounds good to me.

Marco Benevento – Greenpoint
There are few things that make me roll my eyes faster than seeing “sound sculptor” in quotes in a press release. Having said that, this is a neat little instrumental.

Unicycle Loves You – Mirror, Mirror
I wrote a piece a while back about how band names have gone to shit. I cited Unicycle Loves You as an example of this. Their fans let me have it, though in a playful way, unlike the unfiltered hostility that one normally finds on the web. A few weeks later, the band sent me a friend request on MySpace. Had to give them points for that. Now they have a new album, and wouldn’t you know it, I like the first single. Still hate the band name, though.

The Rattles – Wavy Lane
These guys are animals. Literally. The album cover shows a cat, a hippo, a lizard and a goat. Not sure if this is just another Wiggles act or a really meta joke, but the song will have Nuggets fans dancing in their seats.

Oasis: Time Flies…1994-2009


RIYL: The Beatles, The Faces, The Beatles

Here’s the straight statistical dope about Time Flies…1994-2009, the new 27-track two-disc set of nearly every song Oasis released as a single: they had eight #1 singles in their native UK, and 23 Top Ten singles overall. In fact, only two of their singles didn’t crack the UK Top Ten. They were even huge in America for a while; their 1996 album (What’s the Story) Morning Glory? went quadruple platinum, and the albums on each side of it, 1994’s Definitely Maybe and 1997’s Be Here Now, sold a million copies as well. Radiohead would ultimately steal their crown, but for a moment, Oasis were England’s biggest band by a mile and one of the biggest bands in the world.

They are also quite possibly the most overrated band to ever walk the earth.

Oasis - Time Flies - COLOR1

Which is not to suggest that the band had nothing to offer; principal songwriter Noel Gallagher came up with some genius moments of modern-day rock riffage when he put some effort into it, namely “Wonderwall,” “Champagne Supernova” and “Don’t Look Back in Anger.” Most of Gallagher’s songs, though, are all pomp and no heart, tailor-made to get the festival crowds waving their arms but are otherwise empty, hollow attempts at Beatlesque grandeur. Rarely have songs tried so hard to sound so effortless.

Effort is only half the problem here, though; what Oasis really could have used is an editor. Was there any reason for “All Around the World” to be over nine and a half minutes long (two key changes!), or for “D’You Know What I Mean” – which is surely the inspiration for “You All Everybody,” the one hit wonder by “Lost” castmate Charlie’s band Drive Shaft – to clock in just under eight minutes? Even the songs that have a decent hook, like “Some Might Say,” don’t know when to walk the fuck away. Thirteen of the 27 songs here have run times over five minutes, and there is frankly no reason for it. A song need not be long in order to be epic; that’s a distinction Oasis never understood.

One thing working in the favor of Time Flies… is that it’s priced to sell, going for the price of a traditional single disc. Smart move, that, since anyone casually interested in the band will now get the songs they want plus a boatload more without spending much more money. If only the band had been as economical with the songs themselves. (Big Brother/Columbia 2010)

Oasis MySpace page
Click to buy Time Flies from Amazon

Seen Your Video: The Coral, “1000 Years”

I will be the first to admit that I don’t hear every album released each year because, frankly, it’s impossible. Over 30,000 albums are put out each year. Can’t hear ’em all, and goodness knows I try.

Having said that, I at least hear about albums coming out, even if I don’t hear them. But when I saw a recent press release talking about the upcoming Butterfly House being the Coral’s sixth album, I uttered the words that piss me off when I hear them from other people: “They’re still together?” The funny thing is, I had just been thinking of the band – loved their song “Dreaming of You,” from their 2002 debut – and wondered what had happened to them. After their 2003 sophomore effort Magic and Medicine, I literally had not heard a word of their existence until the other day. You’d think I would have accidentally heard something, but no.

And if the song “1000 Years” is any indication, I’m thinking I missed a few damn good records. James Skelly’s vocals are less Eric Burdon bluesy growl than ’90s Madchester shoegazer whisper, but the song is an absolute psych-pop gem, and the video is appropriately loaded with liquid camera shots and crude good/evil symbolism (man with wolf’s head, horses, water, an ankh). Butterfly House is currently scheduled to be import-only. Here’s hoping they change their minds.

The Chemical Brothers: Further


RIYL: Fatboy Slim, 808 State, Crystal Method

After briefly flirting with the mainstream in 2005 thanks to their Indian-riffing rump shaker “Galvanize,” one would forgive the Chemical Brothers if they liked the look of the spotlight and decided to spend some more time there. It’s to their immense credit, then, that their post-“Galvanize” efforts have been the most noncommercial work of their career, and their latest album, Further, is the most insular album they’ve made to date, not to mention their most fitting album title.

Chemical_Brothers_04

If they recorded for anyone other than Astralwerks, one of the last artist-friendly labels left standing, the A&R man would surely be telling them “I don’t hear a single,” because Further, well, doesn’t have one. In fact, the album has a lot of “silhouette” tracks, a trick that electronic acts use where they start with an existing song and keep adding bits to it while slowly removing everything from the original track until they have something brand new. The 12-minute “Escape Velocity” is a direct descendant of “It Began in Afrika” and “The Sunshine Underground” (but not as catchy as either), while “Another World” is a slower version of “Star Guitar” and “Horse Power” sounds as if it were built from the bones of “Break Shake Bounce” and “Hey Boy Hey Girl.” The closest the album comes to a pop song is the blissed-out psychedelia of “Dissolve.” Not coincidentally, this is also the album’s finest moment.

Further is both admirable and damned frustrating. Rowlands and Simons only make music for themselves, and that is how it should be (they refrained from using guest performers this time around, which is a nice change of pace), but we’re beginning to see the limits of their range as songwriters. They’re also trying just a bit too hard to avoid anything that could be classified as Big Beat, even though those records were some of the best things they’ve ever done. It’s good to be true to yourself, but there are times when it’s not such a bad thing to give the people what they want. (Astralwerks 2010)

Chemical Brothers MySpace page
Click to buy Further from Amazon

Me, Myself, and iPod 6/16/10: Rock chalk Jayhawk

esd ipod

Mark Olson – Little Bird of Freedom
As a longtime fan of the Jayhawks’ 1995 gem Tomorrow the Green Grass, I’ll do anything for Mark Olson, Gary Louris and Marc Perlman. The three are occasionally moonlighting as the Jayhawks – this after Louris personally told me when he was promoting his last solo album that the Jayhawks were done; thank goodness he was wrong – but this is from Olson’s upcoming solo album Many Colored Kite, due in late July.

The Silver Seas – Another Bad Night’s Sleep
Here’s the amazing thing about Chateau Revenge, the forthcoming sophomore effort from the Silver Seas: we’ve posted two great songs from the album for download (you can find the other one here), and we still haven’t touched my favorites from the album. Singer Daniel Tashian sounds a bit more like Rufus Wainwright on this one than his usual Jackson Browne baritone. It’s all good to me.

Hey Champ – Neverest
There are a lot of bands making valuable contributions to the new synth pop wave – the tricky part is finding them. For every band like Hey Champ, there are 20 shit bands who play vintage synthesizers and sneer a lot. That’s not synth pop; that’s just posing. These guys get it; their songs are based on songs, not attitude. And if you really want to get freaked out, check out the video for this song. Dolphin boobies!

Everything Everything – Schoolin’
Not to be confused with shit ’90s band Everything, who had that lame-ass song about seeing better days. This is a UK band that sounds like they’ve been spinning a lot of Neptunes productions. Funny that I keep comparing bands to other artists who haven’t sold any records, but the first person I thought of when I heard this was Kenna.

Crocodiles – Sleep Forever
I’m just going to assume that the band name came from the Echo & the Bunnymen song of the same name, because these guys have clearly heard a few Echo records. Big, jangly, quasi-psychedelic ’60s guitar rock song. Here’s hoping the full-length is just as good.

Olafur Arnalds – Tunglio (Moon)
Because even download columns need a come-down song. This string-kissed instrumental is heartbreakingly beautiful. Don’t be surprised if it winds up serving as the score to a “Grey’s Anatomy” montage in the fall.

« Older posts Newer posts »