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ISPs now working with RIAA to catch downloaders?

Nothing is official, but it appears that the RIAA has enlisted the group that can best help them fight music piracy — the internet service providers (ISP).

It’s important to note that none of the half dozen or so ISPs involved has signed agreements. The companies are “skittish” about negative press and could still back out, said the sources. But as it stands, AT&T and Comcast are among the companies that have indicated they wish to participate in what the RIAA calls a “graduated response program.”

Typically, ISPs have stayed away from getting involved in copyright enforcement. The ISPs working with the RIAA will forward take-down notices to network users accused of illegal file sharing and in an unprecedented move, will establish a series of responses for chronic copyright violators.These responses will gradually grow in severity as the number of violations go up and may include suspension of service or even service termination. Each ISP will decide its own response.

There are still plenty of details left to work out, the sources said. The RIAA has yet to address how it would help ISPs make up for the revenue they would lose by kicking people off their networks or who would pay the costs of sending take-down notices. The RIAA may disclose participating ISPs as soon as next month, according to a music industry source, adding that AT&T and Comcast are expected to be part of the group.

If AT&T and Comcast do join, the RIAA will have plenty of muscle to wage a new assault on piracy. The music industry said last month that it would no longer battle piracy by filing lawsuits against individuals. Instead, the big recording companies seek to create a new line of defense at the network level. And at least on paper, the plan is a potent one.

This move has always made sense for the RIAA, but it’s ironic how the ISPs built their broadband business on the backs of music and movie downloaders and now they’re going to turn around and punish their customers for doing just that. There is likely some very negative press once the full list of cooperating ISPs is revealed. And I wouldn’t be surprised if there are a few ISP holdouts that use their status of non-cooperation as a marketing tool to attract downloaders (or customers that just want as much privacy as possible).

I’m still confused about the digital music business model. I can buy a hard copy of a CD for around $10 if I go to a discount seller. I can buy a digital copy of the same album at iTunes for the same price. The difference is that the hard copy of the CD still holds value. I can resell it for $3 or $4 if I stop listening to it. That’s not possible with the digital copy. So, to me, the digital copy should be discounted ahead of time to account for that loss in value. Digital albums should be $5 or $6, not $10. There are no CDs to be burned or shipped, jewel cases to be bought or assembled, or artwork to be printed, so the digital copy should be far cheaper to produce and distribute.

Unfortunately, it appears iTunes is actually raising the price of (some) songs to $1.29.

Dälek: Gutter Tactics

You can pretty much guarantee that any album whose back cover contains a painting of a lynching isn’t going to be a sunny listen – but even if you go into Dälek’s Gutter Tactics expecting to hear some strange fruit, it’ll still shock you with the brute force of its seething, brooding intensity. The album kicks off with the charmingly titled “Blessed are They Who Bash Your Children’s Heads Against a Rock,” built around a hot minute of an impassioned foreign policy sermon from the Reverend Jeremiah Wright, and descends from there into a woozy, nightmarish world of droning guitars, ferocious beats, and lyrics buried beneath layer after sinister layer of cacophonous noise. It might seem odd for a hip-hop album to shove its MC to the back of the room, but Dälek isn’t like most hip-hop acts – even those who flirt with the post-rock fringes – and Gutter Tactics goes against the grain, demanding to be played front-to-back with rapt attention rather than diced into shuffle-sized bits on your iPod. Listening to it is like watching a pack of rabid dogs rip their dinner apart in a back alley at midnight, and songs like “Atypical Stereotype” and the title track are so dark they make the Roots sound like “Addams Family Groove”-era MC Hammer. It is, in other words, one of the least friendly rap albums you’re likely to hear all year – and also one of the hardest to turn away from. (Ipecac 2009)

Dälek Myspace page

Nickel Eye: The Time of the Assassins

Solo sojourns are sometimes iffy propositions, the product of second-string musicians either eager for attention or frustrated because their creative efforts are stymied or put to limited use. Whether or not the Strokes’ Nickolai Fraiture relates to these sentiments is anyone’s guess, but by veering away from his day job and adapting the nom de plume Nickel Eye, he shows his interest in seizing the spotlight. Truth be told, The Time of the Assassins is mostly a one-dimensional proposition, dominated by sturdy techno-type rhythms – not surprising, since he’s a bassist – and droning vocals that sound like he’s phoning it in from the other side of the street. Even so, Fraiture achieves some intriguing results, shuffling between a stroll and a strut on “This Is the End” in a most unassuming sort of way, spouting defiance on “Back from Exile,” and opting for an uncharacteristically upturned approach on “Another Sunny Afternoon,” a sequel of sorts to “Sunny Afternoon” which affirms his affection for the Kinks. Homage is also offered Leonard Cohen via a redo of Cohen’s barbed ballad “Hey That’s No Way to Say Goodbye,” Faiture’s monotone singing bequeathing the song with an icy indifference that causes its original author to sound positively giddy by comparison. (Ryko)

Nickel Eye MySpace page

Lowfish: Frozen & Broken

Now’s the time on ESDMusic when we dance! Lowfish (Gregory De Rocher) is Canadian, but his synthesizer-drenched style of electronica has more in common with “Spockets”-era Kraftwerk and other ’80s European minimalist electronic music than anything from the land of indie hipsters. There’s also a hint of IDM (Intelligent Dance Music) in Lowfish’s low-key melodies and beats, reminiscent of the golden age of the genre that brought us acts like Orbital, Orbit and Aphex Twin. However, Lowfish does little more than reference his idols, rarely branching out and experimenting with his own sound. For someone who probably thrives himself on being experimental he’s not doing much in the way of experimenting. In fact there’s just not much of anything on Frozen & Broken, and not just because most of it is minimalist in nature. Everything sounds the same. “Things Fall Apart” sounds like “DFD” which sounds like “Lies,” and so on and so forth. Near the end of Frozen & Broken things get a bit more glitchy and experimental, with “Clastrophobe” and “Pulled & Put Back” both using Kid 606 cut-up sounds to a certain amount of success, but even then it’s not enough to stand out. When Lowfish isn’t sounding like his influences he’s not sounding like anything at all. This music has become tiresome. (Noise Factory Records 2008)

Lowfish’s MySpace Page

State Shirt: This is Old

Songwriter Ethan Tufts is, by his own account, making music when not doing “nerd shit” behind a desk. His musical guise, State Shirt, definitely bears some of that nerdy aesthetic – electronic percussion textures and synth washes, meticulously tracked backing vocals, and a sense of angst that’s polished up Los Fucking Angeles style. And “polish” is the key word here. Though he lists influences like Mogwai, Sebadoh, Fugazi and Neil Young on his MySpace, State Shirt’s music has far more in common with mainstream modern rock. Imagine if Linkin Park decided to buy some indie cred and collaborate with the Flaming Lips and Radiohead. Actually, it’s not quite as outrageous as that description may sound. In fact, this mix of styles is pretty solid, which is just what expressions of hopelessness like the title track (“The finest things in life I will always refuse / The worst things in life I will always abuse”) and “I Hate California” call for. (Los Fucking Angeles 2008)

State Shirt MySpace

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