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Science Faxtion: Living on Another Frequency

Bootsy Collins, Buckethead, and Brain join forces with producer multi-instrumentalist Greg Hampton to release the man/robot Orwellian-themed, musically eclectic Living on Another Frequency. As bizarre as the combination sounds, it really isn’t unique. Brain and Buckethead worked together on The Big Eyeball in the Sky, joining Bernie Worrell (who guests on this record), and Les Claypool in the one-off Colonel Claypool’s Bucket of Bernie Brains. Buckethead has worked with Collins before in Praxis. The X factor, and ultimately the weakness of the record, are the whiskey-soaked, cigarette-stained and underwhelming vocals of Greg Hampton who provides the lead voice on the majority of the record. It’s a shame because musically, it is as sophisticated as it is bizarre. It has much more structure than a Praxis project, but still roams all around a futuristic funk rock sound to tantalize the listener. The best tracks are the trippy instrumental based tracks which have weird vocal samples (and no Hampton singing like “Sci-Fax Theme” and “Famous”) or “Life-IS IN-Deliver,” featuring a spacey, Hendrix-influenced vocal by Collins, or a guest spot by the distinct Chuck D on “What It Is.” It’s adventurous and interesting, especially on paper, but much like the 2008 Chicago Cubs, being good on paper doesn’t guarantee success. (Mascot Records)

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Mobile: Tales from the City

The Juno Award-winning “Best New Artist” of 2007, Toronto-by-way-of-Montreal rockers Mobile step up their game on their second album. Not content to follow the lead of their critically acclaimed contemporaries back in Montreal, the band’s tack is decidedly mainstream, with Killers producer Jeff Saltzman (not to be confused with Portland, Oregon producer Jeff Stuart Saltzman) in tow. In reality, though, their sound hasn’t changed all that significantly – if anything, the precise, danceable rock beats typical of the band (and of Franz Ferdinand, and, naturally, the Killers too) are even more firmly in place, and the dark dramatic sweep of their productions are more pronounced. Some of the album’s most successful moments are when drummer Pierre-Marc Hamelin gets to breathe with some fills (especially on “No Tomorrow” and in the midst of the ‘80s pop synth beats of “Gravity”), though to their credit, the band does manage to humanize dance rock with just enough dark moods to keep it interesting without devolving into self-parody. They’re at their best, however, when they buck the formula – “All is Forgiven” is a surprisingly unpretentious, low-key three-part epic (who knew such a thing existed?) that bridges the gap between Muse and ‘80s Genesis. Tales from the City may not be earth-shattering, but it does continue to provide evidence that the musical grounds up in the Great White North are still fertile. (Universal Music Canada 2008)

Mobile MySpace page

AskMen readers rank 99 Most Desirable Women, inadvertently create world’s worst playlist

Our friends at AskMen.com have unveiled their annual list of the Top 99 Most Desirable Women, as voted by their readers (who cast a staggering 10 million votes), and it is every bit the cornucopia of babeness that you’d expect it to be. We obviously can’t tell you who’s at the top of the list, but on a personal note, I was thrilled to see that my girl Anne Hathaway went Top Ten, even beating out smoking hot Brazilian model Alessandra Ambrosio to boot. Kristen Bell and Megan Fox made the top ten as well, and given the performance by the former in “Forgetting Sarah Marshall” and “Heroes,” and the performance by the latter’s stomach in “Transformers,” this should surprise no one.

Rihanna However, after a quick glance of the list, I realized something: for as oversexed as everything has gotten these days, rock babes are in disturbingly low supply. Only one singer made the top ten – yes, Scarlett Johannson made an album, but she doesn’t count – and it should surprise no one that it’s the girl that doesn’t go anywhere without her umbrella, ella, ella. From there, though, the pickings are slim. Christina Aguilera is at #35, and Miss Sasha Fierce (Beyoncé) is at #50. Really, #50? That’s the best she could do?

Being the site’s head music geek, I looked at the list of rock babes – and we admit that we use the word ‘rock’ loosely, as these women are all pop stars – and imagined someone assembling a mix of their music and only their music. Along with Rihanna, Beyoncé and Xtina, you can add Pussycat Doll Nicole Scherzinger (#65), Jessica Simpson (#70), and, gulp, Britney Spears (#90). Aiiiiieeeeeeeee! That’s the iPod from hell, right there, though I do think “Umbrella” is a monster jam. Still, imagine going to a party, and all they played were the above artists. Admit it: you’d leave the party. However, if those women were all present at the party, you’d stay, which means that while the voters were asked to look beyond sex appeal and rank the women that have the qualities they would most like in a companion (intelligence, humor, character and ambition), it’s clear that when it comes to music, sex appeal is still driving the car, intelligence is in the back seat, and character is tied up in the trunk.

Katy Perry Ambition, however, is riding shotgun, which brings us to the singer at #32. Katy Perry. Now, if we’re just looking at photographs, I can see why guys would dig Katy Perry. She looks like the slutty third Deschanel sister, and talks about kissing girls, which is catnip to horny guys. There is just one small problem with her: she’s the phoniest phony in all of Phonyland, and a sorry excuse for a pop star. Add her to the party playlist and the people present at the party, and I’m leaving. Give me Kylie Minogue (just missed the cut, we’re told) over Perry any day of the week and twice on Sunday. Please, please give me Kylie Minogue.

The sad, unspoken part of all this is that the performance of women rockers on this list is certainly a ripple effect of how much we devalue music these days. Ten years ago, this list would be crawling with singers. Twenty years ago, there would have been more singers than actresses. Today, we get Katy Perry. Don’t get me wrong, it’s a fine list of women overall – hard to argue with Keeley Hazell, after all – but the music fan in me feels like this list serves as a stinging indictment of how completely screwed up the music business is these days. Sigh.

Your favorite band sucks: bands and artists the Bullz-Eye music writers just “don’t get”

Every music lover has been there – in front of the television or a set of speakers, listening for the first time to the work of a critically revered artist whose songs are supposed to change the way you look at the world…only to come away wondering what all the hype was about. For the iconoclastic among us, these moments are opportunities to prove what independent thinkers we are; for everyone else – a group that often appears to include virtually every name-brand music critic on the planet – they’re opportunities to turn off your ears, nod your head, and smile. What kind of self-respecting music writer doesn’t love the music of Bruce Springsteen? U2? Elvis Costello? A total hack, right?

Your favorite band sucks Maybe. Or maybe we tend to forget that one of the most wonderful things about art is the utterly objective way we respond to it. One establishment’s treasure can be one lonely listener’s source of constant befuddlement, consternation or outright rage – and with that in mind, your Bullz-Eye Music staff put its heads together and drew up a list of all the bands and artists we’re supposed to love…but don’t. Each of the writers who contributed to this piece is speaking solely for himself, and you’re sure to disagree with some of the names mentioned here – and, of course, that’s sort of the point. But enough of our introductory babble – let’s break down some critical idols!

The Doors
“…don’t even think about describing their sound as “timeless”; you’ll be hard pressed to find music as trapped in time as these peyote-fueled dirges, and no one summed up the life and legacy of Jim Morrison – whose death was as brilliant a career move as you’ll ever see – better than Denis Leary: ‘I’m drunk, I’m nobody. I’m drunk, I’m famous. I’m drunk, I’m fucking dead.'”

Bruce Springsteen
“Perhaps Jello Biafra put it best when he referred to Bruce Springsteen as ‘Bob Dylan for jocks.’ But I can sum up what I dislike about the majority of the Boss in one word: Glockenspiel.”

Pink Floyd
“If you’re 14 and discovering pot, Pink Floyd’s a must. Hell, Dark Side of the Moon is practically a gateway drug in and of itself. If you’re out of high school and still into ’em, you’ve got a problem.”

Conor Oberst
“…his songs are duller than a steak knife in a prison cafeteria. I’ve tried repeatedly to ‘get’ Oberst’s work, but each time, I come away further convinced that his music is an elaborate prank hatched by the editors of Pitchfork.”

To read the rest of the bands Bullz-Eye doesn’t get, click here.

Seen Your Video: Morrissey, “I’m Throwing My Arms Around Paris”

Even as a longtime Morrissey apologist, I was sorely disappointed with Mozzer’s last album, 2006’s Ringleader of the Tormentors, but when I caught him in concert while he was supporting the record, I was pleasantly surprised with how much more impressive its songs sounded in a live setting. As such, I’ve found myself hopeful for his next album ever since…though, to be fair, as a Morrissey apologist, there was never any chance that I wouldn’t be hopeful…and having heard the first single from his new record, Years of Refusal (set for release on Feb. 16 on Lost Highway), I’m more excited than ever. The song might not be as tough of a first single as, say, “Irish Blood, English Heart,” but it has a very old-school Morrissey sound to it, with a jangle that captured my heart immediately. Check out the pug-happy video below, then let me know what you think about the track:

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