Month: June 2010 (Page 8 of 9)

Melissa Auf der Maur: Out of Our Minds


RIYL: Hole, Smashing Pumpkins, Danzig

As a former bassist for alt-rock icons such as Hole and the Smashing Pumpkins, Melissa Auf der Maur has been through the grunge wars. She’s been lying low for a while, but she’s clearly put a lot of energy into this new album. The album seems to have a vague theme about using the power of music to transcend dark times, and Auf der Maur has put together a collection of powerful tunes with strong production value and artistic flair.

“If there’s a fire, a need, a desire, are you willing and able to set the stakes higher?” asks Auf der Maur on the darkly-tinged title track. She’s set the bar higher with this album, inviting fans to go along for a ride. All of the tunes are minor key songs that veer from moody to hard rocking, and she navigates between those two areas with great skill. Many of the songs seem to have a cinematic vibe, as the album was apparently designed to accompany a graphic novel and film. The tunes stand alone well on their own, though.

“Isis Speaks” is a hard rocker that conjures the image of a dark goddess. “Follow the Map” is a highlight with its dark, edgy riffs and lyrics about a pirate’s journey. “Meet Me on the Dark Side” is another dynamic hard rocker, interspersed with some melodic guitar lines to create some extra sonic texture. The tune conjures the image of a character like Kate Beckinsale’s Celine from the “Underworld” movie series. Glenn Danzig joins the fun for a dark duet on “Father’s Grave,” which delves into a more subdued but freaky territory. Auf der Maur amps it back up with two more killer rockers toward the end of the album in “The Key” and “The One.” Then she closes it out with “1000 Years,” which seems to allude to an epic storyline.

The material is strong and could make for an intriguing theatrical style performance in the live setting if Auf der Maur should decide to go that way. (PHI-MAdM/EMI 2010)

Melissa Auf der Maur MySpace page

Quintessential Songs of the ’00s: #9 “Hate to Say I Told You So”

It was early 2002 and the “The” bands (The White Stripes, The Strokes, etc.) were taking the U.S. by storm. This track from The Hives was actually first released in late 2000 and re-released about a year and a half later.

From the song’s wiki page:

In March 2005, Q magazine placed it at number 54 in its list of the 100 Greatest Guitar Tracks. The chord structure bears a strong similarity to The Kinks “All Day and All of the Night”. It also lists at 244 on Pitchfork Media’s Top 500 songs of the 2000s.

The song peaked at #86 on the Hot 100 and #6 on Billboard’s Modern Rock chart, and is known for its opening riff.

More Quintessential Songs of the ’00s.

Andy Bell: Non-Stop


RIYL: Erasure, Hercules and Love Affair, being absolutely freakin’ fabulous

It’s clear after listening to Andy Bell’s latest solo effort Non-Stop that he’s the happy half of the synth-pop duo Erasure. While both Erasure and Bell’s solo material primarily consist of poppy synth-pop melodies with dance floor-friendly beats, the lyrical content of Erasure songs are always melancholy, introspective and down. Maybe Vince Clarke, the other half of the legendary synth-pop duo, likes to bring you down when you get your groove on. Conversely Bell’s solo tunes are, with rare exception, just as happy, upbeat and hopeful as the synth-heavy music that accompanies them. About as down as Bell gets on Non-Stop is “Will You Be There?” where he questions a lover’s reliability. But the tone of the song pretty much assumes that the answer to the titular question is a resounding “yes.” Almost every other track on this stellar solo effort is an excursion into fabulous happiness, climaxing in the brilliant “DHDQ,” which stands for “Debbie Harry Drag Queen.” It’s a track tailor-made to be the theme song for the next season of “RuPaul’s Drag Race.” It, like just about every other track here, is a sure-fire hit for gay clubs across the world, don’t try to be ‘manly’ and pass them up. ‘Real’ men can listen to dance-pop while sipping on Appletinis too, dammit. Well, they can at least listen to dance-pop. (Mute 2010)

Andy Bell MySpace Page

Bibi Tanga and the Selenites: Dunya


RIYL: Massive Attack, Curtis Mayfield, James Brown

Red flags go up whenever musical artists describe their music as having “no rules” – as Bibi Tanga does on his MySpace page. Tanga must know there are rules when recording music. If there weren’t, he would certainly have produced an anarchic stew of disparate noises like Lou Reed’s Metal Machine Music. No, Tanga is a much more structured musician than that, and he and his sidekick (Professeur Inlassable – “Professor Tireless”) have put together a record that has “world traveler” stamped all over it – and having it on National Geographic’s record label reinforces that fact.

Dunya is trippy, funky, lyrics are sung in English, French, and Sango (the native language of the Central African Republic where Tanga’s family comes from), and there are loops the Professor weaves into the mix that give the songs modern flourishes. In short, Dunya isn’t only a mixture of funk, African rhythms, jazz and hip-hop, it’s also an album that takes us into space age chants about the moon – a recurring theme throughout the album.

One of strongest tracks is “Gospel Singers,” which starts off with a dissonant toy xylophone loop coupled with a kind of “Ah-Ah-Ah” sound reminiscent of the “Friday the 13th” opening title sequence. But all that dissonance gives way to Tanga’s high pitched, yet soulful vocals and some Sarah McLachlan-esque co-vocals that round out the song in a harmonious and passionate way.

Curiously, the least imaginative song on the album is the lead single “Red Wine” – with its laconic rhythm and equally listless vocal delivery that makes for a poor introduction to Tanga’s music. Songs that really show Tanga in top form are the ultra-funky “Swing Swing” and “Shine” – both channeling a kind of James Brown/Prince vibe. Also, I thought “Bonjour Monsieur Jean” was a gem with its neo-jazz/trip-hop pastiche of Parisian sounds nicely reflecting the years Tanga spent growing up in France.

Overall, Dunya is an album that will take a few listens to really “get” what Tanga is doing with the musical influences that have inspired him. Knowing that he was the son of a Central African Republic diplomat who lived in a number of countries, and he grew up on the steady diet of funk, new wave, hip-hop, indigenous African sounds and jazz, will give you an insight into where he’s trying to take the listener. He doesn’t always succeed in his endeavors at bringing parts of the world to the listener’s ear, but when he does, it’s as sublime as a full moon rising in the evening sky. (National Geographic 2010)

Bibi Tanga MySpace page_Click to Buy Dunya from Amazon

Nada Surf: If I Had a Hi-Fi


RIYL: Josh Rouse, Rogue Wave, The Silver Seas

The cool thing about alt-pop band Nada Surf is that they appear to always do things their own way. For whatever reason, though, they stayed together all these years and broke through in 2005 with The Weight Is a Gift, which was produced by Death Cab for Cutie’s Chris Walla. The band continued some of that magic with 2008’s Lucky, and instead of lying low as they had planned, decided to release an album of cover tunes. Fast-forward to today, and If I Had a Hi-Fi. While it’s a set of songs that varies widely from the known (Depeche Mode’s “Enjoy the Silence” and The Moody Blues’ “Question”) to the currently hip (The Go Betweens’ “Love Goes On” and Spoon’s “Agony of Lafitte”) to the mostly obscure (Bill Fox’s “Electrocution” and Macromina’s “Evolucion”), the base of this is Nada Surf’s signature sound, which is akin to Josh Rouse or Ben Folds fronting a modern version of the Beatles. And it’s that sound that is so endearing. That said, there is something about this album that, while nice enough, may leave you wanting more. That could be because Nada Surf’s original material is that good, or it could be that they just chose these songs on a whim based on what they were listening to at the moment. Surely we can’t fault them for taking chances, because they even covered Kate Bush’s “Love and Anger.” But one or two covers on a new Nada Surf record would have worked just as well. (Mardev 2010)

Nada Surf MySpace page

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