Month: June 2010 (Page 9 of 9)

Me, Myself, and iPod 6/3/10: A true Disney princess

esd ipod

Memorial Day, plus a super-busy movie screening schedule, threw this week into complete chaos. It didn’t help that I’ve been sick. I know, wah wah wah. Sorry, I’ll quit whining.

The Like – He’s Not a Boy
With Mark Ronson at the helm, the Like out-Locksley Locksley with this catchy slice of ’60s pop.

Cowboy Junkies – Cicadas
The press release boasts of the band finally operating independently, but that’s about the only thing that appears to have changed about the band, from the sound of this song from their upcoming album Renmin Park.

Quitzow – Cherry Blossom
Man, who slipped Daft Punk the ecstasy? I want to shake that person’s hand.

Setting Sun – Sacrifice
Fans of Joseph Arthur and Pete Yorn, take note.

Anna Rose – Whispers
She’s Alan Menken’s daughter. Yes, that Alan Menken. But this tune is closer to Joni Mitchell than “Kiss the Girl.”

Tracey Thorn: Love and Its Opposite


RIYL: Everything But The Girl, Beth Orton, Amy Rigby

TraceyThornThough it’s a bit jarring to consider, it has been 11 years since the last proper Everything but the Girl studio album (1999’s Temperamental), and singer Tracey Thorn’s solo output in that period has been relatively sparse. Love and Its Opposite, her first new disc in three years, is worth the wait—an extraordinary adult pop record, full of meditations on middle age, its disappointments, and tiny victories.

The somber piano ballad “Oh, the Divorces!” opens the record, with Thorn employing her distinctive, languid voice to emanate empathy as she imagines the sad scenes leading toward a relationship’s downfall and aftermath. She ponders the reticence to wed in the first place, in “Long White Dress,” casting the wedding gown as love’s “opposite,” while quietly celebrating those who demur. Fear of loneliness, however, sends the protagonist to the “Singles Bar,” where life as a cougar ain’t all it’s cracked up to be. “Can you guess my age in this light?” she asks. “Who will be taking me home tonight?” This triptych forms the foundation of the record, delivering a melancholy take on aging, romance, and sexuality.

Elsewhere, Thorn’s wit pokes through on the up-tempo “Hormones,” and she floats on the danceable groove of “Why Does the Wind?” making one miss Everything But The Girl just a little bit. In all, however, Love and Its Opposite argues convincingly for Thorn’s continued viability as an artist, solo or otherwise, and as a chronicler of the everyday. (Merge 2010)

Tracey Thorn Myspace Page
Click to buy Love and Its Opposite from Amazon

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