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Bullz-Eye’s Favorite Albums of 2008: Staff Writer Mike Farley’s picks

Every year I wonder what my new favorite albums are going to be, and if the artists I follow will be able to live up to the lofty expectations I have for them (see Nada Surf below). I also wonder what artists will come into my life that weren’t there before (see most of list below, especially Gabe Dixon and Paddy Casey). Well, 2008 turned out to be pretty awesome music-wise, and while my list won’t match that of most critics, I made this list up based on my own taste, and I’m proud of it. And as you can see, I think some of the artists are proud as well…

Top 10 Albums of 2008

1. Gabe Dixon Band: Gabe Dixon Band
You know when you hear an album for the first time and you get that rush of excitement, kind of like the teenage crushes we all remember? Gabe Dixon Band’s debut on Fantasy Records is more than that. It’s like the cute brunette with glasses who you find out is also smart and watches football in her sweatpants on Sunday. Maybe that’s a weird analogy, but Dixon’s music is not only ridiculously addictive pop music – it also has a depth to which you hear something new every time you listen. And the songs? Well, this Nashville cat is right at home in Music City, but with these timeless tracks, he’s being mentioned in the same breath with the likes of Elton John and Jackson Browne as an artist. And that’s not something anyone should take lightly. “Five More Hours” is my favorite track of 2008.

Gabe Dixon accepts his award: “I am thrilled and honored to be included in Bullz-Eye’s top albums of 2008. The band and I put a lot of heart and soul into this recording, so it is gratifying to be named number one on the list! Thanks Bullz-Eye!!”

2. Paddy Casey: Addicted to Company
Okay, so I’m a sucker for ‘70s-style pop. Imagine Josh Rouse with an Irish accent, and you’ve got Paddy Casey’s latest. The melodies, vocal lines, arrangements and production make this sound like a summer day in 1974.

Paddy Casey accepts his award: “Very nice of you to choose my album, thank you…now if we could just convince the rest of the world!”

3. Nada Surf: Lucky
How does Nada Surf follow up their best album yet, The Weight Is a Gift? With Lucky, which sounds more like a continuation than a follow up. And that’s good news for us fans.

4. The New Frontiers: Mending
The New Frontiers may be the new Snow Patrol, Keane, or even Coldplay – dreamy alt-pop drenched in pretty harmonies. Okay, honestly, it’s a better album than the new efforts from the other three bands just mentioned.

5. Low vs. Diamond: Low vs. Diamond
Here is one of those American bands that sounds British. Not that there is anything wrong with that, because if you’re into the likes of the Killers or the Darkness, Low vs. Diamond is like an American version of those groups, with great songs to boot.

6. Snow Patrol: One Hundred Million Suns
Like Nada Surf, Snow Patrol had a lot to live up to after the huge success of Eyes Open in 2006. Thankfully, they have delivered yet again, with a set of anthems, driving alternative rock, and dark, moody ballads all wrapped together.

7. Kings of Leon: Only by the Night
I know that some true fans of Kings of Leon were disappointed with this latest effort, and to be honest I was never a huge fan to begin with. But there is something about Only by the Night that is absolutely intoxicating. The band’s psychedelic flavored, guitar-driven rock sound reminds me of going to concerts as a teenager in huge, pot smoke-filled arenas.

8. Benjamin Taylor: The Legend of Kung Folk Part 1
If James Taylor and Carly Simon had a kid, he would sound like this. Oh wait…..Seriously though, if Benjamin came around 20 or 30 years ago, he would be way more of a household name than he is today.

Benjamin Taylor accepts his award: “Well would you look at that: ol’ Breezy in the top 10… Top of the world, Ma. I’m off to Disneyland.”

9. Sarah Bettens: Shine
Former K’s Choice singer Sarah Bettens has lightened up a bit in her solo career, the music being more mainstream and mature, and not as dark as K’s fare. “Shine” is one of the year’s simplest, prettiest songs.

Sarah Bettens accepts her award: “I love being on a top 10 list! Especially when it doesn’t say ‘worst possible artist and most poorly dressed person in the whole wide world’. Thank you, Bullz-Eye. I feel honored being chosen among such talented people.”

10. Augustana: Can’t Love, Can’t Hurt
This kind of melodic, AAA-radio stuff never gets the critical props it deserves. Well, here are some props, Augustana.

Honorable Mentions

Amos Lee: Last Days at the Lodge
Jason Reeves: The Magnificent Adventures of Heartache
Jon McLaughlin: OK Now
Ray LaMontagne: Gossip in the Grain
WAZ: Sweet Bye and Bye
Coldplay: Viva La Vida
Uh Huh Her: Common Reaction
Val Emmich: Little Daggers

Album Released in 2007 That I Reviewed in 2008 and Would Have Ranked in Top Three

Jason Spooner: The Flame You Follow

Jason Spooner Reacts: “I’m thrilled to have been cited on Mike’s Best of list. He clearly works with a wide variety of quality artists & labels and it’s always a great feeling when your record is plucked out of the crowd.”

George Strait: Classic Christmas

George Strait has one of the purest, most recognizable voices in a genre not known for that type of clarity, and he’s one of those singers who likely doesn’t need much help (read: pitch correction) in the studio. If you’re a fan of Strait or of country music in general, you’re going to love this guy’s straight-ahead, twangy approach to classic Christmas fare, aptly titled Classic Christmas. For the rest of you, you may be left with the feeling that these takes are a bit vanilla and even a tad mundane. As holiday albums go, though, you sure could do a lot worse. After all, Mr. Strait is a living legend at this point, and his voice alone is reason to pick this one up. Standout tracks are “We Three Kings” and “Hark the Herald Angels Sing.” (MCA Nashville)

George Strait MySpace Page

Gramercy Arms: Gramercy Arms

Billing itself as a revolving collective rather than an actual band, New York-based Gramercy Arms is somewhat of an indie-pop supergroup as well, comprising former members of Guided By Voices, Luna, Joan as Police Woman, The Dambuilders, Fuzzy and Too Much Joy…and guest appearances by Lloyd Cole and Sarah Silverman (yes, the comedienne), as well as Chris Brokaw, members of the Pernice Brothers, Mascott, Shudder to Think and others. As you’d expect with those kind of pedigrees kicking around the recording studio, the music is shimmering and gorgeous, and exquisitely produced. It’s a short, joyful blast of summery pop-rock, and repeated listenings reveal numerous charms. The stuff they’re doing with vocals alone will entice any fan of the New Pornographers, Stars, Metric, et. al. The only real complaint? At just over 30 minutes (!), it’s over far too soon.

MySpace Link

Various Artists: Motown 50 – Yesterday, Today, Forever

How does a legendary label celebrate its 50th birthday? By inviting the public at large to vote on its 50 greatest hits, turning the results into a terrific 3-CD compilation…and then releasing it only in the UK. The upshot is that even though you’ll have to pay import prices for it – and even though anyone who’s interested in Motown probably already has copies of most, if not all, of these songs – Motown 50 is one of the more interesting and consistently interesting label retrospectives to come down the pike in quite some time. Much of this is owed to the strength of the catalog, of course, but still, Motown has never been a label known for playing fast and loose with its heritage, both of which make this the entry-level Hitsville compilation to own. If Motown 50 has a major drawback, it’s that it’s sequenced in order, meaning you start out listening to the classics (Marvin Gaye’s “I Heard It Through the Grapevine,” Martha and the Vandellas’ “Dancing in the Street”) and wind up with lesser entries like Lionel Richie’s “My Destiny”; it would have been better (and braver) to count down rather than up. But hey, that’s what the shuffle button is for – and when the label takes enough care to tack on 11 tracks of Motown artists covering (often left-field) hits, who can complain? When you can get the Elgins’ “Heaven Must Have Sent You” and Stevie Wonder covering “Light My Fire” in one compilation, all disagreements are minor. Now when is this getting an American release? (Motown 2008)

Motown 50 Official Site

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