Category: Rock (Page 36 of 241)

Big Head Todd & the Monsters: Rocksteady


RIYL: Gin Blossoms, Train, Robert Cray Band

Rocksteady is the title of the eighth studio album from Big Head Todd & the Monsters since 1989, but it also serves as the mantra for the Colorado band. Although 1993’s Sister Sweetly was spectacular, the rest of their records have been good efforts with plenty of pleasant moments. Nothing they have released since Sister Sweetly has approached that masterpiece. Rocksteady joins a very workmanlike catalog, complete with a gem or two along with a forgettable song here and there. The album sails nicely through 11 tracks and acts as a sorbet, nicely cleansing the palate and leaving an agreeable taste behind.

The usual blend of pop, light jazz and bluesy riffs fill the record while the production is pristine as Todd Park Mohr’s voice and guitar take center stage as usual. The record stretches a bit in the blues direction when Big Head channels Howlin’ Wolf on “Smokestack Lightnin’.” This is nothing new for the band, who memorably dueted with Johnny Lee Hooker on “Boom Boom” from 1997’s Beautiful World. The Monsters cover the Stones on a light-as-air version of “Beast of Burden” that lacks any kind of bite. Mohr’s lyrics about Muhammad Ali on a record released in 2010 seem oddly out of date, making the track of the same name seem dated. The record ends on a high note with the eloquent “Fake Diamond Kind,” which contains the best lyrics on the record and seems to stay in the listener’s head well after the disc has finished playing. (Big Head Todd & The Monsters 2010)

Big Head Todd & The Monsters MySpace page

Me, Myself, and iPod 7/14/10: Set phasers to chill

esd ipod

Note to self: never go away for the weekend. Had 160 emails waiting for me when I got back. Ugh.

Dale Earnhardt Jr. Jr. – Vocal Chords
Fans of Robin Williams comedy album Reality, What a Concept surely laughed out loud when they saw the name of this Detroit band (“Oh no, Sammy Davis Jr. Jr.!”). For a city known for its no-nonsense rockers, this tune is remarkably sunny and airy, a lot like many were expecting the most recent Vampire Weekend album to sound like.

SAADI – Bad City
Sounds like an unfinished Curve track. That’s not a bad thing, in our book.

Here We Go Magic – Casual
Ooh, dreamy. Perfect post-rave chill music. I bet the Magic Numbers like these guys.

New Collisions – Dying Alone
After my beloved Tribe stalled on their way to world domination, I never miss the chance to pimp a Boston band, especially if it’s a female-fronted five-piece, just like Tribe. Oddly enough, this group may be coming 20 years after Tribe, but this song sounds like it was recorded roughly five years before them. (Read: it’s new wave-y.)

Neon Indian – Psychic Charms (Apache Beat remix)
As Otto said when he watched Bart play his drums “Hardest Button to Button”-style on “The Simpsons,” “Ooh, trippy!”

Lower Dens – Hospice Gates
Bravely venturing into Mazzy Star-ish ambient guitar pop territory without boring me to tears. Well done, gents. That’s a compliment, seriously.

S. Carey – In the Dirt
Bon Iver percussionist makes solo album. Pitchfork wets themselves. And while I live for resisting anything that can be remotely classified as hipster, this is pretty. Very pretty, in fact.

Me, Myself, and iPod 7/7/10: Nelly Furtado is hot. And fun

esd ipod

Ah, the post-holiday edition. It’s admittedly small this week. The publicists have been unusually quiet so far, which is fine because I need to put questions together for an interview with former MMi subjects Hey Champ. They’re awesome, by the way.

N.E.R.D. featuring Nelly Furtado – Hot n’ Fun (Yeasayer Remix)
With the album mysteriously bumped to the fall, this lead single from the Pharrell & Co.’s new album Nothing serves as one tasty teaser for the full-length. This remix is a bit too busy for its own good, but I bet it sounds great in a club.

Bishop Morocco – Last Year’s Disco Guitars
It’s as if this Toronto duo saw that James Mercer was off doing the Broken Bells thing, so they decided to make a Shins record…you know, if they were into the Jesus and Mary Chain and the Joy Division rather than the Beach Boys. They even got Martin Hannett to produce. How’s that for authenticity?

Deluka – Nevada
We were big fans of “Cascade,” the lead single from the band’s EP, but were less excited with the rest of that set. If “Nevada” is any indication, they’re saving up the really good stuff for the full-length, which is due in October.

Kathryn Calder – Arrow
The second song released from the New Pornographers keyboardist’s upcoming solo album Are You My Mother?, and it’s another gem. So why is it that she’s not being invited to the songwriting table for her day job, again?

Robert Pollard – Moses on a Snail
If it’s Tuesday, it must be another solo album from Robert Pollard, who’s put out, no joke, ten solo albums since breaking up Guided by Voices in 2004. This is the title track, and it does something almost no Pollard song has ever done: crosses the five-minute mark.

Hey Champ: Star

RIYL: Daft Punk’s “Aerodynamic,” The Buggles, Bourgeois Tagg

There aren’t many bands that can speak to fans of Alphaville, Yes, Bourgeois Tagg and Tangerine Dream, yet there but for the grace of God go Chicago trio Hey Champ. Armed with only a guitar, a drum set and a couple of vintage keyboards, Hey Champ’s debut album Star is a strange blend of synth pop, rock and jazzy prog, and while that might sound like a band in the midst of an identity crisis, Hey Champ combines these elements quite meticulously.

Hey_Champ_01

The beauty of melding such disparate influences is that it yields a variety of sounds. “Word=War” channels Death Cab for Cutie at their most anthemic (much of that due to singer Saam Hagshenas’ uncanny impression of Ben Gibbard, thankfully relegated to this one song), while “Shake” blends New Order guitar lines with keyboard riffs that could have come from a Saga record. Some of their chord sequences are of the borrowed variety – the chorus to “So American” is not far removed from “Comfortably Numb,” and the end of the great “Steampunk Camelot” bears resemblance to Europe’s “The Final Countdown,” minus the pomposity – but these guys aren’t thieves; they’re musicologists, and Star is the work of one wildly diverse record collection. One of the smarter synth pop records you’ll hear this year, or any other. (Townie Records 2010)

Hey Champ MySpace page
Click to buy Star from Amazon

Taddy Porter: Taddy Porter


RIYL: Bad Company, Kings of Leon, The Black Crowes

Let’s hope the members of Taddy Porter have a sense of humor, because when a band comes out of Stillwater, Oklahoma waving the ’70s classic rock flag like a lighter at a Zeppelin show, the “Almost Famous” jokes frankly write themselves. One listen to the band’s eponymous debut, though, suggests that the band is well aware of the coincidence, and probably finds it amusing. Singer Andy Brewer has a raspy growl that’s equal parts Paul Rodgers and Anthony Caleb Followill, and Joe Selby is – and it kills us to say this, but such is the state of music – a pure throwback guitar player, punctuating the songs with melodic riffs, power chords and, wonder of wonders, honest to goodness guitar solos. Nothing here is going to rewrite the rules of rock, but that’s hardly the point – they’re a good time band playing good time rock (notably “Big Enough” and the cowbell-happy lead single “Shake Me”), and God knows the world could use a few more bands like that. (Primary Wave 2010)

Taddy Porter MySpace page
Click to buy Taddy Porter from Amazon

Exclusive: Taddy Porter offers a couple grilling tips.

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