Category: Rock (Page 37 of 241)

Hey Champ: Star

RIYL: Daft Punk’s “Aerodynamic,” The Buggles, Bourgeois Tagg

There aren’t many bands that can speak to fans of Alphaville, Yes, Bourgeois Tagg and Tangerine Dream, yet there but for the grace of God go Chicago trio Hey Champ. Armed with only a guitar, a drum set and a couple of vintage keyboards, Hey Champ’s debut album Star is a strange blend of synth pop, rock and jazzy prog, and while that might sound like a band in the midst of an identity crisis, Hey Champ combines these elements quite meticulously.

Hey_Champ_01

The beauty of melding such disparate influences is that it yields a variety of sounds. “Word=War” channels Death Cab for Cutie at their most anthemic (much of that due to singer Saam Hagshenas’ uncanny impression of Ben Gibbard, thankfully relegated to this one song), while “Shake” blends New Order guitar lines with keyboard riffs that could have come from a Saga record. Some of their chord sequences are of the borrowed variety – the chorus to “So American” is not far removed from “Comfortably Numb,” and the end of the great “Steampunk Camelot” bears resemblance to Europe’s “The Final Countdown,” minus the pomposity – but these guys aren’t thieves; they’re musicologists, and Star is the work of one wildly diverse record collection. One of the smarter synth pop records you’ll hear this year, or any other. (Townie Records 2010)

Hey Champ MySpace page
Click to buy Star from Amazon

Taddy Porter: Taddy Porter


RIYL: Bad Company, Kings of Leon, The Black Crowes

Let’s hope the members of Taddy Porter have a sense of humor, because when a band comes out of Stillwater, Oklahoma waving the ’70s classic rock flag like a lighter at a Zeppelin show, the “Almost Famous” jokes frankly write themselves. One listen to the band’s eponymous debut, though, suggests that the band is well aware of the coincidence, and probably finds it amusing. Singer Andy Brewer has a raspy growl that’s equal parts Paul Rodgers and Anthony Caleb Followill, and Joe Selby is – and it kills us to say this, but such is the state of music – a pure throwback guitar player, punctuating the songs with melodic riffs, power chords and, wonder of wonders, honest to goodness guitar solos. Nothing here is going to rewrite the rules of rock, but that’s hardly the point – they’re a good time band playing good time rock (notably “Big Enough” and the cowbell-happy lead single “Shake Me”), and God knows the world could use a few more bands like that. (Primary Wave 2010)

Taddy Porter MySpace page
Click to buy Taddy Porter from Amazon

Exclusive: Taddy Porter offers a couple grilling tips.

The Silver Seas: Chateau Revenge


RIYL: Jackson Browne, Josh Rouse, The Gabe Dixon Band

What do you do when a band you love does the unthinkable? In the case of Nashville’s The Silver Seas, the unthinkable is one-upping their five-star worthy debut, High Society, and causing us to scratch our heads and wonder: do we give them six stars? Five and a half? We’ll have to settle on five and have you use your imagination beyond that. The point is, Daniel Tashian and company has returned with Chateau Revenge, and it’s once again a collection of songs that makes everything else you might be listening to at the moment seem like background noise. Tashian has a way with a hook, but he goes beyond crafting great songs with the help of the other Silver Seas – Jason Lehning, Lex Price and Dave Gehrke – to arrange them in a way that allows said songs to breathe. The result is a noticeable ‘70s bent complete with Tashian’s Jackson Browne-ish tenor and big harmony-drenched choruses. Two of the tracks in particular, “What’s the Drawback” and “The Best Things in Life,” are instant hits if they are released in 1976. In fact, on the former, Tashian sings about a woman who “likes the E.L.O.,” and the lyric is followed by strings reminiscent of the ‘70s icons. But that’s not to say The Silver Seas are hopelessly stuck in a time warp. “Jane” is a breezy, melodic, Josh Rouse-like toe-tapper, while “From My Windowsill” and “What If It Isn’t Out There” have a jazzy flavor. “Somebody Said Your Name” is a Jackson Browne-esque romp, and on “Those Streets,” the way the guitars and bass line marry is pure magic. Come to think of it, just about everything The Silver Seas do is magical, and the latest proof is that they have surpassed the brilliance of High Society with Chateau Revenge. (Self-release)

The Silver Seas MySpace Page

Saul Zonana: Phatso


RIYL: The Beatles, Butch Walker, Crowded House

Singer/songwriter/rocker Saul Zonana may sometimes experiment with different ideas, sounds and songwriting nuggets, but regardless, his music is almost always melodic and extremely appealing. Such is the case with Zonana’s latest, Phatso, self-recorded and produced in his hometown of Nashville with a small supporting cast. Zonana has also toured with and hung around the legendary Adrian Belew a lot the last few years, and some of Belew’s eccentric ways have rubbed off on Zonana where his songwriting is concerned. Tracks like “Boogyman,” “Mr. Pulsfuss,” and “Direction” are signature Saul, with the same Beatlesque harmonies and guitar tones, and are worth the price of admission here. But he veers left of center a few times, especially on the title track, which features female old-timey vocals and instrumentation. This one sounds like a radio commercial, but as far as that goes, “Really Expensive Cream” is not a song but a comedic bit that is actually meant to be a commercial. It’s funny, but it’s not something you’ll want to listen to over and over again. And two of the best tracks are the acoustic-driven “About You” and “In the Moment.” The former especially is not the type of song we’ve come to expect from Saul, but a really pleasant, stripped-down surprise. And with Phatso, surprise is the name of the game – from a good game at that. (20/20 Music 2010)

Saul Zonana website

Me, Myself, and iPod 6/30/10: Katy Perry’s giant breasts finally put to good use

esd ipod

With the long weekend ahead, we have an extra-long list of songs for you to play at your next party/intervention/funeral. Mostly party. And we start by shamelessly using the success of the biggest phony in pop music in order to drive some extra traffic to the site. Given the way she’s made us suffer, she owes us this, at the very least.

Katy Perry – California Gurls (Hyper Crush Remix)
I was willing to give Ms. Everybody Look at Me Why Isn’t Everyone Looking at Me Come On I Have Big Tits Please For God’s Sake Look at Me the benefit of the doubt when EW claimed this was the song of the summer, but I’m sorry, I’m still not convinced. She bends over backwards to be lyrically controversial because she knows that if she doesn’t, everyone will realize how utterly ordinary her songs really are. This one is no exception. Um, I mean, come on and download this killer remix of the summer’s best song by Hype Machine regulars Hyper Crush! Katy RULZ! \nn/

Ugh, that hurt.

The Henry Clay People – Your Famous Friends
It’s like Wilco, back when they used to have fun. Actually, I’m not sure Wilco ever made a record this fun.

Apples in Stereo – Hey Elevator
I’m loving the ELO renaissance that’s sprouting among the indie poppers. First this, and the Silver Seas give them a nice name check (with matching string riff) in their song “What’s the Drawback.” Any fan of Jeff Lynne should check out the Apples’ new one, Travellers in Space and Time. ‘sGood.

Violens – Acid Reign
This is a tune I’ve wanted to share for a while, but only recently got the green light to do so. This is right in my alt-rock-dance wheelhouse, with a driving rhythm section and vaguely Manchester-ish sound. There’s a bit too much swearing (nothing will turn you into a prude faster than having children), but it’s a damn good track. Looking forward to the full-length album Amoral, due in October.

Trances Arc – Boom City
You mean there are white people in Atlanta making music, too? Can’t say I’m crazy about their band name, but I like the Airborne Toxic Event-style slow build-and-explode that the song possesses, and minus the melodrama, to boot.

Steel Train – Bullets
Gotta say, this band is carving out quite a unique niche for themselves. Scarlett Johannson has covered them. They have an undeniable reach-for-the-rafters grandeur to them. And then sometimes, they want to be MGMT. Not on this song (that would be “Turnpike Ghost”), but still, for a band with such an unrevealing name, they’re quite versatile.

Jukebox the Ghost – Empire
Good to see this band back after their impressive debut a couple years ago. This song, from their upcoming album Everything Under the Sun, is a bit more mannered than their debut, but it’s no less catchy. Think Ben Folds, back when he allowed himself to have fun.

Halsted – Walking Shoes
Their name matches a Chicago street I used to live near, so I was predetermined to like these guys before I heard them. But then when I discovered that they play smoothed out guitar pop, well, that’s when they had me.

Isaac Russell – Lighthouse
The love child of Jakob Dylan and Jason Mraz? Sure, that’ll work.

Carl Broemel – Heaven Knows
Taking time from his day job in My Morning Jacket to do a solo record, Broemel gets downright rootsy, at least on this song. Haven’t heard the rest to know if it’s like this or MMJ.

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