Category: Dance (Page 1 of 26)

Underground Rapper of the Week: Mac Dre

Underground Rapper of the Week is a new feature designed to raise awareness of rappers from all over the world who, if that world were a perfect place, would be more famous than they are. It will be updated every Tuesday before the sun goes down. Feel free to email suggestions of slept-on rappers from your city or wherever to: ezra.stead@gmail.com

It is far from uncommon for rappers – from Slick Rick and Flavor Flav to Andre 3000 and Lil Wayne – to create outsized, flamboyant public personae, and none have done it better than the late, great Mac Dre. For Underground Rapper of the Week’s second posthumous feature, let’s take a look at the man who could easily be called the James Brown of rap, a creator of numerous dance moves as well as an entire musical and cultural lifestyle. Though the term “hyphy,” a combination of “hyper” and “fly,” is credited to fellow Bay Area rapper Keak da Sneak, Mac Dre was perhaps its most important and revered practitioner. For those unfamiliar with this unique and eminently entertaining movement, a good place to start is the 2008 documentary Ghostride the Whip, of which Dre is the unofficial star.

Since ’84, Dre was a crazy prolific artist who strongly influenced his scene with his unique style and sound, creating dance moves like “The Bird,” “The Swabbage Patch,” “The Furly” and others described in songs like “Giggin’.” Perhaps his most influential contribution, though, was the “Thizz Face,” as seen in his live performances of songs like “Thizzle Dance.” “Thizz” is a Bay Area slang term coined by Dre for the drug MDMA, and the face is an exaggerated grimace resulting from biting into a pill. After his 1996 release from a five-year stint in prison, Dre lived for two things: his music and a lifestyle that was basically a non-stop party, which is obvious in his music. Steering clear of the violence and crime he had certainly been around in his younger days, the bulk of his lyrics focus on the good life of dancing, partying with women, and of course, his beloved thizz.

This is not earthshaking art, by any means, and Dre would be the first to admit his work wasn’t, for the most part, particularly deep. His main intention was to facilitate a wild good time, and encourage his audience to “get stupid,” by which he really seemed to mean cut loose and throw away your inhibitions. His music might seem disposable to some, but if you weren’t feeling him, you could certainly rest assured that he was always feeling himself. Though he was beloved by a huge subculture in the Bay Area and beyond, he remains an underground figure who never really crossed over to mainstream success, probably because, as he put it, he was “too hard for the radio.” Still, his legacy is continuing to be felt, as he is still shouted out by more widely known artists like Rick Ross and Drake, and his death by gunshot wound in 2004 left a gap in a vital culture. Mac Dre was and is a supremely fun rapper to listen to, and a vivid chronicler of the place he lived and loved.

“Le7els” by Avicii

Here’s a pretty cool video of this club track.

Promo info:

Avicii, born Tim Bergling in Stockholm, releases his new video for current single “Le7els” directed by Petro and shot in Los Angeles. “Le7els” has already conquered club charts worldwide, climbing to No. 1 on the international Beatport chart, as well as on the club charts in Germany and Australia.

2011 Song of the Year Candidate #2: Bell X1, “Sugar High”

This Irish dance-rock trio is fast climbing our list of favorite bands. The song “How Your Heart Is Wired,” from their 2009 album Blue Lights on the Runway, was in power rotation at BE headquarters, so when their new album Bloodless Coup arrived in the mail, we popped that puppy right in the player. Before “Sugar High” was even over, it was our favorite song on the album.

BellX1

Man, is it nice to hear two chords used so effectively. Brevity is indeed the soul of wit, and this song keeps it simple in all the best ways. Well done, lads.

Sugar High by Bell X1

ESDMusic’s South by Southwest 2011 Music Preview

AUSTIN, TX – The 25th anniversary edition of the SXSW Music and Media Conference is upon us this week and it’s shaping up to be another gala event for live music junkies. The initial lineup may have looked a bit underwhelming, but that first announcement never shows the big picture. When you have around 2,000 bands from all over the world scheduled to play, there’s going to be more bands that you don’t recognize than you do. But the big name additions have been coming in over the past few weeks, as has the rising buzz on up and coming bands contending to be your new favorites.

Here’s my top 10 “name artists” I’m looking forward to hopefully seeing (even a badge doesn’t guarantee access if a venue has reached capacity, while a small handful of showcases are also private parties necessitating an invite.) Then I’ll list five “buzz bands” I’m eager to check out as well…

Widespread Panic – ACL Live at the Moody Theater – Thursday, March 17 – 11 pm
The southern jam rock titans from Georgia are celebrating their 25th anniversary in 2011. They’ll mark the occasion by playing the first ever SXSW showcase that will also serve as a taping for the Austin City Limits TV show. The brand new ACL Live venue – just opened last month – is a swank theater with a 2,700 seat capacity, although there have been rumors that ACL tapings will only take 800. Getting there early figures to be key, which is why Spreadheads may have to pass up the Strokes’ 8 pm set at Auditorium Shores (a park on Town Lake on the edge of downtown that offers free shows on Thursday, Friday and Saturday.) But Panic will also be preceded by some fine openers with the New Mastersounds at 8:15 pm and the Preservation Hall Jazz Band at 9:30 pm.

The Foo Fighters – Austin Music Hall – Wednesday, March 16
The alt-rock icons will be in town for the premiere of the band’s new rockumentary “Back and Forth” on Tuesday at the Paramount Theater. It was also recently announced that they’ll play at “The 2011 mtvU Woodie Awards” on Wednesday along with Wiz Khalifa, Two Door Cinema Club, Sleigh Bells and more, which will air live on three MTV channels. But this is not listed as an official SXSW showcase, so badge holders apparently need to win one of 850 tickets MTV will be giving away. Fingers are crossed.

Men Without Hats – Club De Ville – Friday, March 18 – 1 am
Anyone who grew up with the dawn of MTV in the early-to-mid ’80s will remember this Canadian band and their iconic video for their infectious smash hit, “The Safety Dance.” There’s a lot of attractive showcases happening in this hour on Friday, but this Gen-Xer is not passing up his chance do the Safety Dance at one of Austin’s nicest outdoor clubs.

The Airborne Toxic Event – Stubbs BBQ – Friday, March 18 – 10:30 pm
These Los Angeles indie rockers with the heartfelt sound were one of my favorite random discoveries at SXSW in 2009. I was walking out of the convention center when a girl connected with the band in some way said I shouldn’t leave because a great band was about to play. She described them as having a Bowie-ish vibe with a female violinist. That drew me in to witness a scintillating afternoon set that was a triumph. They’re about to release their second album and playing at Stubbs – ground-zero for SXSW showcases – means they’re moving up to the big time.

Bright Eyes – Auditorium Shores Stage – Saturday, March 19 – 7:30 pm
Conor Oberst has put his Mystic Valley Band on hold to put out a new album with Bright Eyes and the band will headline the Saturday night show at Town Lake. You get an eclectic mix of people since it’s a free show and it’s a gorgeous location for a show with the Austin skyline looming in the background. The band got a lukewarm review on their Radio City Music Hall show from The New York Times, but hopefully they’ll be ready to deliver the goods here. Oberst starred with Monsters of Folk at last October’s ACL Festival.

Immortal Technique – Mohawk Patio – Wednesday, March 16 – 11 pm
One of the most militant and revolutionary MCs in the world, Immortal Technique is a role model for any artist that wants to do it their own way. He’s remained steadfastly independent, refusing to allow major label control of his music or brand. It’s hard to conceive of a major corporate entity that would let him do his thing though, due to his radical way he speaks truth to power. If you feel that 9/11 was an inside job, Immortal Technique is your man.

The Kills – Emo’s Main Room – Thursday, March 17 – 11 pm
Singer Alison Mosshart’s profile was raised to a higher level when Jack White teamed up with her in the Dead Weather. Now she returns to her previous band, where it should be interesting to see how charismatic dark angel incorporates her Dead Weather experience. I can’t catch this set since it conflicts with Widespread Panic, but I’m hoping to see them at the SPIN day party at Stubbs on Friday or their appearance at the IFC House.

TV on the Radio – Stubbs BBQ – Thurday, March 17 – 12:30 am
SXSW will be booming on Thursday night as these trendy indie-pop rockers will be headlining Stubbs BBQ. They’d flown a bit under my radar until Phish covered the band’s “Golden Age” at an Albany show in 2009, then played it again last fall in Colorado. The catchy tune and its uplifting message certainly caught the attention of the Phish Nation. Attendees of Widespread Panic won’t be able to get here for this either, but the band is also headlining that SPIN day party at Stubbs the next day.

Beats Antique – Frontgate Tickets Party – 1711 South Congress – Friday, March 18 – 4:20 PM
This trio out of Oakland has been blowing up on the festival and jam-rock scene over the past year with a groovy vibe that features an Eastern sound with mystical overtones. Their official showcase is Friday night at the Beauty Bar at 1 am, but that’s a conflict for anyone who wants to see Men Without Hats. But the band is also playing several day parties, as many younger bands do.

Liz Phair – IFC House – Friday, March 18 – 8 PM
The indie alt-rock princess of the ’90s has gone through various phases of experimentation and flirted with commercialism, but it seems like she just wants to rock now. She’s in her 40s, but she’s still a total hottie and her 2008 tour featured her classic Exile in Guyville album in its entirety. Now she has a new album where she says she’s letting it all hang out.

Buzz Bands

Most of these bands are playing multiple showcases and day parties, a common trend for younger bands looking to max out potential exposure…

Ume
This local Austin (by way of Houston) power trio features dynamic frontwoman Lauren Larson on guitar and her husband on bass. They were recently named one of the best unsigned bands in America by Rolling Stone. Larson’s petite size is a red herring for what a force to be reckoned with she is onstage.

The Joy Formidable
Another female-fronted power trio, of which there are still too few. This trio is from the UK and was also recently cited by Rolling Stone as a “Band to Watch”, with angelic vocals from Ritzy Bryan that bring Metric to mind, but with maybe a bigger guitar sound.

Jessica Lea Mayfield
This young singer/songwriter from Kent, Ohio was sort of discovered by the Black Keys. Her earliest stuff was way mellow and kind of depressing, but the single from her new album, “Our Hearts Are Wrong,” is so good that Dave Letterman had her on to play it for the national TV audience last month.

Nico’s Gun
A funky and psychedelic quartet of rockers out of Philadelphia. They have a diverse sound from groovy dance numbers like “Dirty Girl” to sparkling pop gems such as “We Are Fluorescent.” They apparently fancy themselves as a “punk rock Michael Jackson,” but they sure rock more than the Gloved One did.

Stephanie Hatfield & Hot Mess
Bluesy rock out of Santa Fe, New Mexico from another husband and wife team. Singer Stephanie Hatfield has a captivating voice that can really rock or go sultry, and guitarist/husband Bill Palmer is an ace bandleader who sets her up to win every time. The band burned it down at the Continental Club on their visit to Austin last year and will be showcasing tunes from their forthcoming second album.

Our Lollapalooza 2011 Wish List

A few weeks ago, there was a leak that Muse, the Foo Fighters and Eminem would headline Lollapalooza this year. In previous years, when band names have been leaked well before the official announcement, they’ve been accurate, so let’s assume that those are your headliners. Pretty cool and eclectic group, if you ask us. We’ve seen some dyed-in-the-wool alt rockers scoff at the idea of Marshall Mathers playing Lolla, but why the hell not? Snoop Dogg did it two years ago, and no one complained about that.

The festival’s organizers are a good month away from unveiling their lineup, so while we’re in the lull between the leak and the formal announcement, we decided to have a little fun. Here are some bands that we’d love to see take the stage in Grant Park this summer.

Motorhead

Don’t laugh – this makes more sense than the decision to invite Metallica in 1996. They rock harder and faster than anyone alive today, and courtesy of their appearance on “The Young Ones,” they were instantly grandfathered as alt rock forefathers (Ministry’s Psalm 69, anyone?). Still think it’s a long shot? Consider this: Head Foo Fighter Dave Grohl loves Lemmy and has recorded with him, plus the band just released a new record (The World Is Yours), which means a tour is sure to follow. Come on, Perry. You know this would be awesome. Lemmy shows up, drinks all the other bands under the table, and wipes the floor with them onstage. That’s the way we like it, baby.

Franz Ferdinand

Of the big UK bands of the last five years, only Franz Ferdinand and Coldplay have yet to play Lolla, and we’re not sure why. It looked as though the stars were aligned for them to play when the band released Tonight, Franz Ferdinand in 2009, but for whatever reason, it never happened. Considering the heavy nature of the three headliners, both musically and lyrically, the festival could use a party band. The only catch is that the band is not working on a new record, and therefore will not likely be on tour this year. Pity.

Midnight Juggernauts

Odds are these guys aren’t even on Perry’s radar, but they would be a welcome addition to the DJ stage (playing live, of course). This Melbourne trio brings the rock, the beats and the trippy, and wraps it all in tasty pop hooks. And from the shaky camera phone clips we’ve seen, they can bring it live, too.

Biffy Clyro

Biffy_Clyro_01
NME just crowned them the best live band, and their 2010 album Only Revolutions is finally making waves in the US nearly a year after its release (and after the band sent a whopping six songs from the album into the UK Top 40). They’ve already toured with rumored headliner Muse once this year, and would make for one hell of a setup band for them. Plus, the band plans on returning to the States after they conclude their spring tour. This makes sense on so many levels.

Duran Duran

They were a gateway band to the world of modern rock for millions of kids. Scores of current modern rock bands cite them as an influence. And they’ve just released their best album since Rio (All You Need Is Now), an expanded version of which comes out in a couple weeks with songs written especially for the band by none other than Owen Pallett, lead singer of Lolla 2010 headliners Arcade Fire. They’re playing Coachella, Ultra Music Festival, and South by Southwest. The only problem is that they’re also playing V Fest, in the UK, August 20, so they may already be finished playing the States by the time Lolla comes around. Then again, Enimem is playing the V Festival too, and he’s playing Lolla. We’ll keep our fingers crossed.

N.E.R.D.

If only to dance along with 30,000 other people to “She Likes to Move” and “Hot-n-Fun.”

Scissor Sisters

They’re currently opening for Lady Gaga, another Lolla 2010 headliner. The press loves them. Their songs are ridiculously catchy, fun, and smart. There’s just one teensy weensy problem: they’re gay. Well, the guys in the band are, anyway.

This isn’t a problem for us, mind you. Good music is good music, and we couldn’t care less what the musicians do in their personal lives. But with the explosion of grunge in the early ’90s, all of the dancier artists – you know, the ones that helped get the alternative movement off the ground and served as a musical haven for the strange and confused – were kicked to the curb in favor of the new macho world order, and sadly, the recent Lolla lineups have reflected this. That is not to say that they haven’t had gay artists perform; it just means they haven’t had a lot of openly gay artists who put on *fabulous* live shows perform. Adding the Scissor Sisters would go a long way toward rectifying this, because they’re not afraid of large crowds (they’re huge everywhere in the world except here), and they put on a hell of a show. Given the liquidity of Perry’s sexuality in the past, you’d think he’d be more sensitive to this.

Aimee Mann and Matthew Sweet

There is a certain circle of artists who have indie cred galore, yet never get invited to the big parties. We’re not sure why that is. If you go to the nearest coffee shop that has an open mic, ten bucks says every other girl with a guitar has at least two Aimee Mann albums on her iPod, while Sweet made one of the biggest alt-rock albums of all time in Girlfriend. Neko Case played to roughly 20,000 people at Lolla two years ago, so there is clearly an audience for this kind of music. Mann is known to be a bit of a prickly pear in person, but she’s a dynamite live performer and has one of the most casual relationships with her fans that you’re likely to see. And just imagine if Sweet decided to play Girlfriend in its entirety for a festival crowd. You’d have other Lolla bands lining up to take the stage with him.

So those are our picks for bands we’d like to see play Lolla this year. What are yours? Please leave your polite and well considered suggestions in the comment section below.

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