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Ronnie Milsap: Then Sings My Soul

Country singers can always release a gospel album when things are going badly. And many times, that’s how the album works – badly. There are exceptions of course, but Ronnie Milsap’s Then Sings My Soul is not one of them. It’s too bad, since the singer’s 2006 autobiographical album My Life was considered something of a comeback. All the usual suspects are present on Soul, including “I’ll Fly Away,” “Amazing Grace,” “Rock of Ages” and “The Old Rugged Cross,” but they’re robbed of any soul by the slick production and Milsap’s uninspiring vocals. One doesn’t want to be too hard on the man, and some might ask, “what did you expect from the guy behind ’Smokey Mountain Rain’ and ’(There’s) No Getting Over Me.’? ” It might have been more surprising if Milsap had actually found something new in the old classics. Here’s hoping this can be chalked up as a misstep, and Milsap can get back on track. (EMI CMG 2009)

Eleni Mandell: Artificial Fire

Eleni Mandell has been well under most everyone’s radar, evidenced by the fact that Artificial Fire is Mandell’s seventh studio release and there’s a good chance you haven’t heard of her yet. This time around, she claims to have pulled inspiration from her inner teenager, and that makes for a mostly upbeat, quirky romp, and quite a contrast from Mandell’s previous album, Miracle of Five, which was more crooner-ish. Mandell’s rich, soft and always on-pitch voice is still there, but there are so many other variables at work in the arrangements and production of Artificial Fire, it’s pretty impossible to become bored. That’s not to say every song is compelling, but Eleni has some real winners here, especially the title track, which features some sweet psychedelic guitar riffs, the rock swagger of “Little Foot” and the dark, sweet croon of “I Love Planet Earth.” But the best track of all is “Don’t Let It Happen,” which has a pure pop feel with a ‘50s bent, sort of like a female version of Buddy Holly. This is just another fine release from an artist who deserves a bit more of your attention. (LABEL: Zedtone)

Eleni Mandell MySpace Page

Steal This Song: Metric, “Help, I’m Alive (Acoustic Version)”

This news will make our friend Heidi happy: Metric are about to release Fantasies, the band’s fourth album, and if the first single, “Help, I’m Alive,” is any indication, these guys are about to make the jump into the big leagues. Nice combination of electronic flourishes and acoustic instruments, and a Velcro hook in that “Beating like a hammer” line. Check it out.

And for you Metric fans who want more more more, the band is also giving away an acoustic version of “Help, I’m Alive,” for the low, low price of…your email address.

The Beatles – Rock Band will be released on 9/9/09

Beatles fans and Rock Band fans can celebrate – The Beatles version of the popular game will be released in September 2009.

Here are the highlights from the press release:

• The game takes players through an “unprecendented experiential progression” of the musical career of the band.
• The game will be available as standalone software and hardware, as well as a limited edition bundle. The game will be compatible with all Rock Band instrument controllers and other current music-based video game peripherals.
• There will be limited edition hardware modelled on instruments used by John, Paul, George and Ringo.
• The numbers:
– The Beatles: Rock Band Software – Xbox 360, PLAYSTATION 3, Wii: $59.99 MSRP
– The Beatles: Rock Band Standalone Guitars – Xbox 360, PLAYSTATION 3, Wii: $99.99 MSRP
– The Beatles: Rock Band Limited Edition Premium Bundle: Xbox 360, PLAYSTATION 3, Wii: $249.99 MSRP
– International pricing to be announced at a later date
• Giles Martin, co-producer of The Beatles innovative LOVE album project, is providing his expertise and serving as Music Producer
• Fans who pre-order the game will get access to exclusive content created by Apple Corps, MTV Games and Harmonix over the next few months.

Save your pennies!

The Blind Boys of Alabama: “Live in New Orleans”

They’ve never had a hit or sold a ton of records, but the Blind Boys of Alabama have been making beautiful music for 70 years and running, so in lieu of the sold-out week at Madison Square Garden they deserve, this DVD – filmed during an appearance at the legendary New Orleans institution Tipitina’s last spring – serves as a suitable tip of the hat to one of modern music’s most distinguished careers. Fittingly, the Blind Boys were on the road promoting a CD, Down in New Orleans, that paid tribute to the city, and the show’s location also enabled them to enlist a passel of the Crescent City’s musical finest, including Susan Tedeschi, Dr. John, and the Preservation Hall Jazz Band. The production values aren’t the best you’ve ever seen, the sound mix occasionally wavers into muddy territory – and if you’ve ever been to Tipitina’s, you know that fitting all those performers on the club’s tiny stage requires some delicate balancing – but what Live in New Orleans lacks in polish, it more than makes up for with the performers’ obvious, bone-deep commitment to the music. There’s little showmanship here, just the performers’ decades of experience, but that’s more than enough for a damn fine show. Live showcases the Blind Boys doing what they do best, and functions as a nicely priced introduction for new converts, who will also enjoy the brief BET-branded documentary bonus feature. (Saguaro Road 2009)

Blind Boys of Alabama MySpace page

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