Blues

Concerts
Road Warriors 42
Posted on 11.30.07 by Mike Farley @ 2:39 pm

A so-called summit of music festival minds has gotten together and will be bringing a new event to the U.S. this summer. The people behind Lollapalooza and Austin City Limits have teamed up with British officials behind the Reading, Leeds and Glastonbury Festivals to head up a new festival called Vineland Music Festival. The event will take place August 8-10 in Vineland, New Jersey, but no acts have been announced yet.

Pop artist Kylie Minogue has apparently put her health problems behind her, and will head out on tour beginning in May 2008 in support of her tenth and latest album, X. The album has been released in the UK, but will not be available in the States until early 2008.

Mr. Prolific, otherwise known as Ryan Adams, has announced West Coast tour dates along with his band The Cardinals, in support of their new EP, Follow The Lights. Earlier in 2007, Adams and his band released Easy Tiger, which Time Magazine called a “career breakthrough.” This guy just doesn’t slow down. Here are the upcoming tour dates (more…)


Notes from the Orphanage, Part VIII
Posted on 10.02.07 by David Medsker @ 6:04 pm

Guest contributor: Una Persson

Sometimes, as a reviewer, your eyes are bigger than your stomach ears. Here’s how the process usually works, a veritable peek behind the curtain, if you will:

1. Our esteemed editor emails out lists of recently arrived CDs to be reviewed to the writers-at-large
2. The writers respond back with their requests, claims, pleas and bribes of what they want to review
3. Our esteemed editor lets you know if what you asked for has already been claimed; If you don’t hear anything, you assume you got what you asked for. (Ed. note: this is not entirely accurate, but I appreciate you giving me the benefit of the doubt.)
4. When the copy of the CD arrives, you listen to it (in heavy rotation if it’s good, not more than once or twice if its pure crap), write the review and send it in
5. Once every few weeks, our esteemed editor sends an email with all the CDs that didn’t get claimed, with pleas – sometimes demands! – for someone, anyone to take on some of these so-called “orphans.”
6. Go to Step 2
7. Rinse, repeat

It’s a wonderful system, in fact. The “bidding” has just enough uncertainty to make it interesting, and it’s a fairly democratic way to ensure the same people don’t review the same kind of material week after week, month after month.

The only problem I have is when my orphans pile starts stacking up, and I just can’t muster up the enthusiasm I once had to write “full” reviews of a stack of CDs that, by default, got placed in my personal B-list of new albums. The A-list CDs get my undue attention, of course…and this installment of this irregular column is my mea culpa for these mostly worthy B-listers…

Chet Atkins & Les Paul: Chester & Lester (RCA)
In 1976, these two guitar legends sat down in a studio to record this straightforward country instrumental session, which finds the fretboard icons laying back, stretching out and having an all-around good time as they flex their respective guitar muscles. Les Paul, of course, pioneered the use of both the electric guitar and multi-track recordings. Atkins is a fingerpicking virtuoso. Having ‘em both together on one CD is worth the price of admission alone.

Brown Shoe: Vanity (No Alternative)
My Morning Jacket-lite, with a shoegazer twist.

To read the rest of the article, click here.


Start getting psyched for Sir Tom
Posted on 06.24.07 by Will Harris @ 2:58 pm

To prep you for our upcoming interview with Tom Jones, here are a few of the man’s performances to get you, shall we say, in the mood.

First, let’s start with a live performance…his last-ever for the late, great “Top of the Pops”…of his 2006 collaboration with Chicane, “Stoned in Love”:


Here are a few videos you may or may not have seen…

Sex Bomb
If I Only Knew

…as well as a few covers you might not have heard him perform…

St. James Infirmary” (with Jools Holland on piano)
Hoobastank’s “The Reason
The Manhattan Transfer’s “Boy from New York City” (as a duet with Donny Osmond, no less!)

…but, of course, we must close with an all-time classic, which sounds almost as good in 2007 as it did when he recorded it in 1965:



Concerts
Road Warriors 9
Posted on 04.06.07 by Mike Farley @ 12:22 pm

As they seem to do every summer, the Dave Matthews Band will hit the road and perform for their very devoted fans. The tour kicks off July 8 in Bridgeview, Illinois and the 36-date affair will run through early October with shows at the Hollywood Bowl in Los Angeles. Tickets for the public go on sale April 21. DMB is also hard at work on a new album due out before the end of this year.

Scott Weiland’s latest project, Velvet Revolver, will hit the road in support of its latest album, Libertad, due out in June. The band’s US tour will kick off May 4 in Hollywood and run through May 22 in New York City.

While UK sensation James Morrison is touring with John Mayer and Ben Folds in the States, he also will headline a few shows of his own here. The first of those is July 19 in Boston and then another on July 28 in New York. Stay tuned to www.jamesmorrisonmusic.com for details.

The Red Hot Chili Peppers and Pearl Jam’s Eddie Vedder will headline the upcoming Hullaballo benefit show for the Silverlake Conservatory of Music. Flea of the Chili Peppers founded the Conservatory to help low-income students afford lessons and instruments. The show is set for May 5 in Los Angeles.

Classic rock mega-band Rush will hit the road for its Snakes & Arrows World Tour beginning June 13 in Atlanta. The tour runs through October 29 in Finland. For complete information please visit www.rush.com and to pre-order a copy of Snakes & Arrows with a chance to meet the band, click here:
Here are all of the (more…)


This is The Definitive 200…?
Posted on 03.08.07 by Will Harris @ 12:10 pm

THIS is supposed to be a list of the 200 definitive albums of all time…?

Please.

THIS is nothing more than a collaborative effort between a bunch of suits at the various major labels who want to sell some more copies of their back catalog titles rather than spend money on promoting new, up-and-coming artists, so they’ve teamed up with all the big music retailers and said, “If you stock them, they will buy them.”

Disgusting.


Soundies = the precursor of the music video
Posted on 03.08.07 by Will Harris @ 9:30 am

There’s a show airing on PBS stations around the country right about now that every music fan should check out, particularly if you enjoy history as well. It’s called “Soundies,” and its topic is stated outright in its title.

Soundies were, as the title of this post indicates, the precursor of the music video. The Mills Novelty Company created a refrigerator-sized machine called the Panoram, which was essentially a video jukebox, and these soundies - three-minute films of various musical artists performing their hit songs - could be watched on the Panoram in groups of three. (It was early technology, of course, so you couldn’t fast-forward or rewind; if you wanted to see the last soundie on the reel, you were stuck watching the first two as well, whether you wanted to or not.) The soundies began in 1940 and started off as a roaring success, but World War II caused the Panoram business to stumble - the war effort necessitated a slowing in the manufacturing of new machines - and by the time the armistice had been signed, it was too late; the era of the soundies was over by 1946.

But, wow, who knew how many video artifacts from those six years were still out there…?

Fans of jazz, country, pop vocalists of the ’40s, and even early R&B will find their jaws dropping at some of this footage. You’ll see performances from Duke Ellington, Cab Calloway, Count Basie, Les Paul, Kay Starr, Fats Waller, Spike Jones, the Mills Brothers, Merle Travis, Louis Armstrong, Nat King Cole, Doris Day, and even a young Liberace. The stock line about soundies is that while the most popular white artists tended to be under contract to other studios and were therefore unavailable to make soundies (there’s an interesting story about how Mel Torme’s group, the Meltones, did a soundie with another member lip-synching Mel’s vocals because Torme himself wasn’t contractually permitted to appear on camera), there were plenty of black artists who were more than willing to get in front of the camera in order maximize their exposure…and it’s so awesome that they did. Actually being able to see Fats Waller kick out the jams on the piano is pretty damned sweet.

There are also some interesting choices of talking heads brought onboard to discuss the soundies; in addition to new interviews with some of the folks who actually made them, like Les Paul and Kay Starr, we get commentary from Joe Franklin, Hugh Hefner, jazzmen George Duke and Wynton Marsalis, and…Stan Ridgway? Oh, it’s not so strange; didn’t you know that he recorded an album of standards a few years back? (If not, you will soon…when we discuss The Best Albums You’ve Never, Ever Heard. Check back at Bullz-Eye in early April!)

You can check out the official website for “Soundies,” but I’m led to understand that in addition to future airings, there’s talk of releasing it on DVD. Fingers crossed that that’s true; there’s a lot of stuff here that’s worth watching over and over again.


Get To Know: The Black Keys
Posted on 10.03.06 by John Paulsen @ 12:01 pm

Be sure to check out my review of the recent Black Keys show at the Avalon in Hollywood, CA.

Hailing from Akron, Ohio, the Black Keys [MySpace page] are a two-man outfit made up of Dan Auerbach (vocals, guitar) and Patrick Carney (drums). Their music is often described as blues-rock, but the Keys stay away from many of the traditional chord progressions that are far too familiar in the genre. They embrace the low-fi, so their stuff generally sounds rough around the edges, but it’s quite clear that the duo likes it that way. Auerbach mixes in his distinct, lived-in vocals with his thicker than thick guitar, while Carney passionately pounds the skins. They are a productive band, having released four albums in the last five years, including Magic Potion [Bullz-Eye review], released earlier this year. In 2006, they also released an EP, Chulahoma [Bullz-Eye review], where they covered six songs by blues hero Junior Kimbrough. They dabble in funk, rock and psychedelia, never straying too far from the blues-rock sound made famous in the mid- to late-‘60s. In short, any beer-soaked roadhouse would benefit from having these 14 songs in its jukebox, but they can all be found at iTunes. To listen to song clips at Amazon, click the link for each album.

Let’s get to know the Black Keys…

“Have Love, Will Travel” - Thickfreakness
It’s a sign of a good band when they are able to take a song they didn’t write and make it their own. The Keys do exactly that with this track, which was originally written by R&B artist Richard Berry and later made famous when The Sonics covered it on their eponymous debut in 1965. This version features a much thicker guitar and a smooth breakdown as it approaches each verse. Every Keys virgin should give it up to this song.

“Till I Get My Way” - Rubber Factory
There’s that thick guitar again. That little riff will carry the song, with Auerbach’s vocals leading us to a brief chorus before jumping right back into another cascading verse. The guitar solo in the middle is short but effective.

“Set You Free” - Thickfreakness
If this song sounds familiar, it probably is. It was featured on the soundtrack to Jack Black’s “School of Rock” and was used in a Nissan Xterra commercial. It’s faster than most of the group’s songs, and Carney really works over those drums, but it all works. There’s a writhing guitar that leads the track into each chorus and the last one is especially sultry.

Click to read the rest of the article.


NOW that’s what I call a poor excuse for a number one!
Posted on 07.24.06 by Will Harris @ 11:37 am

Relating to the Spotlight Kid’s fine posting below, one should also be aware of a highly disturbing article which appeared on the always-fair-and-balanced Fox News website last week about the album. What’s worse is that there’s nothing in it that really surprises me…

Record Biz Crisis: Top 20 Misses 750K
By Roger Friedman

The top 20 pop albums sold fewer than a total of 750,000 CDs last week.

You read that correctly. The actual total was 738,211. The number includes 220,000 copies of a greatest hits singles collection from all the labels, “Now That’s What I Call Music! Vol. 22.” Without “Now 22,” regular releases came in around 500,000 copies.

This is a crisis that no one acknowledges in the record business. But consider that recently dismissed Sony execs Donnie Ienner and Michelle Anthony were making $2 million a year, and that their income is typical of upper echelon management in any record company. If the half million CD sold at full price — $15 — then they didn’t even pay for a small part of one salary.

Consider also the execs at radio conglomerates, who have tightened playlists so that few new records are played unless — as identified by New York State Attorney General Eliot Spitzer’s findings — stations receive free trips, gadgets and other gifts as inducements. You might wonder how any of the companies on either side can afford to stay in business.

Consider that last Tuesday, “Now 22” was not the only new release. Sony/Epic issued a new CD by writer-producer Butch Walker, a performer whom this column has extolled over and over. Not only did no one from the company bother to send it here, this reporter only learned about it by accident — yesterday. Walker, who should have a following from his extensive touring — he produces and opens for Avril Lavigne. But he’s been ignored by his label and radio. What’s he supposed to do? The CD sold fewer than 15,535 copies — the minimum it would have taken to hit the top 50. And here’s an amazing statistic: four songs from the new album have been played a total of 200,000 times on Walker’s MySpace page. I doubt this is the work of one person who clicked the links that many times. Some group of people is interested in Butch Walker. They’re just not a group that his label or radio stations are interested in, apparently. If they were, there would be more of an investment in Walker’s career — and other countless talented artists like him — by the record companies. Instead, the record stores are empty, and customers are drifting toward other entertainment.

There isn’t a lot to look forward to right away in terms of new releases: Rapper DMX has a new album on Aug. 1, but his last one was three years ago. Rocker Tom Petty’s waited four years to put his new CD, and the last one wasn’t exactly a bestseller with fewer than 350,000 copies sold.

Yesterday’s crop of new releases has only one promising title, by Los Lonely Boys, whose previous album sold 2 million copies. All eyes will be on them to see if they can beat their last first week sales record: 4,000 copies. That shouldn’t be too hard. Or Music, a satellite label from Epic, sticks with their artists the way most labels do not.


Desperately seeking Lucille
Posted on 02.08.06 by Deb Medsker @ 4:39 pm

80-year-old blues legend B.B. King lost his young dog, Lucille, when she was in the care of King’s manager, Matthew Lieberman, who apparently left a gate ajar. To encourage the safe return of Lucille the dog, King is offering one of his signature “Lucille” guitars, complete with autograph, as a reward. King is also presumably looking for a new manager with adequate gate-keeping skills, but is not offering a reward for that position.

Meanwhile, alleged dog molester Natasha Lyonne said that she had not seen King’s small, white, perky, extremely affectionate young Maltese.



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