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Sarah Bettens: Never Say Goodbye

Formerly the voice of the internationally successful band K’s Choice, Belgian-born Sarah Bettens has made only modest progress in her efforts to garner wider solo recognition on this side of the Atlantic. Her last effort, Shine, showed she had the potential; with songs that veered from quiet contemplation to full-throttle rockers – aided and abetted by a bittersweet vocal informed by wistful reflection – Shine’s songs appeared immediately engaging. Think Carole King’s effusive optimism tempered by the guarded desire of Jewel and Fiona Apple.

This time around, Bettens takes a more sinewy route, adapting an approach that finds her keeping company with classic torch singers like Nina Simone, Ella Fitzgerald and other divas of a barroom variety. Bettens recorded several of these songs before a live audience, and judging by an audible audience response, she was well received. She ups the familiarity factor by covering a pair of standards – “Cry Me a River” and “I Can’t Make You Love Me” – but even her originals strike an immediate connection courtesy of her sultry, seductive vocals and unobtrusive piano-based arrangements. In fact, Bettens’ voice oozes emotion and the quiet nocturnal settings suggest that the introspection suits her well. Never Say Goodbye may not represent the grand hello she needs to increase her following, but it does affirm the fact she’s clearly arrived.

Sarah Bettens MySpace page

A.A. Bondy: When the Devil’s Loose

A.A. Bondy’s penchant for creating melodious tomes belies his aggressive origins as point man in the hardcore Southern grunge outfit Verbena. While the group racked up numerous Nirvana comparisons – and even enticed Dave Grohl to produce their major label debut – it was fortuitous that the band eventually opted to go their separate ways. That allowed Bondy time and motivation to regroup and, in fact, refocus his direction. His first solo outing, American Hearts, turned some heads, but When the Devil’s Loose will likely be the one to draw the most attention, thanks to a cache of hollow-eyed balladry, supple melodies and a sublime sense of songcraft. The album gets off to a slow start – mellow, laconic, sad and subdued — but as it progresses, the pace picks up, and with it, the hooks become better defined. “On the Moon” betrays a hint of antebellum ambiance, almost as if it came from the pen of Stephen Foster. “I Can See the Pines Are Dancing” and “The Mercy Wheel” are quietly compelling, an underlying determination punctuating the restive posture. Admittedly, When the Devil’s Loose takes further listens to fully appreciate its subtlety and nuance, but any time invested ultimately becomes time well spent. (Fat Possum 2009)

A.A. Bondy MySpace page

Sam & Ruby: The Here and the Now

Like many classic couples before them – Marvin and Tammi, Johnny and June, Gram and Emmylou – Sam Brooker and Ruby Amanfu make music that affirms their mutual affection. Nevertheless, this pair navigates a wide divide, from the seductive soul of “Too Much” and “Ain’t Love Something” to the rootsier realms of “The Suitcase Song” and “Need Me Less.” While most of the songs dabble in softer hues, the supple arrangements – a hint of violins on “Heaven’s My Home,” a bit of brass on the aforementioned “Too Much” – vary the shadings and add to the allure. Although The Here and the Now marks the duo’s debut, one of its entries – “Heaven’s My Home” – garnered a Grammy nod and was also selected for the soundtrack to “The Secret Life of Bees.” If The Here and the Now is any indication, Sam & Ruby have a promising future.

Sam and Ruby MySpace page

Leslie and the Badgers: Roomful of Smoke

As fitting an album title as we’ve seen in ages. Not only does the latest effort from Los Angeles ork-country outfit Leslie and the Badgers sound like a roomful of smoke, you can also taste the stale beer at the bar, smell the exhaust from the van that’s already on its way to the next show, and hear the sizzle of the overdone eggs at the diner that opens at 0-dark-thirty. The band doesn’t sound as rough around the edges as those hallmarks to life on the road might indicate; outside of singer Leslie Stevens’ Dolly Parton-ish twang, Roomful of Smoke is a very modern-sounding album that happens to be steeped in traditional country, which means lots of fiddles and broken hearts by the pound. (They even pull out a singing saw for “If I Was a Linen.”) “Winter Fugue,” however, sounds like a lost Jayhawks track, while the playful two-step “Don Juan” will surely be every scorned college girl’s best friend. It’s tempting to refer to Leslie and the Badgers as the real Lonely Hearts Club Band, but with songs like these, we’re guessing Leslie and her mates don’t spend much time alone. (Leslie and the Badgers 2009)

Leslie and the Badgers MySpace page

Filter: The Very Best Things (1995 – 2008)

In the 13-year span covered on this collection, Filter (or should we really say Richard Patrick, because he is Filter) draws from four studio records and some excellent soundtrack work to create one heck of a greatest hits package. Their releases have been strong, but they also are quite the singles band. The Very Best Things certainly hammers that home with industrial dance hooks and an occasional straight up pop song like the immeasurably subconscious penetrating “Take a Picture” or the hauntingly and mostly mellow “I’m Not the Only One.” The Filter spin on the Harry Nilsson-penned “One,” from the soundtrack to “The X-Files,” is interesting but not great and really the only misstep on the record. “Thanks Bro,” the last track on the disc culled from Music in the Key of X: Music from and inspired by the X-Files features Patrick’s vocals and an acoustic guitar. This is a nice contrast to the other material because it never really rips it out full throttle like the rest of the material does. It serves as a key reminder that Filter can do a little more with a little less and can change things up but still remain true to their sound. The last record, 2008’s solid Anthems for the Damned is only represented by “Soldiers of Misfortune.” Patrick appears to be in a productive mode because Anthems, a remix record of Anthems and this greatest hits package have all been released in the last two years. If he remains this committed and invested in Filter as opposed to the other projects he has been involved in (Army of Anyone, Damning Well) the next best-of will have more than four releases from which to choose. (Reprise 2009)

Filter MySpace page

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