Category: CD Reviews (Page 118 of 399)

Ramsey Lewis: Songs from the Heart: Ramsey Plays Ramsey


RIYL: The Jazz Crusaders, George Duke, Joe Sample

Jazz pianist Ramsey Lewis shows no sign of slowing down. Now in his mid-70s, Lewis not only continues to be active in the jazz world, he keeps writing and recording new material along the way. Lewis’ latest, and his debut on Concord Jazz, Songs from the Heart: Ramsey Plays Ramsey, is just that – Lewis playing his own material. It’s either tracks he had been previously commissioned to write for ballet or for other artists such as Turtle Island Quartet, or just his own creations to be performed with his trio. And this record, with Ramsey on piano, Larry Gray on bass and Leon Joyce on drums, while simple in instrumentation, is complex in every other way. It’s also the kind of record you might play on a rainy weekend afternoon to forget about all of your troubles, or maybe about everything else you were supposed to get done. Lewis has a way of dynamically creating moods with each piece, and it doesn’t matter if you’re a jazz aficionado or just a weekend jazz warrior (we suspect most of our readers are the latter), you can’t help but appreciate Ramsey Lewis’ music like a fine wine. In fact, uncorking a bottle after putting it on isn’t a bad idea, either. (Concord Jazz 2009)

Ramsey Lewis website

Lyle Lovett: Natural Forces


RIYL: Townes Van Zandt, Guy Clark, Robert Earl Keen

In a world where multi-tasking has become the norm, credit Lyle Lovett with stirring up his musical mantra and effortlessly veering from genre to genre while avoiding the stigma of being typecast by any one style in particular. Once categorized solely as a country singer due to his heart-worn sensibilities, Lovett’s allowed big band, pop, gospel and blues to find equal fits in his repertoire, to the point where his current live shows and recent spate of LPs make equal allowance for all.

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Natural Forces proves no exception, but while the big band and western swing elements secure their place in the mix (especially as illuminated by the two disparate versions of the saucy put-down titled “Pantry”), resilient ballads and aching laments dominate the proceedings with a focus on tender emotions. Opening the album with the rugged title track, Lovett conveys a weary cowboy narrative with a humbled but determined point of view. The traditional country hoedown “Farmer Brown/Chicken Reel,” the rollickingly autobiographical “It’s Rock and Roll,” and a vampish “Bohemia” provide his customary levity, yet the clouds part only momentarily. “Bayou Song,” “Don’t You Feel It Too” and “Sun and Moon and Stars” find Lovett crooning from a wounded perspective, one that pleas for redemption and perseverance. “The blues just keep coming and drying out your eyes / And don’t you think I feel it too,” he moans, making the hurt seem almost palpable.

Ably assisted by his usual cast of veteran collaborators – drummer Russ Kunkel, guitarist Dean Parks, fiddle player Stuart Duncan, and pianist Matt Rollings, among them – Lovett offers up another example of why he remains among the most knowing contemporary crossover artists of our generation. Flawlessly instinctive, Lovett steers Natural Forces as effortlessly as the title implies. (Lost Highway 2009)

Lyle Lovett MySpace page

Medeski, Martin and Wood: Radiolarians: The Evolutionary Set


RIYL: Fusion jazz, jambands, Bernie Worrell, Galactic

If you are sick of the state of the music business, if you need some new music that sounds truly new, if FM radio bores you to tears and even the blog-rock CDs showing up on every music site’s “best of” list lets you down because it all sounds like half-practiced, overproduced slacker junk played by snotty people you wouldn’t invite to parties at your place…please go and buy this box set. The culmination of the two-year Radiolarians project, The Evolutionary Set is the career pinnacle of MMW, jazz-rocking experimentalists who are neither jazz nor rock, but “avant-groove.” Kind of an thinking-fan’s instrumental Phish, this trio started with an idea in 2007: Write some proto-jams, briefly rehearse them, take them on tour, develop them live, and then record the finished project. It spawned three ridiculously tight, sometimes funky, sometimes rockin’, sometimes ambient-noodling numbers that sound like nothing you’ve heard. It doesn’t hurt that these guys not only have played together almost two decades, but that they’re exceptional players. The box set includes the three Radiolarians albums, a double-vinyl set, a DVD documentary, a remixes disc, and a live album. It’s intelligent jazz, it’s primitive rock. It’s funky stuff. It’s an updated 2009 version of the strangely beautiful Miles Davis period that included the records On The Corner and A Tribute to Jack Johnson. It’s everything indie music’s all about, and while the major labels and commercial radio won’t touch this stuff, you should. (Indirecto Records, 2009)

Medeski Martin and Wood MySpace page

AC/DC: Backtracks


RIYL: Motorhead, Kiss, Van Halen

Backtracks is AC/DC’s second compilation, and the first to include anything from the post-Bon Scott era. There are a lot of rarities out there in the AC/DC catalog, thanks to an abundance of B-sides, cut tracks and “international” editions of their records, which in the past routinely featured different tracks than the Australian editions. And while Backtracks does a great job of collecting all those rarities, the quality of said rarities is a little lacking.

While some of the lost cuts are great, such as the rollicking “R.I.P. (Rock In Peace),” most were buried for a reason. “Love Song” is just that, a love-dovey ballad that is the thematic opposite of nearly every other song AC/DC ever recorded and other Oz-only tracks like “Fling Thing” and “Stick Around” aren’t as bad, but they’re entirely forgettable. Some later-era stuff is here as well, and it holds up a bit better. The Blow Up Your Video B-side “Borrowed Time” is actually better than most of the tracks that made that album, and then there’s “Big Gun,” the standout from the excellent “Last Action Hero” soundtrack and probably one of the last truly great songs the band released.

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The live disc is good, but is nothing that the stellar AC/DC Live didn’t already do better, and the music video DVD should really appeal to completists, literally in fact, as it completes the “Family Jewels” DVD collection that first came out in 2005, picking up where that set left off with the video for “Big Gun” and ending with Black Ice clips “Rock N Roll Train” and “Anything Goes.” Watch and be amazed that an AC/DC video from 1991 and an AC/DC video from 2009 are nearly identical, the only things that have changed are softer focus and kinder lighting.

As AC/DC goes, this set is a little uneven, so if you only own Highway to Hell and Back in Black, then this box set isn’t for you. And if you’re still holding out for a greatest hits album or online release (the band remains one of the few iTunes holdouts), then this box set isn’t for you, either. However, do you own the Australian and American versions of all their albums, and have an AC/DC tattoo on your shoulder that you like to show off when you rock the sleeveless shirt at your local rib-off? Then, oddly, this box set isn’t for you either; instead, you’d want the deluxe edition. That comes with an additional CD and DVD of live material, a huge coffee table book, tons of memorabilia and a bonus LP that includes highlights from the rarities CD (which is expanded for the deluxe edition to include several more songs). The packaging for the deluxe edition is equally excessive, as it’s a working guitar amp. That’s the way to go. This regular edition is for pussies. (Columbia 2009)

AC/DC MySpace Page

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