Category: Adult Contemporary (Page 8 of 16)

Me, Myself, and iPod 4/14/10: Amanda Palmer, the blowjob queen

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Big, big, big selection of free downloads this week. Let’s get to it, before any more songs show up.

Teenage Fanclub – Baby Lee
If your first impulse when you saw the words ‘Teenage Fanclub’ was to say something snarky like “They’re still making records?” – or worse, “Who’s Teenage Fanclub?” – may we suggest keeping your fool mouth shut and giving this tune a listen. They’re not as in love with the feedback as they were in their Bandwagonesque days, but this golden slice of sunny guitar pop has medicinal powers that those Jamba Juice energy boosts can only dream of.

Amanda Palmer – Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass
“When I was seventeen, I was a blowjob queen, picking up tips from the masters / I was so busy perfecting my art, I was clueless to what they were after / Now I’m still a blowjob queen, far more selectively / I don’t make love now to make people love me / But I don’t mind sharing my gift with the planet / We’re all gonna die, and a blowjob’s fantastic.” Note to self: arrange a meeting with Amanda Palmer.

Olney Clark – Tea and Thunderstorms
The orchestral pop market has been positively flooded with sensitive minstrels…really, really sensitive minstrels, if you know what we mean. (Most of them are sissies, all right?) This track from Olney Clark, a duo comprised of a Scot and a Yank, gets the balance just right. And better yet, it’s available in Amazon’s download store, even though the album is still only available as an import. Better move fast, though: those imports tend to get delisted pretty quickly.

Kate Miller-Heidke – Politics in Space
Take the drum beat from Johnny Cash’s “God’s Gonna Cut You Down” and give it to KT Tunstall’s well-read older sister, and this is what it would sound like. Love those lower register background vocals, and the stinging indictment, “The ’60s were 50 years ago, you know.” True, dat.

Emanuel and the Fear – Dear Friends
ELO, kiddies. And unlike Cheap Trick, we mean the pun in that first sentence, because any Lynnephiles will instantly take to this nifty piece of baroque pop.

Charlie Faye – Whirlwind
We will readily admit to approaching modern-day country with a healthy dose of skepticism; that country-pop stuff feels like a wolf in sheep’s clothing to us, which is why we’re happy to see someone like Charlie Faye come along. Her voice is weathered (yes, Charlie is a girl) but not whiskey-soaked, and she’s mounting a rather ambitious tour where she’ll spend a month in each city, form a band, play a show, and then move on to the next stop. We still haven’t heard her debut album Wilson St., but if it’s anything like “Whirlwind,” we’re sure going to check it out.

Echo & the Bunnymen – Proxy
As much as we love when the band takes the occasional detour into mellow groove territory like 1999’s What Are You Going to Do with Your Life, they’re at their best when they reach for the rafters. This song, from their album The Fountain, doesn’t scale the frenzied heights of songs like “Do It Clean,” but good luck getting that piano riff out of your head.

Codeiene Velvet Club – Hollywood
This swinging side project of Fratellis frontman Jon Fratelli is still in power rotation. A boy/girl album of songs that recall ’60s-era Hollywood, this shows that the Fratellis’ last album may not have hit the mark, but don’t write them off yet. Indeed, Codeine Velvet Club might be Fratelli’s finest moment yet.

Ex Norwegian – Fresh Pit
This Miami trio casually sent us a friend request on MySpace last week, and proceeded to knock our guitar pop socks off. We asked if they would send us their last album (they’re currently working on a new one), they did, and we were amazed at the band’s versatility. This tune should pacify those jonesing for Band of Horses’ upcoming album.

Deer Tick – Twenty Miles
Is it just us, or did about a dozen Deer bands hit the scene at the exact same time? Whatever the timing, there will be no mistaking Deer Tick from the rest of the pack after hearing this track from their upcoming album The Black Dirt Sessions. Singer John McCauley sounds like David Gray crossed with James Hetfield, and the band’s blend of Southern Gothic will have Joseph Arthur pissing with envy. Good stuff, this.

Santana: Supernatural, Legacy Edition


RIYL: Eric Clapton, Dave Mathews Band, Ozomatli

This Legacy Edition re-release of Santana’s 1999 smash-hit, Grammy Award-winning Album of the Year ups the ante by remastering the original album and adding a second disc of bonus tracks that should delight any fan of the original. The bonus disc has outtakes, remixes and unreleased material with several of the same guests from the original album. There’s also a 24-page booklet with rare photos and a 2,000 word essay by Hal Miller on the album’s creation and significance.

The remastered original sounds great, with Santana’s hot, melty licks singing through the mix of warm bass, dynamic percussion, horns, vocals – the guitar legend is a Jedi Master at weaving his lines into a song without stepping on anyone else. Songs like “Put your Lights On” with Everlast and “Smooth” with Rob Thomas received so much airplay that some people may never want to hear them again. But this shouldn’t overshadow the other great tracks on here.

“(Da Le) Yaleo” features Santana wailing at his best, no pop restriction here. “Love of My Life” with Dave Matthews and Carter Beauford is a soulful gem that makes you wish DMB would add a lead guitarist. For those that don’t care for Matchbox 20, “Africa Bamba” is a beautiful track that is truly smooth, without the pop sheen. Lauren Hill & Cee-Lo help Santana explore hip-hop flavor on “Do You Like the Way,” but it’s “Maria Maria” with the Product G&B that really has classic staying power. With its catchy hooks, soulful vocals and mix of both acoustic and electric virtuoso guitar, it’s no surprise that this tune is the one that’s still a mainstay in Santana’s live repertoire. “Wishing It Was” with Eagle-Eye Cherry is another tune that continues to resonate with deeper substance than the bigger radio hits, with its contemplative lyrics and memorable licks. Underrated closer “The Calling” is an epic blues with Santana and Eric Clapton trading licks on a great finale.

One of the highlights of the bonus disc is “The Calling Jam,” also featuring Clapton, and one of seven previously unreleased tracks out of the 11 on the disc. A cover of Cuban band Irakere’s “Bacalao Con Pan” has smoking leads in a Latin rock setting, while the single “Angel Love (Come For Me)” features a horn section and Santana playing sweet leads behind the vocals. This is something most guitarists don’t know how to do. They should listen to Carlos to learn. “Rain Down on Me” with Dave Matthews and Carter Beauford might even be a better song than their collaboration on “Love of My Life,” with Dave singing in a bluesier vibe that resonates well with Santana’s guitar. “Exodus/Get Up Stand Up” is a hot tribute to Bob Marley, while a cover of Lighthouse’s 1971 hit “One Fine Morning” is another high-energy winner. “Maria Maria (Pumpin’ Dolls Club Mix)” provides an alternate dance-oriented approach, while “Corazon Espinado (Spanish Dance Remix)” offers another take on the original album track with Mana.

There’s an uplifting spiritual vibe throughout both discs, along with a great diversity of material and some of Carlos’ most tasteful playing. All of which makes this set a definitive keeper. (Sony Legacy 2010)

Edwin McCain: The Best of Edwin McCain


RIYL: Better Than Ezra, Michael McDermott, David Cook

If you want to start feeling old, watch what happens when an artist you grew up listening to is releasing “greatest hits” or career retrospectives that span five to ten albums or more. Such may be the case with singer/songwriter Edwin McCain, who has been making his own brand of acoustic-driven, southern-tinged alternative rock for almost two decades now. So here he is with The Best of Edwin McCain, a nice collection of tracks that encompass both radio hits and some obscure gems as well. McCain may have begun his career as part of the Aware Records camp, the one that spawned some powerhouse alt/pop acts like Better than Ezra and Train, but he wound up evolving into a hit machine – the kind of hits that made the knees of young-to-middle-aged women weak, and that would find their way onto wedding band set lists. We’re talking songs like “I’ll Be” and “I Could Not Ask For More.” And that set list just got longer too, as there is a new track on here, “Walk with You,” about a dad giving his daughter away in marriage. But those in the know have understood that McCain’s songwriting prowess runs much deeper, and that is never more evident than on his inaugural single, “Solitude,” or on the groove-y “Take Me.” There is also a decent cover of Grand Funk Railroad’s “Some Kind of Wonderful.” But for as balanced as this album is, there are a couple of glaring omissions, most notably “Go Be Young” and “Ghost of Jackson Square” from the Messenger album. Still, that’s the beauty of the digital era—that we can go make our own “greatest hits” collections of our favorite artists. Either way, this is a nice look back at a fine career so far. (Time Life 2010)

Edwin McCain MySpace page

X: THC: X: The Human Condition


RIYL: early Nine Inch Nails, Massive Attack, Portishead

This is one branch in the music tree that we didn’t see coming: adult contemporary trip-hop. X: The Human Condition, the brainchild of Michael Nova, is a giant multimedia experience. There is a film, which tells the story of two people driven to change the world through art. The soundtrack of that film sounds like the kind of thing Trent Reznor might assemble if he were feeling vulnerable. The songs slink, bloop and bleep along like the soundtrack for an alt-spa (we’re not sure if alt-spas actually exist, but they should), and possess an ache that Massive Attack’s last album lacked. It doesn’t always work: “Mr. Happy” with its falsetto chorus is more corny than heartfelt, and anyone willing to name a song “The Creature from the Blackened Room” better prepare for some sniggers, even if the music for the track isn’t half bad. When the album’s on, though, it’s on; “The Human Flood” is just begging to be used in a movie trailer, and “Tag You’re It” explores funkier territory. Nova’s not the best singer in the world, and X: The Human Condition will not rewrite the music history books, but for anyone looking to come down from an already chill party, this will do the trick. (Hypnotical Entertainment 2010)

X: The Human Condition MySpace page
Click to buy X: The Human Condition from Amazon

April Smith and the Great Picture Show: Songs for a Sinking Ship


RIYL: KT Tunstall, Squirrel Nut Zippers, Liza Minnelli

Sometimes great singers try a bit too hard to prove that they’re great. April Smith is not one of those singers. The arrangements on her latest and most impressive album Songs for a Sinking Ship fit her sultry voice like a glove and her songwriting is both playful and intellectual. April Smith is clearly capable of controlling the whole circus when it comes to vocal acrobatics but possesses the restraint to allow each song to shine as bright as her ability.

After numerous listens, I’ve yet to find a track that I didn’t thoroughly enjoy. A standout track on Songs for a Sinking Ship is “Wow and Flutter” which combines semi-dark theatrics with a refrain that could have found a home on a Ratt record. Odd, I know, but it totally works. Additionally, the closer “Stop Wondering” is easily the most delightful “fuck you” to a former lover ever recorded.

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Aside from her glowing talent behind the mic and the pen, she’s clearly figured out the business side of things as well. She used kickstarter.com and her ever-growing fan base (acquired from near constant touring over the past few years) to fund this release. We always hear stories of bands collecting cash online to fund their latest projects but many of those bands were once privileged enough to receive that initial “major label” push. April did it her way from the start and we can only hope that in the years to come she will be recognized as the fearless trailblazer that she is.

There are no gimmicks on Songs for a Sinking Ship. Only great writing and performing which is a very welcome change of pace from your typical release. You’re going to want to sing along with April Smith but you had better stretch out before attempting it or you will most certainly hurt yourself. (Little Roscoe 2010)

April Smith and The Great Picture Show | Official Website
Click to buy Songs for a Sinking Ship from Amazon

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