Author: Will Harris (Page 1 of 61)

Seen Your Video: The Cars, “Sad Song”

When Greg Hawkes and Elliot Easton teamed up with Todd Rundgren, Prairie Prince, and Kasim Sulton in 2005 and set out on the road (and, briefly, into the studio) under the name The New Cars, some fans were amused and entertained with the results, but most cried, “Blasphemy!” It’s not as though Ric Ocasek had decried the project – if you can trust Wikipedia, he actually gave his blessing, saying, “I want Elliot and Greg to be happy” – but, really, if the line-up of the band doesn’t feature Ocasek or the late Benjamin Orr, be it old or new, it simply isn’t The Cars.

In July 2010, however, something very surprising happened: out of nowhere, the official Facebook page for The Cars – not The New Cars, mind you, but The Cars – posted a photo of Ocasek, Easton, Hawkes, and even the previously-retired David Robinson back in the studio together.

By October, they’d posted a snippet of a new song entitled “Blue Tip,” and November brought the news that the band was recording an entire album and was toying with the idea of touring behind it. A few other snippets turned up here and there, along with confirmation that the new album would be entitled Move Like This. Now, at last, we have a video for the first single from the album.

You’d be hard pressed to ask for a track that sounds more like the classic Cars sound than “Sad Song,” and the video definitely tries to go for an ’80s feel with its odd visuals (hands pressing through walls, circus people, a mad scientist, weird lighting all around), but while there’s no question that the guys are taking this reunion very seriously, there’s one major element that’s missing from this thing: Mr. Ocasek. He used to be the star of the band’s videos, but if he’s in this thing at all, then it must be only the quickest of glimpses, because it didn’t even register.

Still, it’s a hell of a song. Can’t wait to hear the whole album.

10 Books for the *REAL* Music Fan on your Holiday Shopping List

Got a music fan on your holiday shopping list? We’re not talking about someone who only listens to the radio in the car and, even then, spends half of their time talking on their cell phone. We’re talking about someone who – like the name of this blog – eats, sleeps, and drinks music, someone who isn’t afraid to do a little bit of genre-jumping and who, after being introduced to an artist or a scene, seeks out reference material to learn more about the songs they’re hearing and the people who brought them to fruition. If so, we’ve got a few books for you.

Now, mind you, this isn’t intended to be a comprehensive list, as most obviously evidenced by the fact that neither Keith Richards’ Life nor Jay-Z’s Decoded are anywhere to be found, not to mention Justin Bieber’s scintillating story, First Step 2 Forever. All we’re trying to do is offer up some suggestions based on what we’ve seen, read, and gotten excited about over the course of 2010. And now that you know that, read on…

1. John Lennon: Life is What Happens, by John Borack

Beatles-related coffee-table books are practically a literary industry unto themselves, but John Borack’s contribution to the field is one of the best to come down the pipeline in quite some time, offering a blend of photographs, album covers, movie posters, memorabilia and minutiae from throughout John Lennon’s career while interspersing the visual presentation with text.

Some of it comes courtesy of the author himself, who provides a more thorough history of Lennon’s life and times than you might expect; given the eye candy with which he’s surrounded his words, Borack could’ve gone the simple route, but rest assured that this is no rote history. Beyond his contributions, there are quotes from Lennon himself, of course, both from his lyrics and his interviews, but there are also comments from various musicians, DJs, and others who have been affected by Lennon’s work throughout the years.

You’d be right to hesitate and think to yourself, “Do I really need another big-arse book about John Lennon and the Beatles?” In this case, though, you probably do.

2. Fab: An Intimate Life of Paul McCartney, by Howard Sounes

Ah, but do you need another big-arse book about Paul McCartney and the Beatles? Fortunately, in the case of Howard Sounes’s Fab, you’re not looking at a coffee-table volume but, rather, a proper biography. Sure, Barry Miles would seem to have the upper hand on McCartney bios, given that his contribution, Many Years from Now, was actually authorized by Macca himself, but with the 200+ interviews done by Sounes, the fact that he wasn’t working directly with his subject means that you’ll probably end up learning a few things that Sir Paul probably would prefer that you hadn’t. Given that Sounes manages to tackle both the highs and the lows of McCartney’s career while neither rhapsodizing nor crucifying the man, it’s no surprise that the reviews for Fab have been, well, fab.

3. Talking to Girls About Duran Duran: One Young Man’s Quest for True Love and a Cooler Haircut, by Rob Sheffield

I mean this in the best possible way and intend absolutely no disrespect to Rob Sheffield, but…I totally could’ve written this book. And so, for that matter, could my fellow Bullz-Eye editor, David Medsker. Even though this book may not mirror either of our lives precisely, it contains enough universal truths about growing up in the 1980s and the soundtrack of the era that the experience of reading it proves at various times to be heartwarming and heartbreaking but – fortunately – with a whole lot of hilarity also thrown into the mix. Covering everything from Duran Duran and Depeche Mode to Rob Base and DJ E-Z Rock and Def Leppard, it may be Sheffield’s memoir, but a lot of it is our lives, too. You’ll probably find it contains a bit of yours as well, even if you weren’t even yet born when the ’80s ended (man, did you just hear that really loud collective sigh from all of the thirty- and fortysomethings?)…and if you’re like David and I, it’ll probably make you want to write your own book. But until after you curse Sheffield for having written his first.

4. A Wizard, A True Star: Todd Rundgren in the Studio, by Paul Myers

Paul Myers may have made his biggest literary splash – or certainly his most high profile, anyway – by penning Barenaked Ladies’ authorized biography, Public Stunts, Private Stories, but it’s his passion projects which have proven the most educational for music-bio aficionados.

2007 brought us his examination of the British blues scene of the 1960s as viewed through the kaleidoscope of Long John Baldry’s career (It Ain’t Easy: Long John Baldry and the Birth of the British Blues). Now, Myers has set his sights on a more mainstream musical figure…although, really, when someone inspires his followers to declare, “Todd is God,” doesn’t that by definition mean that they have a cult following?

But I digress.

With A Wizard, A True Star, Myers attempts the daunting task of exploring Rundgren’s work behind the board, as it were, exploring in great detail the albums that he’s produced over the years, including Meat Loaf’s Bat Out of Hell, the New York Dolls’ self-titled album, XTC’s Skylarking, and, as the cliche goes, many, many more. Researched and written with the participation and cooperation of Rundgren himself, Myers also draws upon exclusive new interviews with Robbie Robertson, Patti Smith, XTC, Sparks, Daryl Hall and John Oates, Meat Loaf, Jim Steinman, Cheap Trick, Grand Funk, The Psychedelic Furs, The Tubes, Steve Hillage, and the members of Utopia.

If you’re a Rundgren fan and didn’t already know what you wanted for Christmas before reading this, I think it’s fair to say that you do now.

5. Husker Du: The Story of the Noise-Pop Pioneers Who Launched Modern Rock, by Andrew Earles

In the interest of full disclosure, I must admit that I have yet to pick up a copy of this book, but while I’m not necessarily expecting it to top Michael Azerrad’s look at the band in Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991, the idea of someone putting together a full-fledged history of the work that Bob Mould, Grant Hart, and Greg Norton did together has me excited enough that I feel like I should at least spread the word about it.

Here’s the official description of the book:

Taking their name from a popular Danish children’s board game, Bob Mould, Grant Hart, and Greg Norton formed Hüsker Dü in St. Paul, Minnesota, in 1979 as a wildly cathartic outfit fueled by a cocktail of volume and velocity. Author Andrew Earles examines how Hüsker Dü became the first hardcore band to marry pop melodies with psychedelic influences and ear-shattering volume, and in the process become one of the most influential rock bands of the 1980s indie underground. Earles also explores how the Twin Cities music scene, the creative and competitive dynamic between Mould and Hart, and their personal lives all contributed to the band’s incredible canon and messy demise. Few bands from the American indie movement did more than Hüsker Dü to inform the alternative rock styles that breached the mainstream in the 1990s. Here, finally, is the story behind their brilliance.

Hey, it certainly sounds good. Whichever one of us gets it first, meet back here and let the other know how it is, deal?

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Bullz-Eye’s Favorite Albums and Songs of 2010: Associate Editor Will Harris’s picks

I don’t even know why I’m here, frankly. I think it’s pretty well documented that all I do these days is write about television and interview people ’til the cows come home. Once upon a time, though, I used to be a music critic, dammit…and once you’ve had opinions about music, you’ll always have opinions about music. As such, here are my thoughts on the albums and songs that grabbed me this year. This may be the first time I’ve actually written about most of them, but you can damn well be sure that I’ve spent plenty of time listening to them.

Favorite Albums

1. Tom Jones: Praise & Blame
It’s a pretty consistent tradition that my #1 slot on my Best Albums list of any given year belongs to an artist whose career I’ve followed for quite some time, but Sir Tom earned his spot fair and square. Kicking things off with a stark cover of Bob Dylan’s “What Good Am I?” which will leave listeners spellbound, the Welsh wonder goes gospel with this record, and while it’s admittedly not the sort of career move that generally results in the shifting of mass units, it’s a creative success, one which befits a man entering his seventies far more than, say, another retread of “Sexbomb.” Having already secured legendary status (not to mention a knighthood), our man Tom can afford to step outside of people’s perceptions, and for those who’ve been paying attention, that’s what he’s been doing for the past several albums, including 2008’s 24 Hours and his 2004 collaboration with Jools Holland. But while Praise & Blame is a continuation of an existing trend, it’s also arguably the first time Jones has made absolutely no commercial concessions. There’s no wink-and-a-nudge cover of “200 Lbs. of Heavenly joy.” There’s no song by Bono and the Edge nor uber-hip production from Future Cut. There’s just Tom Jones, age 70…and, by God, he’s still got it.

2. Glen Matlock & The Philistines: Born Running
It isn’t as though it’s surprising that John Lydon’s the member of the Sex Pistols who’s gone on to have the most successful solo career – he was, after all, the frontman for the group – but it continues to be equally eyebrow-raising that so few of the band’s fans have kept their ears open for the consistently solid material emerging from Glen Matlock‘s camp. It’s not quite as punk as the Pistols – which makes perfect sense if you believe the story about Matlock supposedly getting the boot from the band for liking the Beatles a bit too much – but the songs on Born Running still pack a fierce wallop.

3. Brian Wilson: Reimagines Gershwin
The older I get, the less I allow myself to feel guilty about enjoying an album that I could easily peddle to people my grandparents’ age. All things considered, I’d much rather have a full collection of new originals from Mr. Wilson, but the way he takes these Gershwin classics and arranges them to match his traditional sound is still music to my ears. Then, of course, there’s the added bonus that he’s taken on the task of completing a couple of previously-unfinished Gershwin songs. Unsurprisingly, they sound just like Brian Wilson compositions…not that there’s anything wrong with that. At all.

4. Farrah: Farrah
There’s Britpop, and then there’s power pop, but you don’t tend to find bands who can manage to comfortably keep a foot in both camp; I’d argue that Farrah succeeds at this task, but given that they don’t have a particularly high profile in either, I suppose it really all depends on how you define success. For my part, though, if an artist releases an album which contains a significant number of catchy-as-hell hooks, it’s top of the pops in my book, which means that this self-titled entry into their discography is yet another winner for Farrah.

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Darius Rucker: Charleston, SC 1966


RIYL: Radney Foster, Brad Paisley, Hootie & The Blowfish


Hootie & The Blowfish might have sold millions of copies of 1994’s Cracked Rear View album, but by the early part of the ’00s, they could barely pull a top-50 placing with the albums. Possibly not coincidentally, that’s when the band’s frontman, Darius Rucker, decided to step out of the band long enough to release his 2002 solo debut, Back to Then. That record found Rucker exploring his R&B side. It didn’t sell very well. Six years later, he tried again with a second solo album, Learn to Live, this time deciding to go country. The result: three number one singles on the Billboard country music chart. Bet you can’t guess which of these albums he used as the template for his latest release…

The title of Charleston, SC 1966 was inspired by Radney Foster’s breakthrough record, Del Rio, TX 1959, and if it isn’t necessarily as groundbreaking as Foster’s classic work (it isn’t), there are still moments where it can match it jangle for jangle. (Indeed, some of the jangling on Charleston actually comes from Foster.) There’s plenty of radio-friendly country pop out there, but precious little of it has the kind of crossover appeal that Rucker’s familiar voice can offer, and when it’s singing songs as catchy as “This” and “Come Back Song,” airplay is all but guaranteed.

Sonically speaking, a Rucker newbie listening to the songs from Charleston and Learn to Live on “shuffle” would probably be hard pressed to tell which songs came from which albums, so closely do they follow the same template. Still, you’ve got Bela Fleck on banjo adding a coolness factor, Brad Paisley (who duets with Rucker on “I Don’t Care”) helping to up his country cred, and a Kara DioGuardi co-write (“This”) to guarantee a hit single on both the country and the pop charts. On top of everything else, it really doesn’t sound that different from Hootie. That might not impress you, but once upon a time, 16 million people dug their sound, and based on the success of Learn to Live, it’s clear that a couple of million of them are happy to hear Rucker’s voice again. Can you really blame him for sticking to the same formula for Charleston? (Concord 2010)

Darius Rucker official website

Paul McCartney & Wings: Band on the Run – Deluxe Edition


RIYL: Paul freaking McCartney


It has been said that, once upon a time, Paul McCartney and Wings were so huge that befuddled youngsters would actually ask their parents, “Hey, did you know Paul McCartney used to be in a band before Wings?” Even as a kid, it always struck me as one of those apocryphal tales that sounded great but that you only ever heard from a friend who heard it from another friend who swore it was true, cross his heart. And now…? Geez, do the kids even know that Wings existed? Given that McCartney formally disbanded the group almost 30 years ago, I’d say the odds are pretty slim. If you’re looking to give them an education, though, there’s simply no better place to start…and, some would say, finish…than 1973’s Band on the Run, the reissue of which serves as the kickoff for Concord Music’s grand reintroduction of McCartney’s back catalog to the marketplace.

This is hardly the first time Band on the Run has been reissued, of course, but as much as you may want to blast Macca for offering this material to the masses yet again, you have to give the old man credit: he’s offering it up in enough different formats and with enough hard-to-find or previously-unavailable music and video that just about everyone is going to curse and say, “Dammit, he’s gotten me again.” They’ll be smiling as they do it, though, especially if they’re buying the deluxe edition, which, in addition to being housed in a gorgeous, photograph-filled hardcover coffee table book, contains 3 CDs – a remastered version of the album, a disc of bonus tracks, and an audio documentary – and a DVD which features videos for “Band on the Run,” “Mamunio,” and “Helen Wheels,” album promos, and “One Hand Clapping,” a rarely-seen live performance by the band from Abbey Road Studios.

As for the actual album…well, there’s a reason why it’s taken pole position in the reissue campaign: it’s the jewel in McCartney’s crown that never loses its luster, the one that even John Lennon admitted was great. Few albums of any decade start off with songs as spectacular as “Band on the Run” and “Jet,” but then you’ve got “Bluebird” and “Mrs. Vanderbilt,” followed by “Let Me Roll It” and “Mamunia.” There’s no point in reeling off the rest of the tracks. All you really need to know about Band on the Run is that it’s the only Paul McCartney album that you absolutely, positively must own…which is why you probably already do. Unfortunately, there’s no way the presentation of your copy is as impressive as this new Deluxe Edition. Sorry, fans: you’re just going to have to buy it again. (Concord 2010)

Paul McCartney official website

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