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Pong Shop Boys

We were stoked to see that the Pet Shop Boys, in support of their awesome album Yes, were launching a North American tour in the fall (musical director: Stuart Price, thank you very much), and then as we scrolled down to the bottom of the press release, we saw something that really got us excited: a Pong game featuring the band’s single “Love Etc.” playing in the background. Yes, indeed.

We had to pinch the width a bit to get it to fit, so if you’d like to play the official version, click here. Get yer Pong on, kids.

The Features: Some Kind of Salvation

From the back woods of Sparta, Tennessee come eclectic indie-rockers the Features. Their latest release, Some Kind of Salvation, was recorded without the help of a major label, and boasts a hodgepodge of songs with inventive lyrics and infectious melodies. Opening track “The Drawing Board” sets the tone of the record with a barrage of funky horns, and “The Temporary Blues” makes a statement about that shit job you just can’t stand but really can’t live without. Other standouts on the record include “GMF” – about zombie vegetables that take their non-conformist farmer hostage – and “Wooden Heart,” a post-break up/rebound anthem about putting the shine back on that tarnished but most important blood-pumping organ. On the whole, the record is full of energy. It’s relevant yet different, with audible influences like the Kinks and Elvis Costello. Some King of Salvation is a bit of a departure from the wild psychedelic rock you may expect from the Features, but “Off Track” or not – this foursome is poised to make a bold statement in the world of rock music. (Loose Tooth 2009)

The Features MySpace page

Todd Snider: The Excitement Plan

Over the course of his career, Todd Snider’s gained a well-deserved reputation as something of a smart-ass, an artist who apparently can’t resist the temptation to mingle his sentiment with satire, much the same as Kinky Friedman, Randy Newman, Shel Silverstein and other musicians known for their humor and chutzpah. Snider’s last effort, the obviously irreverent Peace Queer EP, found that line between sarcasm and sincerity all the more difficult to discern, and even though The Excitement Plan has Snider turning somewhat introspective, its also clear that his tongue is still situated comfortably in his cheek. Even so, Snider seems to be plowing his roots, turning down the amps and relying primarily on acoustic guitar, piano and harp for a steady, bluesy shuffle. The rustic appeal brings to mind more esteemed musical masters like J.J. Cale and Dr. John, but when he opts for a weathered and reflective perspective – as on “Greencastle Blues” and “Corpus Christi Bay” – the music becomes unexpectedly endearing. Happily, Snider’s observations are as wry as ever – borne out by the trippy tale of the ballplayer who pitched a no-hitter zonked on acid (“America’s Favorite Pastime”), an amiable diatribe on the spoils of success (“Money, Compliments, Publicity”) and a rambling lament about a shiftless spouse (“Barefoot Champagne”). Whether or not The Excitement Plan is as energized as its title suggests may be a matter of debate, but there’s no denying the lure of these entertaining observations. (Yep Roc)

Todd Snider MySpace page

John Vanderslice: Romanian Names

With a recording history that dates back a decade and some seven remarkable albums, John Vanderslice has established himself as a genuine fixture in the San Francisco indie pop community. Having the advantage of owning his own base of operations – his highly regarded Tiny Telephone recording studio – Vanderslice freely dabbles in all sorts of sonic settings, creating a gloriously vibrant pastiche replete with rich arrangements and sunny textures. Romanian Names is merely the latest of these delightful offerings, an enthusiastic indulgence in varied musical hues that run the gamut from the massed harmonies of the ebullient opening track, “Tremble and Tear,” to the shimmer and sparkle of “Too Much Time” and steady shuffle of “D.I.A.L.O.” Vanderslice spares no measure when it comes to engineering the ambiance; a full regimen of strings, horns, keyboards and Mellotron aid and abet the collective effort, resulting in a sound that’s as radiant and expansive as anything by the Beach Boys, XTC or Todd Rundgren in his prime. A wonderful record all around, Romanian Names deserves to serve as Vanderslice’s calling card to broader recognition. Dead Oceans

John Vanderslice MySpace page

Lisa Donnelly: We Had a Thing

Although Lisa Donnelly is but unknown at this point, there’s something uncannily familiar about her solo debut. Having fronted the L.A. outfit A.M. Pacific and after mining the Hollywood club circuit, it’s only natural that she should exude the air of a veteran, and indeed the confidence and ease with which she delivers her material belies any hint of relative inexperience. If anything, Donnelly may be too ambitious; We Had a Thing suggests she may be trying to cover too much ground for a first outing. And in fact, with songs that run the gamut from ethereal ballads to propulsive hip-hop, it’s hard to get a handle on Donnelly’s true essence. Try Sarah McLachlan meets Madonna. She even throws some sitar into the mix with the song “Blue,” suggesting a psychedelic spin that quickly turns into a meditative mode. Still, the most telling track on the album – both literally and figuratively – is the leadoff tune “Laugh,” an intriguing narrative about a dinner party encounter with a psychic who preps her for the future. Being that she’s a bit derivative, it’s difficult to read Donnelly’s chances for success based on this album alone. Still, it suggests there’s plenty of potential for ongoing endeavors.
(BT Media 2009)

Lisa Donnelly MySpace page

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