Category: External Music (Page 13 of 50)

Rolling Stone breaks down the odds for Super Bowl XLIV halftime act

It’s almost a year away, but that didn’t stop the folks at Rolling Stone from throwing out the names of a few potential acts to follow in Bruce Springsteen’s footsteps.

It’s a tall order to fill: applicants must be legendary but still active, rocking but not raucous, and as big as the game itself. So who’s left? Oddsmakers are already lining up favorites for next year’s Lombardi Trophy (The Patriots? Really? No love for your new champs, the Pittsburgh Steelers? Your loss, Vegas.), so we thought we’d set the odds for next year’s halftime show. The NFL could go country (Tim McGraw? Taylor Swift?) or pop (Kelly Clarkson will soon return to us), but you have to presume they’ll stick with what works — big rock from big names. We have, of course, completely pulled these names and numbers out of thin air, plus gambling’s illegal just about everywhere, so keep your money in your wallet.

The Who
Pros: Legendary band with a sound louder than the game itself.
Cons: None. They’re the Who.
Odds: 3/2

In addition to the magazine’s suggestions — The Who (solid), Bon Jovi (solid), AC/DC (too hard), John Mellencamp (solid), Metallica (too hard), Van Halen (maybe), Nickelback (why?), Green Day (big enough profile?), Foo Fighters (see Green Day), Jay-Z (didn’t he retire?) — I’ll throw a few out there as well: Bob Seger, Neil Diamond, Fleetwood Mac, Eric Clapton, the Black Crowes, the Eagles and the Steve Miller Band.

Who do you think should provide the halftime entertainment next year?

Bonnaroo announces ’09 lineup

EW.com’s PopWatch summarizes the Bonnaroo headliners, but you can see the full lineup here.

You’ve got your classic-rock powerhouses (Bruce Springsteen and the E Street Band, Elvis Costello), your reunited jam-band institution (Phish), your ’90s-survivor cult act (Nine Inch Nails), your rap elders (Snoop Dogg, the Beastie Boys), your old soul legend (Al Green), your new funk goddess (Erykah Badu), your country icons (Merle Haggard, Lucinda Williams) — and, of course, dozens of your top-tier indie rockers (Animal Collective, the Decemberists, TV on the Radio, Grizzly Bear)

The article didn’t even mention Wilco or David Byrne. That’s a nice lineup.

The festival runs from June 11th to the 14th. Tickets go on sale this Saturday.

ISPs now working with RIAA to catch downloaders?

Nothing is official, but it appears that the RIAA has enlisted the group that can best help them fight music piracy — the internet service providers (ISP).

It’s important to note that none of the half dozen or so ISPs involved has signed agreements. The companies are “skittish” about negative press and could still back out, said the sources. But as it stands, AT&T and Comcast are among the companies that have indicated they wish to participate in what the RIAA calls a “graduated response program.”

Typically, ISPs have stayed away from getting involved in copyright enforcement. The ISPs working with the RIAA will forward take-down notices to network users accused of illegal file sharing and in an unprecedented move, will establish a series of responses for chronic copyright violators.These responses will gradually grow in severity as the number of violations go up and may include suspension of service or even service termination. Each ISP will decide its own response.

There are still plenty of details left to work out, the sources said. The RIAA has yet to address how it would help ISPs make up for the revenue they would lose by kicking people off their networks or who would pay the costs of sending take-down notices. The RIAA may disclose participating ISPs as soon as next month, according to a music industry source, adding that AT&T and Comcast are expected to be part of the group.

If AT&T and Comcast do join, the RIAA will have plenty of muscle to wage a new assault on piracy. The music industry said last month that it would no longer battle piracy by filing lawsuits against individuals. Instead, the big recording companies seek to create a new line of defense at the network level. And at least on paper, the plan is a potent one.

This move has always made sense for the RIAA, but it’s ironic how the ISPs built their broadband business on the backs of music and movie downloaders and now they’re going to turn around and punish their customers for doing just that. There is likely some very negative press once the full list of cooperating ISPs is revealed. And I wouldn’t be surprised if there are a few ISP holdouts that use their status of non-cooperation as a marketing tool to attract downloaders (or customers that just want as much privacy as possible).

I’m still confused about the digital music business model. I can buy a hard copy of a CD for around $10 if I go to a discount seller. I can buy a digital copy of the same album at iTunes for the same price. The difference is that the hard copy of the CD still holds value. I can resell it for $3 or $4 if I stop listening to it. That’s not possible with the digital copy. So, to me, the digital copy should be discounted ahead of time to account for that loss in value. Digital albums should be $5 or $6, not $10. There are no CDs to be burned or shipped, jewel cases to be bought or assembled, or artwork to be printed, so the digital copy should be far cheaper to produce and distribute.

Unfortunately, it appears iTunes is actually raising the price of (some) songs to $1.29.

Science Faxtion: Living on Another Frequency

Bootsy Collins, Buckethead, and Brain join forces with producer multi-instrumentalist Greg Hampton to release the man/robot Orwellian-themed, musically eclectic Living on Another Frequency. As bizarre as the combination sounds, it really isn’t unique. Brain and Buckethead worked together on The Big Eyeball in the Sky, joining Bernie Worrell (who guests on this record), and Les Claypool in the one-off Colonel Claypool’s Bucket of Bernie Brains. Buckethead has worked with Collins before in Praxis. The X factor, and ultimately the weakness of the record, are the whiskey-soaked, cigarette-stained and underwhelming vocals of Greg Hampton who provides the lead voice on the majority of the record. It’s a shame because musically, it is as sophisticated as it is bizarre. It has much more structure than a Praxis project, but still roams all around a futuristic funk rock sound to tantalize the listener. The best tracks are the trippy instrumental based tracks which have weird vocal samples (and no Hampton singing like “Sci-Fax Theme” and “Famous”) or “Life-IS IN-Deliver,” featuring a spacey, Hendrix-influenced vocal by Collins, or a guest spot by the distinct Chuck D on “What It Is.” It’s adventurous and interesting, especially on paper, but much like the 2008 Chicago Cubs, being good on paper doesn’t guarantee success. (Mascot Records)

Science Faxtion MySpace page

Seen Your Video: Morrissey, “I’m Throwing My Arms Around Paris”

Even as a longtime Morrissey apologist, I was sorely disappointed with Mozzer’s last album, 2006’s Ringleader of the Tormentors, but when I caught him in concert while he was supporting the record, I was pleasantly surprised with how much more impressive its songs sounded in a live setting. As such, I’ve found myself hopeful for his next album ever since…though, to be fair, as a Morrissey apologist, there was never any chance that I wouldn’t be hopeful…and having heard the first single from his new record, Years of Refusal (set for release on Feb. 16 on Lost Highway), I’m more excited than ever. The song might not be as tough of a first single as, say, “Irish Blood, English Heart,” but it has a very old-school Morrissey sound to it, with a jangle that captured my heart immediately. Check out the pug-happy video below, then let me know what you think about the track:

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