Category: Steal This Song (Page 5 of 6)

Me, Myself, and iPod 4/14/10: Amanda Palmer, the blowjob queen

esd ipod

Big, big, big selection of free downloads this week. Let’s get to it, before any more songs show up.

Teenage Fanclub – Baby Lee
If your first impulse when you saw the words ‘Teenage Fanclub’ was to say something snarky like “They’re still making records?” – or worse, “Who’s Teenage Fanclub?” – may we suggest keeping your fool mouth shut and giving this tune a listen. They’re not as in love with the feedback as they were in their Bandwagonesque days, but this golden slice of sunny guitar pop has medicinal powers that those Jamba Juice energy boosts can only dream of.

Amanda Palmer – Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass
“When I was seventeen, I was a blowjob queen, picking up tips from the masters / I was so busy perfecting my art, I was clueless to what they were after / Now I’m still a blowjob queen, far more selectively / I don’t make love now to make people love me / But I don’t mind sharing my gift with the planet / We’re all gonna die, and a blowjob’s fantastic.” Note to self: arrange a meeting with Amanda Palmer.

Olney Clark – Tea and Thunderstorms
The orchestral pop market has been positively flooded with sensitive minstrels…really, really sensitive minstrels, if you know what we mean. (Most of them are sissies, all right?) This track from Olney Clark, a duo comprised of a Scot and a Yank, gets the balance just right. And better yet, it’s available in Amazon’s download store, even though the album is still only available as an import. Better move fast, though: those imports tend to get delisted pretty quickly.

Kate Miller-Heidke – Politics in Space
Take the drum beat from Johnny Cash’s “God’s Gonna Cut You Down” and give it to KT Tunstall’s well-read older sister, and this is what it would sound like. Love those lower register background vocals, and the stinging indictment, “The ’60s were 50 years ago, you know.” True, dat.

Emanuel and the Fear – Dear Friends
ELO, kiddies. And unlike Cheap Trick, we mean the pun in that first sentence, because any Lynnephiles will instantly take to this nifty piece of baroque pop.

Charlie Faye – Whirlwind
We will readily admit to approaching modern-day country with a healthy dose of skepticism; that country-pop stuff feels like a wolf in sheep’s clothing to us, which is why we’re happy to see someone like Charlie Faye come along. Her voice is weathered (yes, Charlie is a girl) but not whiskey-soaked, and she’s mounting a rather ambitious tour where she’ll spend a month in each city, form a band, play a show, and then move on to the next stop. We still haven’t heard her debut album Wilson St., but if it’s anything like “Whirlwind,” we’re sure going to check it out.

Echo & the Bunnymen – Proxy
As much as we love when the band takes the occasional detour into mellow groove territory like 1999’s What Are You Going to Do with Your Life, they’re at their best when they reach for the rafters. This song, from their album The Fountain, doesn’t scale the frenzied heights of songs like “Do It Clean,” but good luck getting that piano riff out of your head.

Codeiene Velvet Club – Hollywood
This swinging side project of Fratellis frontman Jon Fratelli is still in power rotation. A boy/girl album of songs that recall ’60s-era Hollywood, this shows that the Fratellis’ last album may not have hit the mark, but don’t write them off yet. Indeed, Codeine Velvet Club might be Fratelli’s finest moment yet.

Ex Norwegian – Fresh Pit
This Miami trio casually sent us a friend request on MySpace last week, and proceeded to knock our guitar pop socks off. We asked if they would send us their last album (they’re currently working on a new one), they did, and we were amazed at the band’s versatility. This tune should pacify those jonesing for Band of Horses’ upcoming album.

Deer Tick – Twenty Miles
Is it just us, or did about a dozen Deer bands hit the scene at the exact same time? Whatever the timing, there will be no mistaking Deer Tick from the rest of the pack after hearing this track from their upcoming album The Black Dirt Sessions. Singer John McCauley sounds like David Gray crossed with James Hetfield, and the band’s blend of Southern Gothic will have Joseph Arthur pissing with envy. Good stuff, this.

Me, Myself, and iPod: ESDMusic’s weekly free downloads

esd ipod

We receive roughly 6,000 press releases per week that include links to mp3s that we are allowed to post for your downloading pleasure. Why haven’t we been posting more than one or two a month, you ask? Quite simply, by the time we get through all of the press releases, we’ve received another 6,000 emails with newer, “better” songs to run instead. It’s the kind of thing that can get away from someone if they’re not right on top of it.

This is our attempt to rectify the problem. Each week we will run a list of songs for your DRM-free downloading pleasure. And in the time it took us to type that last sentence, 15 more songs just came in. Geez.

The Futureheads – Struck Dumb
The band’s second album This Is Not the World was a bit of a non-starter, despite the fact that it should have appealed to anyone who liked the band’s post-punky debut. “Struck Dumb,” from the band’s upcoming third album The Chaos, still showcases the band’s trademark angular pop, but the edges are smoothed out a bit.

Deluka – Cascade (Acoustic Version)
This synth-pop band’s debut is set to drop later in the year, and this acoustic take on their self-titled EP’s best song is damned good. Usually we wrinkle our noses at acoustic versions of electronic songs, but this one works, and works well.

SPEAK – Digital Love
Everyone loves a cover, and this ultra-sheen pop rock band (think Cash Cash) surprised the crowds at South by Southwest with a faithful take on a track from Daft Punk’s seminal Discovery album. Sure, the keytar solo could have been handled a little better, but we bet this was fun to watch when it happened.

Ariel Pink’s Haunted Graffiti – Round and Round
Rare is the song that carries both a haunted, gothic feel (think Joseph Arthur gothic, not Bauhaus gothic) and a sunny, ’70s mellow gold vibe as well, but this song does just that.

In Tall Buildings – The Way to a Monster’s Lair
We’ll be honest: this is the first we’ve heard of either NOMO or Erik Hall. But one spin of this moody but driving track has us wanting more. Anyone looking for a good breakup song would be wise to check this out.

Kaiser Cartel – Ready to Go
Boy/girl duos: they’re the new animal band name. Still, as trends go, this boy/girl thing is a pretty damn good one (The Bird and the Bee, Mates of State, Codeine Velvet Club, Matt & Kim, She & Him, the Ting TIngs), and now that it’s become a movement of its own, perhaps Kaiser Cartel can seize the opportunity to jump to the next level. If “Ready to Go” is any indication, they are poised to pick up a lot more fans when their album Secret Transit drops in June.

Steal This Song: Oh Mercy, “Lay Everything on Me”

There are few ways to get our attention faster than comparing an artist to Neil Finn. It’s a double-edged sword, though; there are scores of artists who try to emulate Finn brothers Neil and Tim, but almost none of them succeed in replicating his signature blend of rich melodcism with a healthy dose of neurosis. Still, when someone dares to make the comparison, we listen.

And, if the song turns out to sound more like the Go-Betweens than the Finn Brothers, we listen again. And again.

oh mercy

Alexander Gow and Tom Savage. The new McLennan and Forster?

“Lay Everything on Me,” the first single from Melbourne quartet Oh Mercy, feels like a lost track from 1987, the kind of thing that would have received heavy airplay in the early days of 120 Minutes. Think the Immaculate Fools, Danny Wilson, the aforementioned Go-Betweens, or if you want a modern-day comparison, Jupiter One. It’s insanely melodic guitar pop, with a simple, driving drum beat (and lots of cowbell) and a bare-bones scratch guitar line. But this is no retro hipster douchebag band cashing in on a movement; they simply favor melody over an ironic pose or sonic gimmicks – as it should me, damn it.

The band’s debut album, Priviledged Woes, is set to drop in the States soon, and after a dozen spins of this song and a quick glance of the songs on their MySpace page (which features a nifty cover of the Cardigans’ “Lovefool” that they recorded for an Australian radio station), it can’t come soon enough.

Oh Mercy – Lay Everything on Me

Steal This Song: Morningwood, “Best of Me”

Truth be told, I’m a bit shocked that the music press is rather indifferent to New York glam rockers Morningwood. I know they’re not the best band New York’s given the world, but their blend of punchy guitars, perky beats and that force of nature named Chantal Claret at the microphone strike some primal chord in me. Maybe it’s a reminder what what rock bands used to sound like, before they worried about whether they were cool enough, or if they were attracting the “right” fans. What a joke, really. Do you think Cheap Trick ever gave a fuck who was listening to their records, as long as people were buying them? Hell, no.

That’s why people refer to the music business these days as junior high school with money. Sadly, the same peer pressure rules apply to the people who write about bands. They want to be seen as cool, too (probably more so than the musicians they write about), so once a band has the perception of not being hip, the writers tend to fall in line. Case in point: a very well-known blogger told me at Lollapalooza in 2007 that they were surprised at how much they liked Silverchair’s performance, yet they the band down in their column. Oh, the price some pay for hipster credibility.

But not me. I gave that ghost up years ago, and I can’t tell you how much easier things are since I did. Of course, this might make bands reluctant to receive my stamp of approval, since it comes with a giant asterisk – Shit! He’s uncool! Wait, unless it’s cool to not care about being cool. Damn, this is hard – but I’m not high enough on the food chain yet for that to matter. Anyway…

Personally, I’ll take a band like Morningwood and a song like “Best of Me” over the more popular Paramore any day of the week. It’s brief (just a hair over three minutes), it’s catchy, it’s confident without bragging, and best of all, it’s all major keys, so there’s no unnecessary melodrama. It reminds me of Pat Benatar in her ass-kicking days (i.e. before she started her family). And you can have it for free. Dig in. And as an appetizer, here’s the video, which contains a nice callback to the band’s hilarious clip for “Sugarbaby,” which is one of my singles of the year.

To download Morningwood’s Best of Me, click here

Steal This Song: Gazpacho, “Winter Is Never”

The problem with a band reaching the upper reaches of the rock star food chain is that inferior bands begin to imitate them. And the band that has inspired the largest number of shitty copycats of late, sadly, is one of this writer’s favorites.

Muse_14 edit

Yep, Muse.

The thing about Muse is that their approach is a lot simpler than it appears. The song, by and large, comes first, whereas the band’s copycats see the flashy solos, the lightning-fast drum fills, and the busy bass lines and instantly forget about writing and concentrate on playing. Big, big mistake. Without a tune, that stuff is just masturbation.

Which brings us to Gazpacho, which seems an odd name for a group of Norwegians, but then again we suppose that everything is served cold there. (This moment of cultural insensitivity brought to you by Jack Daniel’s.) This is the first Muse-y band we’ve heard since “Knights of Cydonia” that seems to understand the order of things. They can play, and they make sure that you know they can play, but it’s not their endgame. And, in the case of “Winter Is Never,” the haunting ballad that closes their new album Tick Tock, the song comes first, second and third. David Gray is probably gnashing his teeth over this one, as this could pass for a White Ladder outtake, with a few Buckley-isms from lead singer Jan Henrik Ohme in the second chorus. Gorgeous stuff, and best of all, it’s free! The download link is below.

Groepsportret Gazpacho

In the meantime, those who felt a tad disappointed by Muse’s new album The Resistance would be wise to check out Tick Tock. It won’t make anyone burn their copies of Black Holes and Revelations, but for a mere $6.23 to download, it’s a steal. Dig in.

Gazpacho – Winter Is Never

Gazpacho MySpace page
Click to buy Tick Tock from Amazon

« Older posts Newer posts »