Category: Lollapalooza (Page 3 of 5)

Lollapalooza 2009, Friday recap: would you like a little water torture with your rock?

It’s amazing what a slow, steady rainfall will do to, um, dampen one’s spirits. The Friday lineup for this year’s Lollapalooza was pretty damn good, but we felt decidedly less frisky once it meant walking or standing in a cold rain. Of course, the forecast for Saturday and Sunday calls for brutally hot temperatures and lots of sun. Ah, Chicago. My favorite city, but the weather really is awful.

Yuto Miyazawa, Kidzapalooza stage
Medsker: How about this for our first band of the day: a nine-year-old Japanese kid who can absolutely shred on guitar. He can’t sing, of course, but no one really minded. He loves Ozzy, and played three Ozzy/Sabbath tunes in his set, as well as a Deep Purple song. Very cool. It’s funny how many Sabbath covers I’ve heard a Lolla over the years. The best is still the Dresden Dolls’ sick cover of “War Pigs.” They own that song now.

Manchester Orchestra, Budweiser stage
Medsker: Perhaps I’m showing my age when we say this, but…oh, there’s just no nice way to say this: I think these guys suck. Their first song didn’t have any discernible hook, and then the singer did that goddamn screamo thing. And their drummer…you know how drummers overact when shooting a music video, with the arms flying up and down to even the simplest or slowest beat? This band’s drummer actually plays like that. I lasted roughly two minutes, and I had had enough.

Gringo Star, BMI stage
Medsker: This unassuming Georgia band helped get the taste of Manchester Orchestra out of my mouth, but the rain was making my antsy. I left after about four songs to head south.

Black Joe Lewis and the Honeybears, Vitamin Water stage
Medsker: I was thrilled that Black Joe Lewis was invited to perform at Lolla, but their inclusion also amuses me. They’re more of a Summerfest or Jazzfest band than a Lolla band, but then again, inviting a James Brown-style rock and soul group to Lollapalooza is pretty alternative, now that I think about it. I bet these guys would blow the doors off of a small club. They sounded fine here, but again, the rain was getting to me. Plus, it was lunch time.

Before Black Joe Lewis started, I listened to Hey Champ a keys-drums combo from Rockford, and they were pretty damn good. Definitely looking into them when I get home.

The Knux, Citi stage
Eldred: This New Orleans-based alt-hip-hop group may have been saddled with a side stage appearance, but they could have dominated the biggest stage in Grant Park with their swagger and cocky attitude. They had the tunes to match and ended their high energy set by turning the stage into a dance party, complete with their DJ spinning MGMT’s “Electric Feel” and House of Pain’s “Jump Around.”

White Lies, Budweiser stage
Eldred: It’s pouring down rain and I’ve never heard these guys before, but in every photo I’ve seen of them, their pale asses looked ridiculous, so I had to make time to see them, if only for novelty’s sake. After trekking across the park in the rain and getting colder and wetter, I realize that this is a hell of a commitment for a joke. However, once the pale London boys took the stage, I was shocked that they weren’t that bad. Actually, they were pretty damn good. However, I’m cold and wet so I head back to the hotel after just a couple songs for a drying pit stop.

Amazing Baby, Citi stage
Medsker: I’m very fond of this glam band’s debut album, and they sounded really good live, but enough was enough. I was drenched. I headed back to Eldred’s hotel room (he got a room at the Hilton on Michigan, lucky bastard) to dry off. His friend Lisa gave me a poncho. What a difference that made.

Ben Folds, Budweiser stage
Medsker: Ah, it’s good to see Ben with a band again. The last time I saw Folds live was that piano tour with Rufus Wainwright, which was cute but a far cry from Ben Folds Five’s live shows. His new band is damn good (especially the drummer), and Folds gave the soaking wet audience a good mix of songs from his whole career (though he didn’t play anything from BF5’s first album). The cover of “Bitches Ain’t Shit” got the crowd moving, and then he stunned me by pulling out “Narcolepsy.” Well chosen set, even if he skipped the first album. Even better, I almost literally ran into Folds in the media area during Black Joe Lewis’ set. Very cool.

Crystal Castles, Vitamin Water stage
Eldred: Refreshed, dry and now safely covered in a poncho, I return just in time to see a special breed of insanity by the name of Alice Glass. The lead singer of the electronic duo ran out on stage with a bottle of vodka and tore it up, even when her microphone fell apart. She got a working model just in time to run into the audience and nearly pick a fight with someone in the crowd. Things are reconciled when she pours vodka into the first three rows. Amazing show, but that bitch is crazy.

Of Montreal, Vitamin Water stage
Eldred: Speaking of crazy: capes, men dressed as tigers, gas masks, gender-confused back-up dancers, Of Montreal took crazy to a whole new level, living up to their reputation as one of the most entraining live bands on Earth. It was glamtastic brilliance, so needles to say the cover of Bowie’s “Moonage Daydream” was not at all unexpected. Strange but awesome, however I had to take off early to get a choice spot for Depeche Mode.

Depeche Mode, Chicago 2016 Stage
Eldred: I’ve been waiting to see Depeche Mode for over 10 years. They lived up too all of my unrealistic expectations by blowing the crowd away with choice cuts from the new album, including the single “Wrong” to lesser-known older tunes like “In Your Room” and “Policy of Truth.” (Editor’s note: “Policy of Truth” is lesser known?) Gahan and co. are firing on all cylinders and by the time they get to the epic finale of “Enjoy The Silence” and “Never Let Me Down Again,” I’ve lost my damn mind (along with most of the audience). The encore of “Personal Jesus” is expected, but still welcome. The bar has been set high for the rest of the festival’s closers.

Medsker: They played three songs from Black Celebration. Hell, yes.

On deck for Saturday: Band of Skulls, Beatles offspring, Arctic Monkeys, Miike Snow, and Eldred is faced with a choice: Santigold, or Glasvegas?

Lollapalooza Pre-Day One: Chicago, The City That Doesn’t Give Receipts…and kills its favorite sons

I lived here for ten years, so it should not surprise me in the slightest that things will not go according to plan when I pop into Midway. Even a transaction as simple as a receipt for some Combos would be easy…right? Wrong. The credit card-paying woman in front of me got a receipt with no trouble, while I watched the same woman that helped her hit an infinite series of buttons over and over, only to get the “beep beep” sound again and again…and again. I eventually let it go, thinking it was just a buck and change. I collected my suitcase from baggage claim and headed for the Orange Line.

There are multiple options for riders when you are looking for train passes at the CTA. I was looking for a five-day pass, but all I saw were three-day passes, seven-day passes, and the ‘give us all your money and it will never be enough’ passes. I reluctantly bought a seven-day pass, since I knew I had a hell of a lot of train traffic in my future, and to my benefit, I at least got a pass, which the person in front of me did not, because his transaction “timed out.” I asked the machine to print a receipt, and it said ‘Okay’…then did nothing. Damn, man. I paid for two extra days of travel, and you can’t print me a receipt?

Welcome to Chicago, kids. “The city that works.” So I took my seven-day pass and went to get on the Midway stop on the Orange line. Out of curiosity, I asked the woman at the handicapped entrance, “Did they get rid of the five-day pass?” “They sell those at currency exchanges and Jewel/Osco’s,” she told me, about 30 seconds too late. How convenient, I think. That would have required me to buy a pass to get on the train, get off the train, find a currency exchange or Jewel/Osco, buy a five-day pass, then reboard. Again, welcome to Chicago, the city that works…but doesn’t print receipts.

So I jump on the Orange Line train for my hotel, and the second the doors close and the train heads on its way towards downtown…there is an inescapable whistling sound on the train. It has nothing to do with the train’s velocity – it’s just…there. So even as I try to forget everything that has happened up to this point, the damn subway train is taunting me. “You didn’t get a receipt, sucker! Ha ha hahahahahahahaha!” To make matters worse, my wife texts me later in the day and says, “Sit down,” then tells me that John Hughes is dead. This, after I saw some guy tear around the Sears Tower (technically the Willis Tower, but sorry, it’s way too soon for that) in a convertible, which instantly made me think of the garage attendants from “Ferris Bueller’s Day Off” taking a joy ride with a similar car. Creepy.

Friday’s forecast: Chance of thunderstorms, high ’80s. Sorry, but the day after John Hughes dies, it should rain in Chicago. The entire world lost a brother, a son, a father, an uncle, and their best friend. I know that I’m supposed to be excited about covering a music fesitval, and I am…but damn, man, I just lost John Hughes. In fact, I just talked with English Beat singer Dave Wakeling, and happened to ask him about John Hughes, Man, this makes me sad.

BE: When John Hughes contacted you in 1987 and asked you to write the title track for his latest movie, did you think that you had just been touched by the hand of God?

DW: Well, that god had touched my hand a few months before. He came backstage in Anaheim after we played a concert. And as he shook my hand, he said, “Anybody who’s got the balls to put a bassoon in a pop record, and get it in the charts, is my man.” He was referring to the bassoon part in “Tenderness” [mimics bassoon line]. We became good friends and I went to his house a few times, and he’s got a wall of records, 50 feet long, 12 feet high. You could point to anywhere on it, and he knew exactly which record it was. Far more serious about music than I ever was, that’s for sure. It was before I had become computerized – and probably before a lot of people had – so we’d talk about this idea of “She’s Having a Baby.” We both had young children and we discussed the ways it makes things better and some ways it makes things worse, and the changes it brings to couples once they start having kids. And then we started writing each other, so I wrote the first draft of “She’s Having a Baby,” and I would send it to him, and he wrote back with suggestions, or angles, where he thought the movie was going. We wrote back and forth three or four times, which I thought was one of the most exciting co-writes I’ve ever done, really. Brilliant man. I don’t even know what he does now. Did he just retire, or what?

BE: He pops out a script about once every seven years. It’s weird. He pulled a Terrence Malick; he just disappeared.

DW: I wonder what he does. I’d like to see him. Is he a happy chap, or is he a reclusive type?

BE: I honestly have no idea. I know that I miss him.

Damn. If I only knew.

Lolla, Lolla, Lolla, get your tickets here

If you’ve been putting off plunking down the coin for a weekend pass to this year’s Lollapalooza festival – and at $205 a pop, we can’t say we blame you – you’re in luck. Bullz-Eye, in conjunction with Island Records, is giving away a prize pack that includes two weekend passes to Lollapalooza, a $100 gas card, an Island Records Zippo lighter, a USB charger, and a download card for the 50 most popular Island Records songs of the past 50 years. We don’t know what songs will be included, but you can bet that Bob Marley, U2 and the Killers will be in there somewhere.

To enter the contest, click here. The contest ends July 31. Good luck, and if you win, do yourself a favor and don’t miss the Kaiser Chiefs on Sunday. Their live set kills.

Road Warriors 42

A so-called summit of music festival minds has gotten together and will be bringing a new event to the U.S. this summer. The people behind Lollapalooza and Austin City Limits have teamed up with British officials behind the Reading, Leeds and Glastonbury Festivals to head up a new festival called Vineland Music Festival. The event will take place August 8-10 in Vineland, New Jersey, but no acts have been announced yet.

Pop artist Kylie Minogue has apparently put her health problems behind her, and will head out on tour beginning in May 2008 in support of her tenth and latest album, X. The album has been released in the UK, but will not be available in the States until early 2008.

Mr. Prolific, otherwise known as Ryan Adams, has announced West Coast tour dates along with his band The Cardinals, in support of their new EP, Follow The Lights. Earlier in 2007, Adams and his band released Easy Tiger, which Time Magazine called a “career breakthrough.” This guy just doesn’t slow down. Here are the upcoming tour dates Continue reading »

Road Warriors 28

Rock band Blue October had what is being called a “successful show” at Lollapalooza (exactly what does that mean at a festival with a captive audience?), and the band has added more tour dates to their upcoming fall run, including shows in New York, Chicago and Los Angeles. For a complete list of dates, check out www.blueoctoberfan.com.

Pop stars The Backstreet Boys are set to release their new album, Inconsolable, on October 30, and plans are tentatively in place for a world tour in 2008, one that would have them in the States next spring or summer.

Farm Aid is set for September 9 on New York’s Randall Island, and this year a special acoustic performance is planned featuring Willie Nelson, Dave Matthews and Gregg Allman. Others scheduled to perform at the annual event are Neil Young, Counting Crows and John Mellencamp.

Arcade Fire is back with their second album, Neon Bible, and has added dates to their fall US tour with LCD Soundsystem. The new dates include Salt Lake City and Seattle, and all confirmed dates so far Continue reading »

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