Category: Pop (Page 52 of 216)

April Smith and the Great Picture Show: Songs for a Sinking Ship

February 17, 2010 / Josh Preston

RIYL: KT Tunstall, Squirrel Nut Zippers, Liza Minnelli

Sometimes great singers try a bit too hard to prove that they’re great. April Smith is not one of those singers. The arrangements on her latest and most impressive album Songs for a Sinking Ship fit her sultry voice like a glove and her songwriting is both playful and intellectual. April Smith is clearly capable of controlling the whole circus when it comes to vocal acrobatics but possesses the restraint to allow each song to shine as bright as her ability.

After numerous listens, I’ve yet to find a track that I didn’t thoroughly enjoy. A standout track on Songs for a Sinking Ship is “Wow and Flutter” which combines semi-dark theatrics with a refrain that could have found a home on a Ratt record. Odd, I know, but it totally works. Additionally, the closer “Stop Wondering” is easily the most delightful “fuck you” to a former lover ever recorded.

Aside from her glowing talent behind the mic and the pen, she’s clearly figured out the business side of things as well. She used kickstarter.com and her ever-growing fan base (acquired from near constant touring over the past few years) to fund this release. We always hear stories of bands collecting cash online to fund their latest projects but many of those bands were once privileged enough to receive that initial “major label” push. April did it her way from the start and we can only hope that in the years to come she will be recognized as the fearless trailblazer that she is.

There are no gimmicks on Songs for a Sinking Ship. Only great writing and performing which is a very welcome change of pace from your typical release. You’re going to want to sing along with April Smith but you had better stretch out before attempting it or you will most certainly hurt yourself. (Little Roscoe 2010)

April Smith and The Great Picture Show | Official Website
Click to buy Songs for a Sinking Ship from Amazon

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Sambassadeur: European

February 16, 2010 / David Medsker

RIYL: The Cranberries, Club 8, The Clientele

Think of European, the third album by Swedish popsters Sambassadeur, like nine women walking in and out of the room that you’re sitting in. Each one of them is lovely, the kind of girl you’d love to take home to Mom. But that first girl…she’s breathtaking, to the point where she haunts your thoughts long after she’s gone, while the other women are forgotten as soon as they’ve left. This is a beautiful record, tastefully adorned with strings, chimes, gently plucked acoustic guitars, and the sweetly heartbreaking vocals of Anna Persson, who recalls Dolores O’Riordan but without the braying. “I Can Try” is pure early ’90s indie pop, and “Sandy Dunes” is blue-eyed Motown a la Texas’ “Black Eyed Boy.” The production is crisp, and the performances are competent without being overly fancy.

So why does it leave so small a footprint? Because the songs all have to follow the piano and string-kissed “Stranded,” far and away the best track here. Pretty as the rest of European may be, it’s too slight to hold up against that killer opening track. It sounds awfully good while it’s playing, but it doesn’t leave much of a lasting impression. (Labrador 2010)

Sambassadeur MySpace page
Click to buy European from Amazon

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Juliana Hatfield: Peace and Love

February 11, 2010 / Neil Carver

RIYL: Aimee Mann, Tracy Bonham, Carina Round

Juliana Hatfield has had a long and creatively varied musical career. She evolved from her ‘80s jangle rock roots with the Blake Babies, into the tough, confessional rock of her alternative ’90s, before becoming the mature singer songwriter of the current decade. Along the way she was involved in several side and supporting projects, making hers a quite prolific career. A career in which not only did her sound transform, but also her thematic and emotional content. The Blake Babies were intelligent college rock, while her early solo work was both emotionally raw and confident. As she failed to break it really big, her music became tinged with a sense of bitterness, especially on her 2000 Beautiful Creatures and 2004’s In Exile Deo. Excellent albums that explore broken relationships and addiction, anger and no small amount of self-loathing.

But times change and her music continues to change along with it. Progressing through two more solo works and a published biography, she has reached 2010 at a different place in her life, and Peace and Love is clear evidence of this. Stripped down to a quiet and mostly acoustic sound, Hatfield is still unafraid of the intensity of her emotions, but is more accepting and willing to be heartfelt in their expression. Peace and Love is a minimalist collection of 12 songs that performs a very difficult task. These songs sing of love and heartbreak and loss without any sense of resentment or cynicism, instead showing a mature positivity and acceptance without falling into schmaltzy platitudes. She asks, “Why Can’t We Love Each Other” as an honest question, lacking any resignation. Even when she sings, “I’m Disappearing” with a fragile vulnerability, she is refusing to give in to any inevitable dissolution.

Peace and Love is just Juliana and her guitar or piano with minimal effects, pouring herself into a surprisingly inspirational record that is never pat or preaching. What might seem at first to be a darkly solitary album turns out to be subtly strong and affirming. Excellent work from a master songstress that should open new doors in an already amazing career. (Ye Olde Records 2010)

Juliana Hatfield MySpace page

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Danny Ross: One Way

February 10, 2010 / Mike Farley

RIYL: Sufjan Stevens, Wilco, Ben Folds

It’s one thing to say you sound different than everyone else. It’s another thing entirely to do it without trying. New York City-based singer/songwriter/pianist Danny Ross falls into the latter category, at least it seems that way on his latest, One Way. Sure, you can try to lump Ross in with the likes of Ben Folds or Sufjan Stevens, but he set out to add elements of the Who’s Tommy or Wilco’s Yankee Hotel Foxtrot, while also channeling his background studying jazz piano. The result is an exuberant batch of songs that may not grab you right away, but slowly do so after repeated listens, when you hear things you didn’t hear the first time around. Ross’ falsetto and unique melodies may also remind you of the late Jeff Buckley, but that’s just a point of reference because dude is clearly doing his own thing. If you like your music to have perfect structure and ear candy hooks, you won’t find much to like on here – but if you veer off the beaten path and like your music to do the same, you’re going to love Danny Ross’s music. The best tracks on this fine set are the literal opener, “Sleepy Dream;” “Stay Here with Me” and “And The Trumpets Sing” which both have melodic elements of ‘60s pop; and the driving, triumphant title track. Just do yourself a favor, and give this one a few spins with time to fully digest it. (Danny Ross 2009)

Danny Ross MySpace Page

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Ryan States: Strange Town

February 10, 2010 / David Medsker

RIYL: The Silver Seas, Ben Folds, The Grays

We’ll say this for Ryan States: his story is a unique one. It’s not every day that a press release includes the words “The Eagles,” “Queen,” “gay music” and “recorded on a circus train” (he’s a touring musician for Ringling Brothers), but that sums up States and his debut, Strange Town, as well as anything. He tells tales of being pressured to “fit in” (ahem, stop being gay) and married men hitting on him, but juxtaposes this modern-day lyrical freedom with a sound from days gone by. (Think Jackson Browne crossed with the Grays.) Guitars jangle and chime (and occasionally shred), the piano hops like a New Orleans beer hall, and he even gives a song a good old fashioned sax solo, while States sings in a baritone not unlike Rufus Wainwright or the Silver Seas’ Daniel Tashian. He doesn’t knock every song out of the park, but the arrangements are solid, and on “I’ll Give You (What You Want),” he resurrects a chord sequence just before the chorus that will stir the soul of any radio listener from the late ’80s, gay or straight. Had States been around back when this kind of music was popular…well, the album probably never would have found a distributor (only dance acts were allowed to be gay back then), but if it had, Strange Town would easily have saved the lives of a couple thousand boys coming to terms with their feelings. We’re guessing States would take that over a gold record any day of the week. (Drooling Class Records 2010)

Ryan States MySpace page
Click to buy Strange Town from Amazon

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