Category: CD Reviews (Page 151 of 399)

Various Artists: Wizards of Waverly Place

First, we’ll pause as everyone gets their ‘Disney kids suck’ jokes out of their system. All finished? Good, now let’s move on. Truth be told, we nearly deleted the email promoting this CD on sight, but took a cursory glance, then wrote the rep and said, “Send this pronto.” The reason? Cover versions, cover versions and more cover versions of songs having to do with, surprise, magic. Nothing here transcends the original recordings, of course, but some of them fare better than you might expect. Selena Gomez turns in a rather good performance of Pilot’s “Magic” (it is not coincidence that Gomez, the best singer here, gets the album’s first three tracks), and Meaghan Martin turns in a disciplined, if breathy, performance on the cover of Olivia Newton-John’s “Magic.” The boys, however, do not fare as well. Steve Rushton is completely overpowered by ELO’s “Strange Magic” (though producer John Fields assembles a nifty arrangement), as is Mitchel Musso by “Every Little Thing She Does Is Magic.” Honor Society’s version of the Cars’ “Magic,” meanwhile, is as fluffy and throwaway as the original, and Drew Seeley’s cover of America’s “You Can Do Magic” is destroyed by an oh-so-trendy 6/8 beat and a pinched vocal. The end result is exactly what you’d expect from a collection of Disney-sanctioned covers: overproduced and kid-friendly, but not without its, um, charms. (Walt Disney Records 2009)

Röyksopp: Junior

Röyksopp are the best musical group to come out of Norway since A-ha (sorry, Turbonegro fans), and they’ve had hit after hit thanks mainly to the use of their songs in commercials. “Epple” was used by Apple, “So Easy” was picked up by T-Mobile for their commercials, and Geico used “Remind Me” in their ads in America. Nothing from Junior has been picked up yet, although it’s hard to see why since it is full of instantly high-energy beats, melodies and incredibly vocal hooks that would go great with the Geico lizard or the Verizon guy. Röyksopp waste no time cutting to the chase with Junior. The album opens with the bouncy beats “Happy Up There,” a great song for sure, but one that is absolutely left in the dust by the following track, “The Girl and the Robot.” Put bluntly, this is a dance track for the ages, one that will go down history as a crowning achievement of what electronic music was capable of in the 00s. It has it all, like some sort of perfect amalgamation of everything great that’s come out of dance music since 1977. Cold electronic synths, acid house style effects, dance-punk energy, it’s all there and all made even better by a dynamite vocal performance by Swedish dance diva Robyn, who delvers the heartfelt lines about a woman in love with…well, a robot (or possibly a workaholic, it’s never made clear) with gut-wrenching intensity. While the rest of the album never matches that level of brilliance, its hard to hold that against it. After all, it’s not really fair to expect more than one earth-shattering work of undeniable genius on a record. A few tracks do come close though, including “Tricky Tricky” which features biting mean vocals by Karin Dreijer Andersson of the Knife, and the dreamy “Miss It So Much” which features vocals by another Swedish seductress, Lykke Li. This is a hell of a dance record, and would easily be the best of the year if it wasn’t for Its Blitz! by the Yeah Yeah Yeahs. But being second best to what is so far the album of the year isn’t something to be ashamed of in the least. (Astralwerks 2009)

Röyksopp MySpace Page

Online battle of the bands to determine spot at ACL festival

Sound and the Jury (S&J), a virtual battle of the bands, is returning for a third year, offering one lucky band the opportunity to perform on the Dell Stage at this year’s Austin City Limits Festival (ACL) in early October. Bands of all genres will have a chance to upload their music, have their fans vote and try and earn a spot on the stage alongside the likes of Arctic Monkeys, Sonic Youth, Phoenix, Mos Def and Passion Pit. Last year’s winner, The Steps, released and album this year and went on tour in support of it. ACL takes place October 2-4 in Austin, Texas.

Think your band has what it takes? Here are the official rules, and good luck!

How It Works
Round One is live now and bands can upload their music at The Dell Lounge to enter the competition. To stay in the game, bands must generate as many votes as possible to land them in the Top 100 by August 28 and then move on to the next round. From there, a combination of industry judges and fan-voting will narrow down the competition to just five finalists who will perform for a live audience in Austin at Antone’s on September 30. At the end of the multi-round, two-month campaign, one lucky and worthy band will earn a prize spot on the Dell Stage at the ACL Festival.

What’s at Stake
Each of the five finalists will receive $1,500 and a trip to Austin. The winning band will be listed as part of the official lineup and receive an opening slot on the Dell Stage at the ACL Festival. As an official ACL artist, the winner will get artist passes for the entire weekend with access to catering, the artist lounge, and everywhere else bands get to go! The winning band will also receive promotion on delllounge.com, a 15″ Dell Studio laptop, weekend hotel accommodations in Austin, and tickets for some friends the day of show.

Chris Ayer: Don’t Go Back to Sleep

In the grand scheme of the music industry in 2009, you might ask the question, “Who needs another Teddy Geiger/Jason Mraz/Jack Johnson hybrid?” But singer/songwriter Chris Ayer, though he might fit that exact model of hybrid, is not just another one of them trying to rise above the pack. His latest, Don’t Go Back to Sleep, is Ayer’s sixth album since 2003. Sure, it’s jangly and sure, it sounds like amped-up coffeehouse fare much of the time, but here is something Ayer has that allow us to mention him in the same breath as those guys above without flinching—really good songs. And it’s those songs that will keep you listening to this album and keep you tapping your feet and bopping in your chair like a kid who ate too much candy. It’s also ironic that the Brooklyn-based Ayer recorded this album in Nashville, a city that claims to be about the song but churns out way too much crap—and many of these tunes are better than the bulk of Music City’s collective output. Much of Don’t Go Back to Sleep is similar in tone and tempo, but there really are no clunkers on here. The best of the bunch, though, are the uber-catchy “Lost & Found” and “Pretty Poison,” but don’t overlook the beautiful guitar/vocal gem, “In the Silence.” (LABEL: Another Record Company)

Chris Ayer MySpace Page

stellastarr*: Civilized

The latest from New York City based indie rock band stellastarr* (yeah, that’s how they spell it – no caps and that silly asterisk) is more of what you may have come to expect from them if you have followed them at all. The album, called Civilized and released on the band’s own Bloated Wife imprint, has the same elements of glam, new wave and punk that have lifted bands like the Cure and more recently, the Killers, to lofty heights. And while those comparisons may have black lipstick and nose-ring-wearing types to hit “download,” they should temper their expectations because these songs just don’t measure up. The band is undoubtedly talented, playing their instruments with precision and conviction, but at times lead singer Shawn Christensen just over-emotes to the point of it being like nails on a chalkboard. And most of the melodies, if you call them that, are not very memorable. The exceptions are the Cure-ish anthem “Tokyo Sky,” and “Move On,” which may remind you of another ‘80’s band, OMD. So while we’re not saying you should avoid stellastarr* like the bird flu, just don’t get your hopes up too high for this latest effort. (LABEL: Bloated Wife)

stellastarr* MySpace Page

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