Category: CD Reviews (Page 122 of 399)

Nirvana: Live at Reading


RIYL: Pearl Jam, Mudhoney, The Melvins

Although they’re credited with “changing everything” nowadays, more people remember remember Nirvana for the tragedy surrounding Kurt Cobain’s life and untimely death than their killer live shows. Live at Reading should help remedy that. This 1992 performance by the band, recorded at the height of their popularity, shows everything that was great, exciting and dangerous about not only Nirvana, but the “grunge” rock scene as a whole. Surrounded not only by unheard-of popularity but also rumors about Kurt’s drug use, his health and his relationship with Courtney Love (who just gave birth to daughter Frances Bean less than two weeks earlier) the group seemed to focus all that energy, both negative and positive, into what has since gone down in history as one of their best performances. Everything is perfect here, from the set list (which includes just about everything you’d want to hear), to the feedback-drenched guitars and an ecstatic audience that goes absolutely batshit crazy for “Lithium.” From the Muddy Banks of the Wishkah was good, but Live at Reading is absolutely essential. If you were a fan of Nirvana back in “the day,” then watching live footage now sometimes usually be a bit of a downer. But Live at Reading is so powerful, energetic and flawless that it can even lift the band out of its own dark legacy. At least for a little while. (Geffen 2009)

Nirvana MySpace Page

50 Cent: Before I Self Destruct

50 Cent – nee Curtis Jackson – is one of the more brilliant entrepreneurs to come out of modern hip-hop, but as a rapper, the man has problems: He’s been locked in a sales slide since releasing his seven-times-platinum debut, Get Rich or Die Tryin’, in 2003, and these days, you’re more likely to see him in theaters (where he’s popped up in horrible movies like (“Righteous Kill”) or video games (such as “Call of Duty: Modern Warfare 2”) than hear him on the radio. 50’s artistic confusion is reflected in Before I Self Destruct’s troubled birth: Originally slated for release in 2007, Destruct was bumped in favor of the roundly panned Curtis, then shoved all over Interscope’s schedule for months; no fewer than six singles from the album have been released since October of 2008, and tellingly, none of them have had half the impact of earlier hits like “In da Club” or “Candy Shop.” Whatever 50’s been doing to this album for the last two years, it hasn’t helped much: Whether he’s engaging in unintentional self-parody with ludicrous gangsta tracks or raging against seemingly everyone in his personal and business life, Self Destruct lacks any of the menacing, mush-mouthed charm that made him a star.

He’s clearly making a desperate effort to make up for embarrassing pop concessions like “Amusement Park,” but none of it works; the production (courtesy of top-shelf producers like Dr. Dre, Polow da Don, and Rockwilder) is as dull and played out as 50’s subject matter – his current single, “Baby By Me,” even samples his own “I Get Money.” Meanwhile, 50 himself strains to sound dangerous, but it’s hard to take tracks like “Death to My Enemies,” “Crime Wave,” and “Gangsta’s Delight” seriously coming from a guy who just debuted his first fragrance for men. His laconic flow has always been part of his appeal, but here, 50 Cent just sounds flabby and tired, and at 16 deeply uninspired tracks, Before I Self Destruct is a painfully long slog. Try to imagine the musical equivalent of being peed on in a rainstorm while an escaped mental patient with a speech impediment shouts at you, and you’ll come close to the experience. With a long list of movies in production and a contract-sealing greatest hits collection on the way, it could be some time before we hear new music from 50 Cent; hopefully, the time off gives him a chance to recharge his creative batteries. (Aftermath/Interscope 2009)

50 Cent MySpace page

Love and Theft: World Wide Open


RIYL: Poco, Jimmy Wayne, Restless Heart

Every once in a while, a country act comes along that opens eyes and ears. Sometimes they’re so good that they also open mouths. Frankly, that may not seem to be difficult when many acts in the genre not only do not write their own music, but also don’t sing it. That might sound harsh, but it’s a fact of life on Music Row these days. But alas, there is a new kid in town, or, should we say, kids. Love and Theft is a trio of young men who can write, sing and deliver three-part harmonies that not only rival the best country has to offer, but also may bring to mind classic country rock acts like Poco and Restless Heart. Their debut on Carolwood, World Wide Open, is one insanely catchy song after another, and a breath of fresh air that could just amount to a hurricane in Nashville. The title track is punchy and powerful, and features the kind of chorus today’s music industry execs drool over, but there are plenty of other gems – like the rocking “Runaway,” the harmony drenched “Don’t Wake Me” and the stunning, goose-bump inducing closer “Drowning,” which is easily the best track on here. If you’ve been meaning to give country music another chance, make this be the band that brings you back. Heck, you don’t even have to dig country, because it’s just as much a pop record. Either way, Love and Theft is a young act with unlimited potential. (Carolwood 2009)

Love and Theft MySpace page

Radney Foster and the Confessions: Revival


RIYL: Steve Earle, Rodney Crowell, Ryan Adams

No doubt about it – Revival is quite an apt title for this latest effort from Texas-bred singer/songwriter Radney Foster. Formerly half of the country pop duo Foster and Lloyd, he’s come a long way towards establishing an Americana brand since initially venturing out on his own in the early ’90s. That said, Revival finds him significantly raising the bar and setting a new standard as far as his own output is concerned. An uplifting, soul-defining statement of unadulterated affirmation, both the messages and melodies linger long after the final notes fade away. The songs soar like expansive anthems, and on tracks such as “A Little Revival,” “Forgiveness” and “Shed a Little Light” those stirring sentiments evoke a spiritual ferocity and unbounded optimism in a manner that’s genuinely affecting. “I Made Peace with God” and “Suitcase” are especially revealing, each a testament to a new-found faith that Foster invokes without hesitation.

Still, it would be misleading to dismiss him solely as a would-be Bible thumper; the rowdy and rollicking “Until It’s Gone” and the carefree abandon of “Trouble Tonight” show Foster still solidly ensconced in secular realms. Newcomers ought to consider this an excellent place to begin, while Foster fans will find this his most indelible effort yet. Clearly, this Revival rates a solid hallelujah and an unqualified amen. (Devil’s River Records 2009)

Radney Foster MySpace page

Jets Overhead: No Nations


RIYL: Snow Patrol, Keane, Radiohead

Dreamy, brooding alternative rock may have begun with Radiohead, but one thing is for sure – it’s never gone away. There are bands that have kept the torch burning, from Coldplay to Snow Patrol to Doves to today’s entry, Canadian outfit Jets Overhead, who have just released their latest, No Nations. If you have been a fan of any of the above mentioned acts, you’ll find something to like from Jets Overhead – pulsing bass, swirling synth and guitars, and that whole faux British accent that seems to be the perfect vehicle for the genre. But there’s more to Jets Overhead; the album is eclectic enough to keep you from getting bored, and the songs are catchy, too. There are tracks that are made for AAA radio, such as “Weathervanes (In the Way)” and “Heading for Nowhere,” and there are haunting, sparsely produced gems like the title track or “Fully Shed,” the latter of which features some psychedelic sounding harmonies. Somehow, it all works, and it keeps that dreamy, brooding, alt-rock train chugging along. (Vapor 2009)

Jets Overhead MySpace Page

« Older posts Newer posts »