Tag: Bruce Springsteen (Page 4 of 5)

I Swear I’m Gonna Make You Love Me: 15 Great Bands We Used to Hate

July 22, 2009 /

Chances are, you don’t love all the same music you were passionate about five, 10, or 20 years ago. Some artists seem like a perfect fit for us at first, but we slowly outgrow their work — and with others, it’s just the opposite, and the stuff we couldn’t stand to listen to winds up becoming some of our favorite music. It’s a common experience among music lovers, and one shared by the Bullz-Eye music staff in a new feature called “I Swear I’m Gonna Make You Love Me: 15 Great Bands We Used to Hate.”

Taste is subjective, of course, and we have all sorts of odd reasons for being rubbed the wrong way by music, whether it’s the vocals (in his essay about coming around on Coheed & Cambria, James B. Eldred describes lead singer Claudio Sanchez as sounding like “the bastard lovechild of Geddy Lee and Neil Young”), subject matter (Michael Fortes dismissed the Flaming Lips as “kid stuff” after hearing “She Don’t Use Jelly”), or even an allergic reaction to hype (Mike Farley was tired of Kings of Leon before he even heard a note). But it’s funny how our tastes change over time — we burn out on some stuff, experience new things, and develop an appreciation for what once drove us up a wall. Hence Jason Thompson’s slow-burning love for the Velvet Underground (“Life without them now would be pointless”), Taylor Long’s hard-earned Sleater-Kinney fanhood (“I like them so much now that I’m embarrassed it took me so long to “get” them”), and Jamey Codding finally overcoming his “irrational aversion” to Tom Petty.

And those are just a few of the artists mentioned in the article. See how the Bullz-Eye staff’s tales of musical evolution match up with your own by following this link!

Artists

Buckwheat Zydeco: Lay Your Burden Down

May 15, 2009 /

It really says something about the enduring appeal of an artist’s sound when his 30th anniversary announcement is surprising not only because of how far he’s come, but because it seems like he’s been around much, much longer. Such is the case with Stanley “Buckwheat” Dural, Jr., leader of the venerable Louisiana combo Buckwheat Zydeco; his music is tied in so tightly with its rich traditional roots – but constantly brimming with infectious, life-affirming energy – that it’s never sounded anything but timeless. To celebrate his three decades in the trenches, Dural has enlisted a drool-worthy array of special guests for Lay Your Burden Down, including Warren Haynes, Sonny Landreth, JJ Grey, and Troy “Trombone Shorty” Andrews – not to mention Steve Berlin behind the boards (and sitting in with the horn section). With all that talent in the studio, it’d be a shame if Burden was weighed down with pedestrian material; thankfully, the album shines on that front, too – it kicks off with a cracking cover of “When the Levee Breaks” and keeps on strutting through a combination of solid originals and equally inspired covers (including Bruce Springsteen’s “Back in Your Arms” and Captain Beefheart’s “Too Much Time”). Typically stellar stuff from Buckwheat Zydeco, in other words. May Buckwheat’s accordion ring for another three decades. (Alligator 2009)

Buckwheat Zydeco MySpace page

CD QuickTakes, CD Reviews, Zydeco

Bruce Springsteen visits The Daily Show

March 20, 2009 /

Jon Stewart is a huge Springsteen fan, so naturally he treated Bruce a little better than how he treated Jim Cramer.

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 1
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

Bruce also performed a solid acoustic version of “Working on a Dream.”

The Daily Show With Jon Stewart M – Th 11p / 10c
Bruce Springsteen Pt. 2
comedycentral.com
Daily Show Full Episodes Important Things w/ Demetri Martin Political Humor

Artists, Interviews, Videos

Green Day – 21st Century Breakdown

February 11, 2009 /

With American Idiot in 2004, Green Day released one of the best rock albums of the past 20 years. I immediately went from casual fan to huge fan with that record. The music was incredibly powerful, but the lyrics were even more impressive. Green Day was willing to make a rebellious political statement at a time when most of the country was in a collective stupor, consumed by the “war on terror.” They didn’t hold back, and the result was stunning. Bullz-Eye’s David Medsker summed it up in his review of the record.

Green Day’s biggest conceit was that they were what they seemed, a group of snot nosed punks who would rather beat off in front of the TV than take a stand on anything of importance. In fact, nothing could be further from the truth. No band writes tunes as sharp as “Longview,” “Geek Stink Breath” and “Hitchin’ a Ride” without some synapses firing. And with their newest, American Idiot, the cat’s out of the bag; they wrote a concept album, which actually brings the band full circle. With songs that both rocked and popped, they were more of a mod band and a punk band, and American Idiot pays heartfelt tribute to their mod forefathers the Who while eviscerating the current pop culture climate at the same time. It’s heady stuff, to be sure; they’ll certainly never get away with acting like slackers again. The world knows better now.

Many fans have been waiting for their follow-up effort, and 21st Century Breakdown arrives in stores in May. Rolling Stone scored an “early listen” to six tracks from the record. We weren’t so lucky, but we bring you their impressions.

As previously reported, the 16-track album is broken into three acts — Heroes and Cons, Charlatans and Saints, and Horseshoes and Handgrenades — and Dirnt told AP magazine that the songs “speak to each other the way the songs on [Bruce Springsteen’s] Born to Run speak to each other. I don’t know if you’d call it a ‘concept album,’ but there’s a thread that connects everything.” The songs are defiant, but also defiantly hopeful, referencing the unsettled political climate as well as more personal and generational turmoils. Its blend of claustrophobia and freedom is well illustrated by the album’s cover art, which depicts a tight shot of a young couple kissing against a graffiti-covered wall.

Defiant. I love it. Can’t wait.

Alternative, Artists, News, Punk, Rock

Bruce blogs the Super Bowl

February 11, 2009 /

Bruce Springsteen has written a journal on his web site about his Super Bowl experience.

Since the inception of our band it was our ambition to play for everyone. We’ve achieved a lot but we haven’t achieved that. Our audience remains tribal…that is predominantly white. On occasion, the Inaugural Concert, during a political campaign, touring through Africa in ’88, particularly in Cleveland with President Obama, I looked out and sang “Promised Land” to the audience I intended it for, young people, old people, black, white, brown, cutting across religious and class lines. That’s who I’m singing to today. Today we play for everyone. I pull myself upright with the mike stand back into the world, this world, my world, the one with everybody in it and the stadium, the crowd, my band, my best friends, my wife come rushing into view and it’s “teardrops on the city…”

I know I’m biased as a big Springsteen fan, but I felt he really delivered an exceptional performance for the Super Bowl. The song selection was excellent, and he delivered a 12-minute party that most people enjoyed. Even Howard Stern, who loves to criticize Bruce, argued that is was a fantastic performance.

Artists, Concerts

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