Category: Rock (Page 98 of 241)

The Veils Release Third LP, Sun Gangs

The Veils, Sun Gangs

From the UK comes the brooding rock outfit The Veils, with their third LP Sun Gangs. This foursome, complete with female bassist Sophia Burn, makes up one of the most unique and emotionally intoned musical groups since U2 or Radiohead. Their depth on Sun Gangs suggests a certain growth since the last record, and their talent for embellishments and arrangements makes this band one to listen to in 2009.

There’s a certain welcoming property about The Veils. They suck you into their emotionally complex world within seconds of the opener, “Sit Down By The Fire,” which BBC called, “a very modern mixture of prayers, love letters and personal record keeping.”

Another standout on the record is “Larkspur” which Dusted Magazine said, “follows a driving picked riff through swells of noise, returning to calm several times before building to a final eruption.” The orchestration on Sun Gangs is one of the main reasons the record is so intriguing. The twists and turns of melody and harmony, tiny instrumental splashes of color, and emotions that ebb and flow through song after song take this record from mundane and repetitive to interesting and easy to listen to.
As Supreme Management wrote,

“By turns warm and ethereal, thundering and cacophonous, The Veils set Sun Gangs apart from efforts by like-minded peers such as the Arcade Fire by imbuing their lush, at times grandiose arrangements with a sense of youthful honesty and personal reflection that seems to so often get lost under the sea of ideas within similarly ambitious efforts.”

The only down side to Sun Gangs is that it’s incredibly mellow. Don’t expect a head-banger here, but then again, that’s not what The Veils are known for. This band is pure emotion and it shows through each and every one of the tracks on Sun Gangs.

If you like U2, AutoVaughn, Kings Of Leon, or Arcade Fire, make sure to check out the latest release from UK rockers, The Veils.

Grand Duchy: Petit Fours

If Grand Duchy’s Petit Fours sounds like an overt throwback to the uncomplicated, low-budget sonics of ‘80s indie rock, there’s a very good reason: One half of this husband and wife duo is Frank Black, a.k.a. Black Francis, a.k.a. the creative engine that drove the Pixies during its seminal late ‘80s/early ‘90s run. Black’s attitude toward that period has always been ambivalent at best – he’s been quoted as saying he “spent the latter part of the ‘80s doing my part to destroy the ‘80s” – but paired here with wife Violet Clark, he allows the more accessible elements of his music to surface, creating one of the most consistently enjoyable efforts of his post-Pixies career in the process. Petit Fours’ consistency is somewhat ironic, given its resolute eclecticism; not only does none of this stuff sound particularly Pixies-ish, quite a lot of it sounds like it couldn’t have been recorded by the same band. Most groups can’t run the distance between the growly garage stomp of “Come Over to My House” and the poppy “Lovesick” without falling down, but Grand Duchy serves them up back to back, setting the tone for nine tracks of genre-bending home-studio fun. Will any of it supplant Doolittle in your collection? Highly doubtful, but it’s nice to know the old misanthrope still has some hooks left in him. If Black’s smart, he’ll keep the Pixies on the road and continue writing new material with his talented better half. (Cooking Vinyl 2009)

Grand Duchy MySpace page

The Datsuns: Headstunts

The fourth album by New Zealand rockers The Datsuns is mostly a more-of-the-same kind of affair, and that’s not necessarily a bad thing. In fact, after a couple of less-than-memorable releases – including their second album, produced by none other than Led Zeppelin’s John Paul Jones – Headstunts is somewhat of a throwback to the high energy, ’70s-style r-a-w-k that US listeners first got a taste of on their 2002 self-titled debut. “Highschool Hoodlums” recalls nothing if not their own “MF From Hell,” in in intent if not in sound. Other tasty sonic nuggets abound, such as the surf-y “Hey! Paranoid People!,” the grungy groove of “Your Bones” and the extended raunch ‘n’ roll of “Eye of the Needle.” While this album certainly isn’t going to start a new musical revolution, and the Datsuns aren’t the saviors of rock ‘n’ roll, Headstunts is a solid-if-safe effort that will still hit your gut a lot harder than your head, which, again, is not necessarily a bad thing. (Cooking Vinyl)

The Datsuns MySpace Page

Howlies: Trippin’ With Howlies

Howlies’ bio begins with this description of their music: “an unexpected reinterpretation of garage, doo-wop, and 21st century rock ‘n’ roll.” Bios sometimes try too hard to pimp a band or use unnecessary adjectives, but this particular label, or labels, are spot on. Howlies’ debut, Trippin’ With Howlies, is a 43-plus minute romp of fun and throwback pseudo-psychedelic rock that probably sounds way better live than what producer Kim Fowley and the band were able to capture on tape. This is a band that formed in 2007 in Atlanta, after growing up together in the beach party town of Destin, Florida. Not surprisingly, the boundless energy of four guys just having a good time comes through on this debut, with songs that are equal parts raw and pleasantly addictive. It may not be groundbreaking or even the best thing you’ve heard this year, but with tracks like “Sea Level,” “Howlies Sound” or “Whiskey Night,” the flame of a party should burn on through the night when you pop this one in your player. (LABEL: Over Under Records)

Howlies’ MySpace Page

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