Category: Rock (Page 103 of 241)

Anya Marina: Slow & Steady Seduction Phase II

Anya Marina is an entertainment triple threat—she’s been a radio DJ, an actress, and is now fortifying her music career with a second album release, Slow & Steady Seduction: Phase II, released on Alexandra Patsavas’ Chop Shop Music label. Patsavas, one of the best-known film/TV music supervisors, placed one of Marina’s songs on the “Grey’s Anatomy” soundtrack and then signed her to the label. Marina’s unique, sultry vocal is a more alternative version of Gwen Stefani, and her playful songs on Slow & Steady are accented by the hipster production crew of Brian Karscig (Louis XIV) and Britt Daniel (Spoon). Daniel’s drum loops helped give Marina a creative spark and as a result the album is a leap from Marina’s earlier singer/songwriter fare. There are some great moments, especially on the opener “Move You,” the ultra-bouncy “Cut It Out,” and on “Vertigo,” which has an ‘80s, “Pretty in Pink” undertone. But on “Not a Through Street,” which starts out with just an acoustic guitar and Marina’s pure vocal, her appeal jumps through the roof. It doesn’t matter if the flavor-of-the-month artist is your thing or not, there will be something most everyone can like about Anya Marina. (Chop Shop/Atlantic)

Anya Marina ySpace Page

Eleni Mandell: Artificial Fire

Eleni Mandell has been well under most everyone’s radar, evidenced by the fact that Artificial Fire is Mandell’s seventh studio release and there’s a good chance you haven’t heard of her yet. This time around, she claims to have pulled inspiration from her inner teenager, and that makes for a mostly upbeat, quirky romp, and quite a contrast from Mandell’s previous album, Miracle of Five, which was more crooner-ish. Mandell’s rich, soft and always on-pitch voice is still there, but there are so many other variables at work in the arrangements and production of Artificial Fire, it’s pretty impossible to become bored. That’s not to say every song is compelling, but Eleni has some real winners here, especially the title track, which features some sweet psychedelic guitar riffs, the rock swagger of “Little Foot” and the dark, sweet croon of “I Love Planet Earth.” But the best track of all is “Don’t Let It Happen,” which has a pure pop feel with a ‘50s bent, sort of like a female version of Buddy Holly. This is just another fine release from an artist who deserves a bit more of your attention. (LABEL: Zedtone)

Eleni Mandell MySpace Page

Steal This Song: Metric, “Help, I’m Alive (Acoustic Version)”

This news will make our friend Heidi happy: Metric are about to release Fantasies, the band’s fourth album, and if the first single, “Help, I’m Alive,” is any indication, these guys are about to make the jump into the big leagues. Nice combination of electronic flourishes and acoustic instruments, and a Velcro hook in that “Beating like a hammer” line. Check it out.

And for you Metric fans who want more more more, the band is also giving away an acoustic version of “Help, I’m Alive,” for the low, low price of…your email address.

Wild Light: Adult Nights

Not many rock bands come out of New Hampshire – and even fewer manage to score deals with labels as major as Sony – so it’s hard not to root for Wild Light on principle alone; unfortunately, principle may be all that gets you through chunks of Adult Nights, the quartet’s full-length debut. The band has an interesting sound that wobbles between Semisonic and Arcade Fire – and the latter comparison is one you’re likely to hear more than once, given that keyboard player Tim Kile was in an early version of that band – but they need better material. Nights lets you know they’ve got the chops – opener “California on My Mind” kicks things off right, with its harmonica, stomping beat, and repeated refrain of “fuck California,” and “Call Home” is a lovely piano-led ballad that recalls Dan Wilson before he gave in to his Carole King fetish – but those high points only serve to underscore just how ordinary the rest of the disc can be. There aren’t any bad songs here, but there are a lot of well-meaning musical exercises in search of hooks, not to mention varying tempos – much of Adult Nights glides by at the same middling pace. If we were living in a different era, it wouldn’t be out of the question to hope Wild Light’s A&R rep stuck with the label long enough to shepherd the band through a few more albums until they were ready for their big break. Those days are long gone, unfortunately, but if they get lucky enough to reach a broad audience with Adult Nights, it also isn’t out of the question to imagine that this band could develop into something really special. (Columbia/StarTime International 2009)

Wild Light MySpace page

Justin Townes Earle: Midnight at the Movies

Here’s something to make you feel older than dirt, Steve Earle fans: Not only is Earle’s son a grown-up singer/songwriter in his own right, but he’s releasing his second album on March 3 – and he already sounds as weary and worldly wise as his old man did on 1996’s I Feel Alright. But don’t look to the elder Earle’s music for points of reference when listening to Midnight at the Movies – like his old man, Justin Townes Earle doesn’t boast a classically strong set of pipes, but his voice is clearer and his songs generally better-kempt than his dad’s, wobbling just a little more gracefully down the line between rock and country. What the album sounds a lot like, actually, is the Replacements’ All Shook Down, only with slightly more consistent songs – a similarity brought into relief by Earle’s sleepy cover of the ‘Mats classic “Can’t Hardly Wait.” Earle also kinda-sorta covers the standard “John Henry” here, but for the most part, these songs are self-penned, and they stand up to the best that AAA/alt-country has to offer. Never mind the sophomore jinx – Earle sounds like he’s been at this forever, and might have enough stories in his guitar case to keep on rolling for a lifetime. If you’re a fan of the genre, Midnight at the Movies is not to be missed. (Bloodshot 2009)

Justin Townes Earle MySpace page

« Older posts Newer posts »