Category: Indie Labels (Page 4 of 6)

Eric Hutchinson: Sounds Like This

Sometimes a record company, you know, steps in it. Because breaking new artists these days has become practically foreign to major labels, it sometimes takes a stroke of luck, or in the case of pop singer and songwriter Eric Hutchinson, the stroke of a buddy’s computer keyboard. Hutchinson, whose infectious, R&B-laced pop runs in the same musical circles as Gavin DeGraw and Maroon 5, was signed to Maverick Records before parent company Warner Brothers closed Maverick’s doors, leaving this talented dude with a sparkling product and no label to pimp it. But not to worry, he kept touring and then found overnight success when a high school buddy e-mailed a link to Eric’s music to celebrity gossip dude Perez Hilton. Just like that, Hutchinson went from no-name to peaking at #5 on the iTunes album chart, making him the highest charting unsigned act in the digital age. It’s no fluke, either. Sounds Like This, originally released on Hutchinson’s aptly titled Let’s Break Records, is just dripping with hooks, especially on the incredibly upbeat and soulful “You Don’t Have to Believe Me” and on “Rock & Roll,” the kind of track Jason Mraz wishes he could write. But even when Hutchinson brings down the volume, as he does on “Food Chain,” he can’t help but put you in a good mood. (Warner Bros./Let’s Break)

Eric Hutchinson MySpace Page

The Little Ones: Morning Tide

The Little Ones are one of those indie pop bands that are able to create music that transcends the makeup of each member. And even then, that describes so many bands that you have to be very special to stand out. Well, what the Little Ones do on their debut, Morning Tide (on Alexandra Patsavas’ Chop Shop label), is create catchy, witty and well-arranged music that is equal parts modern cool (think the Shins) and retro bounce (think a more guitar-driven Erasure). It’s the kind of album that sticks in your head and makes you pay attention without even realizing you’re paying attention, deeming the Little Ones the kind of act that should have staying power in a messed up music industry. But that’s not to say Morning Tide is anything more than very good. Let’s face it, the high tenor, almost-falsetto vocal thing of Ed Reyes and others is getting old (the Shins’ James Mercer and Radiohead’s Thom Yorke receive a pass here). That, and some of these tracks are riveting (the title track, “Rise and Shine” or “Like a Spoke on a Wheel”) while others are just bland and derivative (“All Your Modern Boxes” or “Gregory’s Chant”). See what the fuss is about, and temper your expectations just a bit. But the Little Ones will likely be around for a while. (Chop Shop)

The Little Ones MySpace Page

Various Artists: Ten Out of Tenn Volume 2

Singer/songwriter Trent Dabbs hails from Nashville, where you can throw a rock and hit a musical artist. But when he and his wife/manager Kristen realized that their favorite artists were Trent’s peers, and not those being touted by the media outside of Nashville, they decided to do something about it. The result was Ten Out of Tenn, a compilation featuring some of Nashville’s more under-the-radar pop/rock talent. The first volume was released in 2005, and Vol. 2 is dripping with so much talent, it may be difficult for anyone on it to remain unknown for long. Most of these artists have enjoyed film/TV placements, and some are or have been signed to labels, but the bottom line is that the Dabbs family knows how to evaluate talent. The most promising are Erin McCarley, whose “Pony (Go On)” is the first and best track, as well as Butterfly Boucher, Andy Davis and Dabbs himself. There are also a few clunkers – Griffin House sounds like he’s trying too hard to be Jason Mraz on “The Guy That Says Goodbye” and Katie Herzig’s vocal vibrato may wear on you after ten seconds – but both have been praised by critics, so feel free to form your own opinion. Overall, this is a solid compilation and a great avenue for pimping some of Nashville’s true talent. (Ready Set Records)

Ten Out of Tenn MySpace Page

Inara George With Van Dyke Parks: An Invitation

A reconnection in ways more than musical, Inara George’s collaboration with the legendary Van Dyke Parks takes her into new terrain but, in a sense, brings her back home. Parks was a pal of her dad, the late Lowell George and was even there at her birth. Still, the biographical details will likely get less attention than this current outing, a swirling collage of orchestration, pop opera vignettes and contemporary classical motifs. Consequently, the sound checks proved equally ample, given influences that name check Kurt Weill, Edith Piaff, Aaron Copeland, Gilbert and Sullivan, Annette Peacock and Carla Bley. The lack of distinctive melodies and an overall flow that finds sets of strings dominating the musical landscape makes passive listening a bit of a challenge, at least for those who like their songs simple and succinct. Still, those looking to hear more from the man who helped bring Brian Wilson his Smile will find this Invitation worthy of an RSVP. (Everloving Records)

Inara George MySpace page

Derby: Posters Fade

There is just not enough good indie pop out there, but if you look hard enough, you can find bands making it. Case in point: the trio from Portland, Oregon known as Derby, who are back with their sophomore effort, Posters Fade, the follow-up to the band’s critically acclaimed debut, This Is the New You. The hype is something you can take or leave, because ultimately the music-buying public is going to decide if they like it or not. With Posters Fade, Derby has delivered an album full of melodic, lushly (but not overly) produced songs that are just easy to listen to. Imagine a cross between Nada Surf and Collective Soul, maybe a bit more to the Nada Surf side, and that’s Derby. There is also a subtle Beatles influence, especially on the stunning best track, “If Ever There’s a Reason.” For the most part, Derby’s music will not grab you, shake you, and spin you around, but it will make a good soundtrack for watching someone get grabbed and shaken and spun around. (LABEL: Green Submarine)

Derby MySpace page

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