Category: Power Pop (Page 13 of 17)

Patrick Pleau: Hype-Moi

The power pop community is still abuzz over Catnip Dynamite, the second proper solo album from Jellyfish co-founder Roger Joseph Manning Jr., which makes one wonder what they will do when they hear Hype-Moi, the new album by Montreal multi-instrumentalist (and Manning sound-alike) Patrick Pleau. Our guess is that more than a few heads will explode, because Hype-Moi is the French equivalent of Catnip Dynamite, only…better? An argument could certainly be made in Pleau’s favor, considering his tendency to let the music do the talking and to know when enough is enough. The songs are huge, mind you – swirling, psychedelic jangle guitars, triple-decker harmonies, hyper-treated keyboard effects and Moogs abound – but compared to the absurdly over-the-topness of Catnip, Pleau is the model of restraint. The irony of ironies is that Hype-Moi sounds like a long-lost collaboration between Manning and French ambient synth popsters Air (particularly “L’écran Bleu De La Mort”), who have worked together on multiple occasions but have never put a meeting of the minds to tape quite like the one Pleau does on their behalf. You don’t need to speak French to appreciate the beauty of this record. (Orange Music 2009)

Writer’s Note: I don’t speak a word of French, so I cannot comment on Pleau’s lyrical prowess. Based on the complexity of these melodies and arrangements, though, I am pretty sure that he is not a moon/June guy, nor is he talking about date rape, incest or murder. At least I hope he isn’t.

Patrick Pleau MySpace page

Seen Your Video: Green Day, “Know Your Enemy”

We proles can’t possibly fathom the kind of pressure that Green Day must have felt when they were putting the finishing touches on 21st Century Breakdown, their first album since the multi-platinum – and game-changing – American Idiot. Perhaps that is why they played around with side projects like the Foxboro Hot Tubs (which was a damn good record, by the way), because it enabled them to get their yeah yeahs out without having to worry about commercial expectations.

Ah, but they could only put the world on hold for so long, and at last, they give us “Know Your Enemy,” the debut single from Breakdown. Does it raise the stakes of American Idiot? No, but that appears to be the point. There was no sense in even trying, so instead, they deliver something more akin to their “unplugged” album Warning, which is one of my favorites of theirs. Big choruses, hand clap-ready snare drums, and a no-nonsense performance video to promote it. It’s as if they’re asking us to forget that American Idiot ever happened, and while that makes sense, it’s just not gonna happen. Still, this definitely has me excited to hear the rest of the album. Only a couple more weeks…

Howlies: Trippin’ With Howlies

Howlies’ bio begins with this description of their music: “an unexpected reinterpretation of garage, doo-wop, and 21st century rock ‘n’ roll.” Bios sometimes try too hard to pimp a band or use unnecessary adjectives, but this particular label, or labels, are spot on. Howlies’ debut, Trippin’ With Howlies, is a 43-plus minute romp of fun and throwback pseudo-psychedelic rock that probably sounds way better live than what producer Kim Fowley and the band were able to capture on tape. This is a band that formed in 2007 in Atlanta, after growing up together in the beach party town of Destin, Florida. Not surprisingly, the boundless energy of four guys just having a good time comes through on this debut, with songs that are equal parts raw and pleasantly addictive. It may not be groundbreaking or even the best thing you’ve heard this year, but with tracks like “Sea Level,” “Howlies Sound” or “Whiskey Night,” the flame of a party should burn on through the night when you pop this one in your player. (LABEL: Over Under Records)

Howlies’ MySpace Page

Peter Cincotti: East of Angel Town

Young pianist and singer/songwriter Peter Cincotti came off as a young Harry Connick, Jr. with his crooner delivery on his self-titled debut a few years back. So it may come as a shock when you hear his new album of all original material, East of Angel Town. That’s because this is a pop/rock album through and through, and Cincotti has obviously been hiding behind some really impressive songwriting ability. But this project was also aided by an all-star team of producers including David Foster, Humberto Garcia and Jochem van der Saag, all of whom contributed to making this album sound larger than life. All of that also makes Cincotti’s newfound pop sensibility a nice breath of fresh air, and while the closest comparison to the songs on East of Angel Town might be Gavin DeGraw, make no mistake about the fact that Peter Cincotti has his own artistry and he wears it well. Among a pretty stellar batch of songs, the standouts are the hard-driving “Be Careful” and “Love is Gone,” the bluesy “Another Falling Star” and “Witches Brew” and the made-for-radio pop gem, “Man on a Mission.” (LABEL: Warner Bros.)

Peter Cincotti MySpace Page

Let the Right Ones In: Ten bands that should be in the Rock ‘n Roll Hall of Fame

The 23rd annual induction ceremony for the Rock and Roll Hall of Fame is coming up, and with it comes the annual bitchfest by music fans and critics as to which bands deserve to get in and which do not. The general public has no say in the nomination or induction process; instead, an anonymous committee chooses the nominations, which are then voted on by an equally anonymous group of 500 “rock experts.” Bands are eligible for induction 25 years after the release of their first record. Usually there’s little controversy when it comes to the artists chosen for induction, with the real debates circling around those artists who have yet to be recognized by the Hall of Fame.

The Hall has its prejudices when it comes to selecting those worthy enough for induction. Heavy metal, punk and prog rock have a hard time getting in, while anyone with an obvious blues or country influence seems to be a shoe-in. It also helps to be American or British; no artists from mainland Europe, Africa, South America or Asia have been inducted yet.

With that in mind, Bullz-Eye has selected 10 artists, listed in chronological order of their eligibility, that we feel have been given the shaft by the Hall. These are by no means the 10 “best” artists who have failed to be inducted; just 10 “of the best” who have not yet gotten their due.

The Stooges
Eligible since: 1994

The Stooges self-titled debut came out in 1969 and it’s hard to imagine just how abrasive and loud the Stooges must have sounded to audiences at the time. Try putting them in context: the biggest albums of that year were Abbey Road, Blood, Sweat & Tears’ self-titled record that had the hit “Spinning Wheel” and the original cast recording of “Hair.” One of the biggest singles was “Sugar Sugar” by the Archies. Contrast that with “I Wanna Be Your Dog,” and a sense of just how far ahead of the times they were begins to develop.

Rush
Eligible since: 1999

We are loath to use album sales as a measure of a band’s true worth, but it’s worth noting that Rush’s first 16 studio albums, spanning 22 years, have sold a minimum of 500,000 copies each. The only band with a longer gold-or-better sales streak is the Stones. Aerosmith is just behind Rush, with 14 straight gold-or-better albums, and U2 will probably get there if the band doesn’t kill Bono first. Fittingly, Aerosmith, U2 and the Stones are all in the Hall; Rush, however, are not, and their exclusion can be boiled down to three words: critics hate prog.

Motorhead
Eligible since: 2002

They may have paved the way for Anthrax and their thrash metal ilk, but Motorhead’s influence can be heard in punk music of the ’80s and ’90s, alternative rock groups such as Queens of the Stone Age and even in electronic and new wave music (industrial music is basically thrash metal with keyboards). The Hall hates metal, for some reason – it even took them 11 years to get off their asses and induct Black Sabbath. And if Ozzy and company can barely squeak into the Hall of Fame, an underground act like Motorhead doesn’t have a prayer. Pity.

To read the rest of the bands that should be in the Rock ‘n Roll Hall of Fame, click here

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