Category: Pop (Page 75 of 216)

Living with Lions: Make Your Mark

What do you get when you mix pure punk attitude with viral energy, in-your-face lyrics, and raw vocals? How about when you put five punk rockers in a Vancouver pad nicknamed the Dude Manor, mix with alcohol and serve cold to the masses? In this case, the result is a no-frills LP, courtesy of Canadian punks Living with Lions.

The band’s first full-length release Make Your Mark sounds like a combination of Rise Against, circa Siren Song of the Counter Culture, and more recent releases by the Bouncing Souls. There are just enough snare-filled verses, and anti-authority lyrics to classify these guys as a punk band, but occasionally, LWL unleashes a catchy hook or two, showing off a more refined sound than was present on their debut EP, Dude Manor. Make Your Mark’s opener, “She’s a Hack,” sets the tone for the record with a strong chorus, and current single, “A Bottle of Charades” sets the bar as one of the most commercial-friendly tunes the guys have ever penned. LWL taps into influences like Hot Water Music with the track, “Cold Coffee,” which sounds like a mosh pit to the face, and slows things down a bit with a softer chorus on “Hotel: Part Seven,” but never skimps on the energy. Make Your Mark closes with “Dude Manor (R.I.P.),” a tribute to the band’s old crib and then a short “Outro,” which gives a nod to old school punk acts, swelling from one simple note into a whirlwind of screeching guitars and intricate drum fills before fading out just under the two-minute mark.

There’s no denying Make Your Mark draws on some strong influences, but the bulk of the record is incredibly original, and full of potential. As a freshman LP, Mark makes a strong statement as an honest punk record by five guys who just happen to love playing music together. For a first attempt it’ll do, and it will be interesting to see how Living with Lions evolves. So, if you’re looking for a more melodically driven record, Make Your Mark may not be for you. But, if you’re at all a fan of bands like the Bouncing Souls, Green Day, Hot Water Music, Lifetime, Rancid, or Bad Religion definitely give Living With Lions a listen. (Adeline 2009)

Living with Lions MySpace page

Heather Kropf: Hestia

The opening track of Heather Kropf’s Hestia, titled “Joy Comes Like the Morning,” sneaks up on you slowly, with Kropf’s quiet, understated vocals buffeted gently by a lovely piano melody and some minimal steel guitar fills. There isn’t an ounce of flash in the track; it rises and falls purely on the strength of Kropf’s gifts as a songwriter and performer, much like Hestia itself – which is both a blessing and a curse. When it comes to the album’s stronger cuts, like “Morning” and the Laurel Canyon-tinged “Downtown” and “Kite,” Kropf presents herself as a bewitching blend of Shawn Colvin and Suzanne Vega, contrasting innocent-sounding vocals with pensive melodies and occasionally world-weary lyrics – but her inordinate fondness for sleepy melodies and plodding tempos leaves much of Hestia teetering between tasteful and dull. Kropf says her songs function as sanctuaries – for herself and, hopefully, for others – and there’s no denying the warm, cozy feel of this album, or Kropf’s gift for spinning deceptively simple webs of delicate sound. The end result is a record that feels as light as a feather, and may leave your attention wandering for songs at a time, but one that nonetheless leaves an unmistakable imprint. (Heather Kropf 2009)

Heather Kropf MySpace page

George Harrison: Let it Roll: Songs By George Harrison

When talking about the Beatles, most people think about the two main singer/songwriters in Paul McCartney and John Lennon. But guitarist/songwriter George Harrison was no slouch, and he certainly went on to have many years of success after the big breakup. In fact, Harrison had four Number One singles on the Billboard pop charts, and any fan of his music with or without the Beatles is going to have to own this encompassing collection of the man’s big hits, Let it Roll: Songs by George Harrison. There are tracks like “My Sweet Lord,” “Give Me Love (Give Me Peace on Earth) and “Got My Mind Set On You,” as well as live versions of Beatles classics that he wrote such as “Something,” “Here Comes the Sun” and “While My Guitar Gently Weeps.” There are also some of the more obscure beauties, like “All Things Must Pass” and the pure ear candy of “This is Love.” There is also “Marwa Blues,” a stunning instrumental that showcases Harrison’s unique guitar tone and the way that he could, well, make that thing just weep. If you’ve been a fan from the beginning, you probably already own this album, but if you’re less in tune with the man’s work and you love timeless pop, it’s a classic that you just need to have. (LABEL: Capitol)

Amazon link

Shirock: Everything Burns

Nashville rock band Shirock (the last name of front man Chuck Shirock) is a bit different than most of the bands coming from anywhere in the country, let alone Nashville. Their unique brand of anthem-driven rock is way too cool for the Warped Tour crowd, though that’s where they may find most of their fans. In fact, Shirock is more like U2 than any other band – both melodically, musically, and lyrically – as they try to convey positive messages of hope and the desire to make a difference with their music. On the band’s sophomore effort, Everything Burns, each song soars with giant hooks and the vocals of Chuck Shirock as well as female singer Pap, and the instrumentation and arrangements accent each track instead of getting in the way. Really, the best part about Shirock is that they don’t seem like they’re trying too hard to get in everyone’s collective face, and they don’t have to. Standout tracks are the anthemic “Time Goes By” and the Pap-driven “I’ll Take Rain,” as well as the powerful title track, which is about the fact that we should all put time and effort into the things that matter, like relationships and making a difference, and that everything else just burns. Well said, Shirock. (LABEL: self-release)

Shirock MySpace Page

The Moody Blues: Threshold of a Dream: Live at the Isle of Wight Festival

Ah, now that’s more like it. The CD that Eagle issued last year of the Moody Blues’ performance at the 1970 Isle of Wight Festival was nice, but seeing the band in action makes a world of difference. Even better, they have rounded up four-fifths of the band for present-day interviews (flautist Ray Thomas retired in 2002) to discuss the show, and keyboardist Mike Pinder dusts off the Mellotron he played at the Isle of Wight show and gives a demonstration. (To give you kids some perspective on the unpredictability of the Mellotron, it’s a keyboard that literally plays loops of tape. Using one in a live show was gutsy, to say the least.) The DVD does not contain the full set that appears on the CD, but the big hits (“Tuesday Afternoon,” “Question,” “Nights in White Satin”) are all here, along with a montage of dozens of performances of “Ride My See Saw,” both in concert and for various television specials. The most amusing aspect of watching the band play live is how restricted singer/guitarist Justin Hayward and bassist John Lodge’s movements were by their gear; the cords that went from their guitars to the speakers were about five feet long. (Eagle Vision)

Click to buy The Moody Blues: Threshold of a Dream: Live at the Isle of Wight Festival

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