Category: Pop (Page 43 of 216)

Justin Currie: The Great War


RIYL: Del Amitri, The Cure, Todd Thibaud

Most of you probably do not recognize the name of Justin Currie, but you would if you heard his voice – the smoky and positive tenor that fronted Scottish pop/rock band Del Amitri for two decades. Currie is back with his second solo effort, The Great War, and it’s a solid batch of songs that showcase his way with melody, arrangements and powerful songwriting in general. The Great War is a very balanced set of music – that is, Currie doesn’t write songs that sound the same, his voice being a constant but not much else. And that’s a good thing; Currie also has an interesting way with a hook, as he does on one of the album’s best tracks, “Anywhere I’m Away From You,” which clearly jabs at an ex: “I ain’t running home / Because home is anywhere I’m away from you.” It’s straightforward, funny, and has a funky, bluesy backdrop featuring some real slick guitar work. He does the same tongue-in-cheek thing with success on “As Long as You Don’t Come Back.”

Justin_Currie_01

Other standouts are the piano ballad, “You’ll Always Walk Alone,” the Del Amitri-ish “Can’t Let Go of Her Now” and the beautifully haunting, “The Way that It Falls.” It kind of sounds like Currie is coming off a breakup, and sometimes breakups inspire the best songs. Sad, but true, and certainly we fans of good alt-pop or of Del Amitri are the lucky beneficiaries. (Rykodisc 2010)

Justin Currie MySpace Page

Court Yard Hounds: Court Yard Hounds


RIYL: The Dixie Chicks, The Jayhawks, Sugarland

It’s strange to think that Taking the Long Way, the monster crossover smash by Texas spitfires the Dixie Chicks, is only four years old. The battle cry of three women who had had enough of being called unpatriotic for committing country music heresy by being anti-war, chastising George W. Bush…four years old. It’s amazing what a new President will do to perspective, even if virtually nothing else has changed.

Court_Yard_Hounds_01

Sisters Emily Robison and Martie Macguire were eager to record another Dixie Chicks album, but lead singer Natalie Maines said she wasn’t ready yet, so the Erwin girls went on without her. Dubbing their offshoot Court Yard Hounds, the girls’ eponymous debut sounds exactly like you’d expect a Dixie Chicks spinoff to sound. Maguire plucks and bows anything she can get her hands on, Robison has words for her ex-husband, and the two sing their little hearts out while the Chicks’ backing band, including Maines’ father Lloyd, fleshes everything out. “The Coast” is a positively soaring slice of alt-country, the kind of thing that will have Jayhawks fans swooning. The girls even rock out a little on “Ain’t No Son.” Nothing here reinvents the wheel, but it’s not really meant to; it’s simply a well crafted country pop record, just in time for summer. Dig in. (Columbia 2010)

Court Yard Hounds MySpace page
Click to buy Court Yard Hounds from Amazon

Me, Myself, and iPod 5/5/10: Lolene must be stopped

esd ipod

Yep, it’s community service week at Me, Myself and iPod, where I launch a full-scale attack on a seemingly innocuous pop singer. What makes this singer so much more offensive than the gaggle of singers just like her? You’ll see.

Oh Mercy – Can’t Fight It
These guys are quickly becoming the house band of Me, Myself and iPod, as this is the second song from their debut album Privileged Woes that we’ve highlighted to date. (You can find the other song, “Lay Everything on Me,” here.) We even interviewed the band’s lead singer Alexander Gow a couple weeks ago. Nice kid, and he’s working with Mitchell Froom on their second record. If the mention of Froom’s name perked up your ears, that’s probably because you like Crowded House, and if you like them, you’ll probably like these guys, too.

The Knocks – Blackout
Fans of Chromeo will dig this retro slice of ’70s funk. If the Trammps were around today, they might sound like this.

The Protomen – Light Up the Night
The synths! The lead singer with a tremolo-laden tenor! The synthetic drums! All this song is missing is a montage of Sylvester Stallone working out in the wilderness as he prepares to dethrone the world champion…something or other.

Justine Bennett – Heavy Feeling
Joni Mitchell covering “Losing My Religion”? Yeah, that’ll work.

Alcoholic Faith Mission – My Eyes to See
Always a tricky thing to put any word referencing booze in your band name – what if one of its members has to go to rehab? – but this nifty little tune sounds like Polyphonic Spree crossed with Sunny Day Sets Fire. Big, catchy, and a little dark.

Hunter Valentine – The Stalker
Girl power! This all-girl trio – from Brooklyn, of course – kicks some serious tail. Plus, they serve as a good antidote to the toxic mess that follows.

Lolene – Rich (Fake It Til You Make It)
And here we…go.

Listen, I know that music is about rebellion, blowing off steam, getting a little crazy, blah blah blah. But look at this chorus:

I talk like I’m rich, I walk like I’m rich
I spend like I’m rich, but I ain’t got no money
I think like I’m rich, I drink like I’m rich
I live like I’m rich / Hey hey, Hollywood
Fake it til I make it, fake it til I make it

You have got to be fucking kidding me.

I know that the kiddos are dazzled by celebrity culture, and how even Asian leprechaun attention whores and New Jersey dropouts can be considered “stars” in some warped definition of the word. But this whole ‘act like you’re rolling in dough’ thing is just irresponsible. So you’re maxing out your credit cards in order to give off the impression that you’re fabulous. I reiterate: you’re putting on a show for people who don’t know you, in the hopes that…what, exactly? Someone will make a star out of you because you’re living the lifestyle? (Not life, mind you, but lifestyle.) What happens when it doesn’t work out? You’re bankrupt, both literally and figuratively.

Here’s the thing, kids: fame ain’t all it’s cracked up to be. It is not the end-all-be-all of life, the ultimate goal. And most of the people who are famous, the movie stars, the athletes, they didn’t make it by faking it – they worked really, really hard to get where they are. They didn’t just try to dazzle the bouncers with charm (and if that doesn’t work, a blowjob) in order to get VIP treatment. Our little friend Lolene here is applying for what I call a Fake Celebrity card, the people who are discussed in gossip mags and arrange photo ops with the paparazzi, but will never be invited to George Clooney’s house, or even attend the same parties he goes to. It’s the Siberia of celebritydom. Who in their right minds would want to live there?

So if I find this so offensive, you ask, why am I offering the song for download? Because, if everyone who wants the song downloads it for free, then she won’t make any money from it, thus forcing her to continue to fake it without ever making it. This song sets a bad example, and there are already too many people who think that your lifestyle is more important than your life. The idea of someone actually becoming famous by writing a song about being desperate for fame, well, this might cause time and space to fold on itself. Time to grow up, kids. Get a job, and join the rest of us in the real world.

The really weird part about all this is that Lolene is British. You’d think she’d have more sense than this. I guess there are fame whores all around the world.

The Law: A Measure of Wealth


RIYL: The Kooks, Dogs Die in Hot Cars, The Futureheads

Those coming to the Law via their international exposure on the soundtrack to “The Men Who Stare at Goats” might be a bit surprised when they listen to the rest of the album. Whether that is a pleasant surprise or not will simply be a matter of taste. A Measure of Wealth is just that, a little slice of energetic indie rock that begs the question whether a band from Dundee Scotland would be insulted to be called Brit-pop. Whatever their feelings, their influences are clearly ’80s and ’90s Brit-pop, more on the Blur side of the tracks than Oasis. They lack the Trad-rock elements of the Gallagher brothers, though the album was recorded at Sawmills Studios, the studio that gave birth to Definitely Maybe. This isn’t what you might expect after the lead track “Don’t Stop, Believe” (which is also found on the aforementioned soundtrack) comes blasting out like a Wolfmother lead. Full on blues-based hard rock, with Robert Plant-like wailing in the background, “Don’t Stop, Believe” is pedal-to-the-metal music, and nothing like what follows.

The_Law_02

As track one grinds down into a single Hammond chord, the album transforms and we are greeted with a heavily Pulp-influenced tune called “The Chase,” which truly sets the tone for everything to follow. The Pulp influence resurfaces in riffs and refrains throughout, but halfway through, on “Television Satellite” they drop any subtlety to wrap themselves fully in the glam-influence and swirling guitars of the biggest heroes of Brit-pop, Suede. More than a few tracks would have been right at home on an album like Coming Up, and this is a good thing. All in all, the Law have created a romp of an album, one that should be shuffled into any discerning college student’s party mix. So, while anyone looking for more stoner rock based on the opening track might be disappointed, A Measure of Wealth is a solid, energetic debut that shouldn’t be overlooked. (Local Boy Records 2010)

The Law MySpace page

Aqualung: Magnetic North


RIYL: Beck, Bright Eyes, Ben Folds

Aqualung, a group that is essentially one man, Matt Hales, flirted with retirement before realizing that his gift for songwriting needed to continue being shared by the masses. His/their latest, Magnetic North, is Aqualung’s second album on Verve and first set of new material since 2007’s Memory Man. Following a move from his native England to Los Angeles, Aqualung’s new material is slightly more upbeat and inspired in spots than some of his previous work, which tended to be mostly dark, moody and melodic. Right from the start, Magnetic North kicks off with “New Friend,” a super catchy ditty that features, for lack of a better term, a psychedelic piano riff. “Reel Me In” is like a cross between Ben Folds and Death Cab for Cutie, and it’s another upbeat anthem.

There are more melodic-as-hell tracks in “Fingertip” and “Hummingbird,” but that doesn’t mean Aqualung forgot where he came from. Some of the best numbers are the haunting and falsetto-laced “Lost,” which sounds like it could have come from 2004’s Strange and Beautiful; the powerful “36 Hours;” or the quirky and dark title track, a fitting closer to this unique batch of songs. If you’re a fan of alt-pop that has more alt than pop, chances are good you’ll love this new one from Aqualung – and as an added bonus, it’s the kind of record that will make your significant other think you’re cool and sensitive. And what could be wrong with that? (Verve 2010)

Aqualung MySpace page

« Older posts Newer posts »