Category: CD Reviews (Page 166 of 399)

Ed Harcourt: Russian Roulette

After effectively hopscotching from label to label – four in approximately the past ten years – Ed Harcourt seems to have found a comfortable home with Dovecote, a company that presumably grants him the ability to follow his creative whims without regard to commercial consequences. Still, Russian Roulette doesn’t divert all that much from his usual template, a reliable mix of stirring, angst-ridden ballads and soaring anthemic outpours that capture the heart while seizing on more cerebral possibilities. Being more of a modest affair – six songs recorded rather quickly as in deference to the original demos – it also serves as a stopgap prior to the unveiling of his next full-length opus, due sometime next year. Regardless, its certain to satiate fans unable to wait that long, courtesy of such enticing offerings as the title track – an opening volley of over-arched emotion – and “Sour Milk, Motheaten Silk,” a song which, despite its curious title, proves both elusive and alluring. However, the EP’s true highlight emerges in the form of “Caterpillar,” a purposeful and effusive number written about his newborn daughter that also ranks among the most stirring songs he’s ever written. Dovecote

Ed Harcourt MySpace page

M Shanghai String Band: The Mapmaker’s Daughter

Fiddles and banjos in Brooklyn? Well, yes, apparently – as that’s the M Shanghai String Band’s home turf, no matter how much they sound like they hail from some backwoods holler south of the Mason-Dixon line. The freewheeling collective, which takes its name from the Chinese restaurant where they first performed together, returns here with its third disc of rootsy tunes, dominated – as you might imagine – by the various stringed things its 11 members play. The titles are often cooler than the songs themselves (particularly “Angel Full of Bourbon,” which, let’s face it, is a title most songs could never live up to), but even if the band’s material isn’t outstanding, it’s good enough to do set a suitably back-porch mood – and Mapmaker’s best moments, like the sawdust-covered stomp “Gallows Bird,” sound like they were distilled in a greasy mason jar just a couple shelves down from Americana standard-bearers like Ollabelle and the Felice Brothers. If it isn’t quite as high-proofed a vintage as either of those other bands, it still packs enough of a punch that it should be able to take the edge off for discerning fans of the genre – and prove a sufficiently intriguing invitation to one of the M Shanghai String Band’s tremendously entertaining live shows. (Red Parlor 2009)

M Shanghai String Band MySpace page

Spain Colored Orange: Sneaky Like a Villain

They hail from Houston, but there’s nothing about Spain Colored Orange’s sound that will make you think of oilmen and longhorns; instead, their debut full-length effort, Sneaky Like a Villain, suggests a rainbow-colored collision between 10cc and late-period Tears for Fears, with perhaps a dash of Jellyfish thrown in. Pop fans, in other words, will find this album seriously addictive; from the moment you hear the bright, brassy overtones and sugary sweet melody of “Who Am I?” you’ll know you’re in for a treat. The set’s biggest flaw, really, is that the band isn’t content to stick with those sounds — Sneaky falters when it drifts into more ambitious territory, such as songs like “I Remember It Was Christmas Time,” whose compositional depth, though admirable, comes as something of an annoyance after the glorious melodic highs of songs like “Hide” and “Cheap Thrills.” Both sides of the band’s personality mesh perfectly, though, on “Uh Oh, Trouble,” a sprawling, vaguely “Tusk”-like epic that offers five minutes of twists and turns without forgetting the hooks. It’s clearly just an opening statement from the band, but it’s a strong one; by the time the record struts off your speakers with the kids’ chorus and trumpets that close out “The Birds and the Bees,” you’ll be ready to start it up all over again. (Shout It Out Loud 2009)

Spain Colored Orange MySpace page

Seen Your Video: White Rabbits, “Percussion Gun”

Ladies and gentlemen, the line for Single of the Year starts here.

I’m frankly shocked that these guys are from New York. American bands, particularly young ones, don’t write songs like this anymore, and they certainly don’t use arrangements like this. I had these guys pegged for a UK act all the way, with the Adam & the Ants-style percussion, hand claps and old-fashioned piano. Maybe the arrangement was producer Britt Daniel’s idea, who knows. His band Spoon isn’t exactly playing the American game, either. No matter who’s responsible for putting it together, it’s damn good, and had me racing for the band’s MySpace page. How about that, the other tunes are good, too. Time to hit up the publicist for a review copy. (The band’s album, It’s Frightening, comes out May 19.)

So the tune is definitely a keeper. Now about about the video? Tastefully simple, a rarity these days. The camera spins around – and sometimes above – a circular display of white lights that surrounds the band. That’s it. I bet they shot it in an afternoon, then hit the pub, while the director popped a couple Dramamines and went to bed. Nicely done, lads.

The artist formerly known as Cat Stevens might sue Coldplay

Yusuf Islam (a.k.a. Cat Stevens) says that Coldplay’s “Viva La Vida” sounds an awful lot like one of his songs, “Foreigner Suite.” So much so that he might actually sue the band.

“The song definitely sounds like it,” he said of his song. “It has such logical chords and the melody has to be what it is…”

Asked during a telephone interview from London whether he would pursue the issue legally, Islam, 60, said “it depends on how well Satriani does.”

U.S. guitarist Joe Satriani has sued Coldplay, accusing the British band of copyright infringement. He claims substantial original portions of his song “If I Could Fly” are recycled in “Viva La Vida” and is seeking damages.

I’m not familiar with the song that Islam is referring to. Does anyone think he has a point, or is he reaching at straws?

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