RIYL: Bruce Springsteen, Josh Rouse, Ryan Adams
Singer and songwriter Matthew Ryan is one of the most prolific musical artists out there, as evidenced by the fact that his new release, Dear Lover, is his twelfth album, and his sixth since his last major label effort, 2000’s East Autumn Grin. Since then, Ryan has been refining and re-inventing his sound, enjoying the fact that he can make music his own way without the “input” a major label tends to impose on its artists. On Dear Lover, the same smoky, Americana-tinged vocal that is Ryan’s trademark is there, and the subject matter is personal and profound yet universally appealing. Musically, however, Ryan seems to have stalled a bit this time around, as if he’s been running on the same treadmill for a while and can’t get off of it. That doesn’t mean it’s awful; it only means that the music is not much different from recent efforts, and there is a bit too much similarity in tone, tempo and arrangement. If you’re a fan of Ryan’s, chances are you’ll find something to like here, particularly, the mid-tempo but raunchy title track, the piano-laced “We Are Snowmen” or the dark and introspective “The End of a Ghost Story.” But if you’re just discovering him for the first time, you might want to jump back into his catalog a bit for perspective. (The Dear Future Collective 2010)
As slight and pretty as a sundress on the first day of June, Kelley Ryan’s Twist finds the astroPuppees frontwoman making a deliberate shift away from what she calls “the rock boy way” of doing things, and toward a gentler sound, driven largely by acoustic guitars and layers of lush harmonies. Ryan’s in good company here, too: She recorded Twist with Don Dixon and Marti Jones, drafted Van Dyke Parks to lend string arrangements to a pair of tracks, and dug into the Beck songbook for a cover of “Lost Cause.” All solid marks in Twist’s favor, to be certain, and when the album lives up to its pedigree – as on the shimmering, gently descending opening track, “About a Girl” – it feels like a long-lost artifact from the golden mid ‘80s era of jingle-jangly singer-songwriter pop. Too often, though, Ryan uses her stylistic shift as a license to hide behind arrangements that don’t do much besides lie there and look pretty, or rhyme “love” with “above.” The end result is an album that might leave you feeling like you’ve just woken up from a pleasant dream – it’s soft, and warm, and no more than five minutes after it’s over, you won’t remember a thing. It’ll add an interesting wrinkle for astroPuppees fans, but there’s no shortage of similar-sounding records, and for anyone who isn’t already familiar with Ryan’s work, this really isn’t enough of a Twist. (Manatee Records 2010)