Category: Artists (Page 83 of 262)

Steal This Song: Gazpacho, “Winter Is Never”

The problem with a band reaching the upper reaches of the rock star food chain is that inferior bands begin to imitate them. And the band that has inspired the largest number of shitty copycats of late, sadly, is one of this writer’s favorites.

Muse_14 edit

Yep, Muse.

The thing about Muse is that their approach is a lot simpler than it appears. The song, by and large, comes first, whereas the band’s copycats see the flashy solos, the lightning-fast drum fills, and the busy bass lines and instantly forget about writing and concentrate on playing. Big, big mistake. Without a tune, that stuff is just masturbation.

Which brings us to Gazpacho, which seems an odd name for a group of Norwegians, but then again we suppose that everything is served cold there. (This moment of cultural insensitivity brought to you by Jack Daniel’s.) This is the first Muse-y band we’ve heard since “Knights of Cydonia” that seems to understand the order of things. They can play, and they make sure that you know they can play, but it’s not their endgame. And, in the case of “Winter Is Never,” the haunting ballad that closes their new album Tick Tock, the song comes first, second and third. David Gray is probably gnashing his teeth over this one, as this could pass for a White Ladder outtake, with a few Buckley-isms from lead singer Jan Henrik Ohme in the second chorus. Gorgeous stuff, and best of all, it’s free! The download link is below.

Groepsportret Gazpacho

In the meantime, those who felt a tad disappointed by Muse’s new album The Resistance would be wise to check out Tick Tock. It won’t make anyone burn their copies of Black Holes and Revelations, but for a mere $6.23 to download, it’s a steal. Dig in.

Gazpacho – Winter Is Never

Gazpacho MySpace page
Click to buy Tick Tock from Amazon

Original Motion Picture Soundtrack: The Twilight Saga: New Moon


RIYL: Vampires, werewolves, everlasting love

Say this for soundtrack supervisor extraordinaire Alexandra Patsavas: with the soundtrack to “New Moon,” the second installment in Stephenie Meyer’s “Twilight” series, she leaves nothing in the bag, as it were. With a lineup chock full of megastars and indie darlings, New Moon is the most ambitious soundtrack to come down the pipe in a while. It’s also decidedly more grown-up than its predecessor, forsaking teen angst poster children Paramore and Linkin Park for the moody stylings of Bon Iver (teamed up with St. Vincent here), Sea Wolf, and Grizzly Bear. Muse is the only returning act – expect them to appear on the soundtrack for every “Twilight” movie, as Meyer is a devout fan – and it’s a doozy, as “I Belong to You,” from their latest album The Resistance, is punched up and, more imporantly, edited down (no piano break, woo hoo!). Thom Yorke delivers the wonderfully minimalist electro brooder “Hearing Damage,” and Patsavas scores a massive coup by securing the first new song by OK Go in four years, the endearingly oddball “Shooting the Moon.”

THE TWILIGHT SAGA: NEW MOON

The biggest problem with the soundtrack is the sequencing. It will surely make sense in context with the movie, but as a straight-through listen sans visuals, it’s awfully up and down. All quibbling aside, New Moon is far better than anyone had a right to expect it to be, growing up along with its audience. Bravo, Alex. (Chop Shop/Atlantic 2009)

Twilight: New Moon MySpace page
Click to buy New Moon from Amazon

Steal This Song: General Elektriks, “Take Back the Instant”

Somewhere in California, Beck is throwing stuff across the room, pissed that he didn’t come up with this first.

The project of French expatriate Hervé “RV” Salters, General Elektriks is minimalist blue-eyed funk filtered through a microphone and a bevy of vintage synthesizers. RV seems particularly fond of the Clavinet (think “Superstition,” “Trampled Underfoot”), which makes sense considering it’s arguably the funkiest instrument ever created. Adding the horns for the last verse is a nice touch, too.

general elektriks

Wow, look at that shirt and tie combo. All right, so the guy might be color blind. But when it comes to music, color blindness is never a bad thing. It-it’s time to get, it-it’s time to get funky, kids.

General Elektriks – Take Back the Instant

General Elektriks MySpace page

Joss Stone: Colour Me Free


RIYL: Aretha Franklin, Christina Aguilera, Sly & the Family Stone

British soul singer Joss Stone’s fourth album finds her mining some familiar territory, but also stepping out with a variety of collaborations that touch on fresh ground. Opening track and lead single “Free Me” sets the tone with a feel-good, funky soul rock number that Stone does as well as anyone these days. Later tracks like “Incredible” and “You Got the Love” also mine upbeat funky grooves where Stone’s dynamic voice really shines. The sounds of the early ’70s are well represented on R&B lament “Could Have Been You” and “Parallel Lines,” which opens with some electric piano funk that recalls Stevie Wonder’s classic “Superstition.” No less than Jeff Beck adds tasty guitar fills while Sheila E. provides the backing vocals for one of the album’s best tracks.

“4 and 20” is a playful ballad not about the sweet leaf, but Stone’s desire for a man to prove his love 24 hours a day. Raphael Saadiq chips in vocals on “Big Ole Game,” a funky mid-tempo tune with a sexy vibe, while hip-hop ace Nas helps Stone out on “Governmentalist,” a socially conscious number with a dirty blues-funk sound that would fit right in on the “Dead Presidents” soundtrack. “Trying to find the truth behind the lies,” sings Stone, before Nas comes in to talk smack about cops, the FDA and others who try to keep the people down – “Governmentalists killed the Kennedies, I heard that Joss Stone got the remedy,” raps Nas. David Sanborn contributes some big sax lines to the old school Bo Diddley-type blues of “I Believe It to My Soul,” and Jamie Hartman trades vocals with Stone on moody ballad “Stalemate.”

Colour Me Free finds Stone, still just 22 years old, continuing to expand her sonic palette in a world that would seem to be her oyster. The fact that she’s also willing to take a deeper look at that world on a tune like “Governmentalist” shows that she’s got a lot more happening upstairs than most of her pop contemporaries as well. (EMI 2009)

Joss Stone MySpace page

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