Month: January 2009 (Page 4 of 6)

AskMen readers rank 99 Most Desirable Women, inadvertently create world’s worst playlist

Our friends at AskMen.com have unveiled their annual list of the Top 99 Most Desirable Women, as voted by their readers (who cast a staggering 10 million votes), and it is every bit the cornucopia of babeness that you’d expect it to be. We obviously can’t tell you who’s at the top of the list, but on a personal note, I was thrilled to see that my girl Anne Hathaway went Top Ten, even beating out smoking hot Brazilian model Alessandra Ambrosio to boot. Kristen Bell and Megan Fox made the top ten as well, and given the performance by the former in “Forgetting Sarah Marshall” and “Heroes,” and the performance by the latter’s stomach in “Transformers,” this should surprise no one.

Rihanna However, after a quick glance of the list, I realized something: for as oversexed as everything has gotten these days, rock babes are in disturbingly low supply. Only one singer made the top ten – yes, Scarlett Johannson made an album, but she doesn’t count – and it should surprise no one that it’s the girl that doesn’t go anywhere without her umbrella, ella, ella. From there, though, the pickings are slim. Christina Aguilera is at #35, and Miss Sasha Fierce (Beyoncé) is at #50. Really, #50? That’s the best she could do?

Being the site’s head music geek, I looked at the list of rock babes – and we admit that we use the word ‘rock’ loosely, as these women are all pop stars – and imagined someone assembling a mix of their music and only their music. Along with Rihanna, Beyoncé and Xtina, you can add Pussycat Doll Nicole Scherzinger (#65), Jessica Simpson (#70), and, gulp, Britney Spears (#90). Aiiiiieeeeeeeee! That’s the iPod from hell, right there, though I do think “Umbrella” is a monster jam. Still, imagine going to a party, and all they played were the above artists. Admit it: you’d leave the party. However, if those women were all present at the party, you’d stay, which means that while the voters were asked to look beyond sex appeal and rank the women that have the qualities they would most like in a companion (intelligence, humor, character and ambition), it’s clear that when it comes to music, sex appeal is still driving the car, intelligence is in the back seat, and character is tied up in the trunk.

Katy Perry Ambition, however, is riding shotgun, which brings us to the singer at #32. Katy Perry. Now, if we’re just looking at photographs, I can see why guys would dig Katy Perry. She looks like the slutty third Deschanel sister, and talks about kissing girls, which is catnip to horny guys. There is just one small problem with her: she’s the phoniest phony in all of Phonyland, and a sorry excuse for a pop star. Add her to the party playlist and the people present at the party, and I’m leaving. Give me Kylie Minogue (just missed the cut, we’re told) over Perry any day of the week and twice on Sunday. Please, please give me Kylie Minogue.

The sad, unspoken part of all this is that the performance of women rockers on this list is certainly a ripple effect of how much we devalue music these days. Ten years ago, this list would be crawling with singers. Twenty years ago, there would have been more singers than actresses. Today, we get Katy Perry. Don’t get me wrong, it’s a fine list of women overall – hard to argue with Keeley Hazell, after all – but the music fan in me feels like this list serves as a stinging indictment of how completely screwed up the music business is these days. Sigh.

Your favorite band sucks: bands and artists the Bullz-Eye music writers just “don’t get”

Every music lover has been there – in front of the television or a set of speakers, listening for the first time to the work of a critically revered artist whose songs are supposed to change the way you look at the world…only to come away wondering what all the hype was about. For the iconoclastic among us, these moments are opportunities to prove what independent thinkers we are; for everyone else – a group that often appears to include virtually every name-brand music critic on the planet – they’re opportunities to turn off your ears, nod your head, and smile. What kind of self-respecting music writer doesn’t love the music of Bruce Springsteen? U2? Elvis Costello? A total hack, right?

Your favorite band sucks Maybe. Or maybe we tend to forget that one of the most wonderful things about art is the utterly objective way we respond to it. One establishment’s treasure can be one lonely listener’s source of constant befuddlement, consternation or outright rage – and with that in mind, your Bullz-Eye Music staff put its heads together and drew up a list of all the bands and artists we’re supposed to love…but don’t. Each of the writers who contributed to this piece is speaking solely for himself, and you’re sure to disagree with some of the names mentioned here – and, of course, that’s sort of the point. But enough of our introductory babble – let’s break down some critical idols!

The Doors
“…don’t even think about describing their sound as “timeless”; you’ll be hard pressed to find music as trapped in time as these peyote-fueled dirges, and no one summed up the life and legacy of Jim Morrison – whose death was as brilliant a career move as you’ll ever see – better than Denis Leary: ‘I’m drunk, I’m nobody. I’m drunk, I’m famous. I’m drunk, I’m fucking dead.'”

Bruce Springsteen
“Perhaps Jello Biafra put it best when he referred to Bruce Springsteen as ‘Bob Dylan for jocks.’ But I can sum up what I dislike about the majority of the Boss in one word: Glockenspiel.”

Pink Floyd
“If you’re 14 and discovering pot, Pink Floyd’s a must. Hell, Dark Side of the Moon is practically a gateway drug in and of itself. If you’re out of high school and still into ’em, you’ve got a problem.”

Conor Oberst
“…his songs are duller than a steak knife in a prison cafeteria. I’ve tried repeatedly to ‘get’ Oberst’s work, but each time, I come away further convinced that his music is an elaborate prank hatched by the editors of Pitchfork.”

To read the rest of the bands Bullz-Eye doesn’t get, click here.

Seen Your Video: Morrissey, “I’m Throwing My Arms Around Paris”

Even as a longtime Morrissey apologist, I was sorely disappointed with Mozzer’s last album, 2006’s Ringleader of the Tormentors, but when I caught him in concert while he was supporting the record, I was pleasantly surprised with how much more impressive its songs sounded in a live setting. As such, I’ve found myself hopeful for his next album ever since…though, to be fair, as a Morrissey apologist, there was never any chance that I wouldn’t be hopeful…and having heard the first single from his new record, Years of Refusal (set for release on Feb. 16 on Lost Highway), I’m more excited than ever. The song might not be as tough of a first single as, say, “Irish Blood, English Heart,” but it has a very old-school Morrissey sound to it, with a jangle that captured my heart immediately. Check out the pug-happy video below, then let me know what you think about the track:

Modern Skirts: All of Us in Our Night

The Modern Skirts’ second full-length, All of Us in Our Night, bridges the gap between ‘70s AM gold and early ‘90s modern rock – which isn’t surprising once you take a look at the album credits and see that the producers assembled for the disc include David Lowery (Camper Van Beethoven, Cracker, Counting Crows) and Mike Mills (R.E.M., duh). It probably goes without saying that none of All of Us resonates as strongly as the best work from any of the above-named bands – heck, maybe not even strongly enough to remain lodged in your memory banks after the disc is finished playing – but none of it sucks, and in some places (particularly the brightly loping “Radio Breaks”), it hints at a brighter future for the young Athens outfit. Not greatness, perhaps, but why get greedy? This is a dozen-song set that hearkens back to a simpler, more innocent time, and even if its chances of ending up on your year-end best-of list are rather slim, it’ll help you while away a few bitter winter weeks hearkening back to a simpler, more innocent time. If you need a little more jangle and/or gentle, sunny harmonies in your musical diet, look no further. (self-released 2009)

Modern Skirts MySpace page

Cash Cash: Take It to the Floor

For most music fans, a band name like Cash Cash probably provokes mental images of DJs, bling-flashing MCs, and bangin’ beats – and even though this New Jersey quartet delivers on that last front, and got its first big break from the DJs who turned “Party in Your Bedroom” into a dance hit, they’re actually a pack of power pop-dealing honkies whose sound has more to do with the Click Five than Lil Wayne. Obviously, wrapping rock guitars in a hard candy shell is nothing new; bands from Cheap Trick to New Jersey’s own Fountains of Wayne have tried to make a commercial go of it for decades, with spotty results (to say the least). But to their credit, Cash Cash manage to avoid a lot of the pitfalls that recent like-minded acts such as Swirl 360 and the aforementioned Click Five have stumbled into; their songs are pretty uniformly solid, for one thing, and although they rely heavily on programmed beats and trendy, analog-sounding synths, their sound isn’t quite as brightly colored as it could be – which is a very good thing, because it staves off ear fatigue long enough for the album to draw you in. The whole thing is decidedly lightweight, but it’s a lot of fun, and it bridges the gap between power pop, dance, and New Wave more successfully than, say, the Killers. During the dead of winter, relentlessly sunny tracks like “Your Love” should provide reason enough for plenty of repeat listens. (Universal Republic 2009)

Cash Cash MySpace page

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