Tag: Eat Sleep Drink Music (Page 28 of 31)

Steal This Song: General Elektriks, “Take Back the Instant”

Somewhere in California, Beck is throwing stuff across the room, pissed that he didn’t come up with this first.

The project of French expatriate Hervé “RV” Salters, General Elektriks is minimalist blue-eyed funk filtered through a microphone and a bevy of vintage synthesizers. RV seems particularly fond of the Clavinet (think “Superstition,” “Trampled Underfoot”), which makes sense considering it’s arguably the funkiest instrument ever created. Adding the horns for the last verse is a nice touch, too.

general elektriks

Wow, look at that shirt and tie combo. All right, so the guy might be color blind. But when it comes to music, color blindness is never a bad thing. It-it’s time to get, it-it’s time to get funky, kids.

General Elektriks – Take Back the Instant

General Elektriks MySpace page

Air: Love 2


RIYL: Gary Wright, Tangerine Dream, Phoenix

The French electronic duo’s first album since 2007’s Pocket Symphony – and the first to be recorded in the band’s brand-new recording studio – Love 2 is a back-to-basics effort of sorts, dusting off several of the keyboards they used on their genre-busting 1998 album Moon Safari. But don’t think of Love 2 as a Moon Safari sequel; it shares a little bit of that album’s spacey loungey cool (hey, it’s Air, how can it not), but the goings here are much lighter and peppier. “Love” is the bounciest song the band’s done in years, and “Be a Bee” is a far better foray into rock than pretty much everything on 10,000 Hz Legend.

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Granted, it’s a bit slighter than their best work (we’ll pause while you crack your best ‘slighter than air’ joke), but as long as they give us something like “Heaven’s Light” every couple of years, you will get no complaints from us. (Astralwerks 2009)

Air MySpace page
Click to buy Love 2 from Amazon

Bill Engvall: Aged and Confused


RIYL: Jeff Foxworthy, Larry the Cable Guy, Blue Collar TV

Bill Engvall aoppears to be an all-around good guy, and as one of the few clean comics working today, we take no pleasure from saying anything less than flattering about the man or his work. But it must be said; Aged and Confused, Engvall’s new album, is just…fine. It isn’t particularly bad or good – it just moseys along in that safe zone of zip lines, annoying kids, embarrassing naked stories and, something that will definitely appeal to his core demographic, colonoscopies. It’s all harmless enough, and the crowd at Chicago’s Vic Theatre lapped it up. (It is also, thankfully, free of Engvall’s catch phrase ‘Here’s your sign’ bits.) But the painful truth is that it’s just not terribly funny. Borrow it from the library, listen once, return it, and your Engvall fix will be complete. (Warner Bros. Nashville 2009)

Bill Engvall MySpace page
Click to buy Aged and Confused from Amazon

Duran Duran: Rio (Collector’s Edition)


RIYL: The Killers, Roxy Music, Spandau Ballet

Finally. Ask an American Duran Duran collector, and they will tell you that every CD pressing of the band’s seminal 1982 album Rio up to now has been horribly flawed, because Capitol had the nerve to use the original mixes of the songs on “Side I,” instead of the David Kershenbaum remixes of those songs that we Yanks grew up with. Some of the Kershenbaum mixes popped up on later CD singles and compilations, but two of them, namely “Rio” and “Lonely in Your Nightmare,” remained in the vaults…until now. This two-disc set features a remastered Rio plus the Kershenbaum remixes on Disc One, and a veritable treasure trove of demos, B-sides, Night Versions and remixes from the various Carnival EPs on Disc Two. If a specific mix or B-side has eluded you up to this point, odds are it is included here.

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As for the difference between the 2009 remaster of Rio and the 2001 remaster, well, if you can spot a difference, let us know. We’ve played several tracks back to back, and they sound identical. (The version of “Hold Back the Rain,” though, is a different mix entirely.) And why shouldn’t they? Colin Thurston’s original production was so crisp and well balanced – not to mention recorded in the pre-digital, compress-the-shit-out-of-everything era – that there is little point in tweaking Rio for the sake of tweaking it. Those long-dormant Kershenbaum mixes, however, could have used a tune-up, specifically in the upper frequencies, so if you had designs of assembling a playlist equivalent of your original Rio cassette, prepare for a few shifts in audio quality. Still, the ability to finally make that playlist, with enough remixes left over to make your own personal Carnival, makes this set a no-brainer. They even tagged a Christmas greeting from Simon LeBon onto the final track on Disc Two. Awwww. (Capitol 2009)

Duran Duran MySpace page
Click to buy Rio Collector’s Edition from Amazon

Basement Jaxx: Scars


RIYL: BT, Chemical Brothers, Daft Punk

Only a band like Basement Jaxx could plunge head-first into the world of pop in order to rediscover their independent spirit. The band’s last album, 2006’s Crazy Itch Radio, left us a little cold, as if the band itself wasn’t sure where to go after their 2003 monster breakthrough album Kish Kash. This time around, the Brixton duo have taken copious notes on the current state of dance music, and made an album that says, “That stuff is nice…but we can do it better.” “Rainbows” takes Paul Oakenfold’s four-to-the-floor beat and pairs it with a sky-high chorus, and Sam Sparro lends his pipes to the Euro-house “Feelings Gone.” Speaking of guest vocalists, the Jaxx have outdone themselves here, assembling a so-hip-it-hurts lineup featuring Santigold, Kelis, Eli “Paperboy” Reed, and…wait for it…Yoko Ono. (Yes, it sounds exactly like you think it does, and even includes short breaths that sound awfully close to, yikes, an orgasm.)

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But don’t let “hipster guest list” lead you to think that they’re trying to dazzle the listener with star power; the tunes come first, and they’ve come up with some doozies. The “Maniac”-riffing freak-out “Twerk” is one of the best songs the band has ever done, and they even take a surf pop doo wop detour on “A Possibility.” And massive props for the return Lisa Kekaula, who provided the thunderous lead vocal to Kish Kish track “Good Luck,” to sing the ballad “Stay Close,” which sounds like an electro Tracy Chapman. Scars is a most welcome return to form for the band, and not a moment too soon. (Ultra Records 2009)

Basement Jaxx MySpace page
Click to buy Scars from Amazon

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