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Jackdawg: Jackdawg

One of those legendary lost albums, Jackdawg is the sole legacy of a one-time, second-string supergroup. Recorded in the late ‘80s and early ‘90s by a temporary trio consisting of John McFee and the late Keith Knudson – guitarist and drummer, respectively, for the Doobie Brothers – and ex-Creedence Clearwater Revival bassist Stu Cook, it makes for an intriguing footnote to the history of both bands. The obvious thread that united the participants was the penchant for insistent rhythms and a basic rock ‘n’ roll revelry. “Bayou Rebel” procures the swampy sound of CCR, while the pulse of “Lookin’ For Trouble” injects a dose of a Doobies-like panache. Still, it’s telling that the most noteworthy song is a faithful cover of Van Morrison’s “Wild Night,” to which McFee stakes a claim for having contributed to the original. Cook’s production duties on the original version of Roky Erikson’s “Cold Night for Alligators” give the band reason to reprise it as well. In the end, Jackdawg offers a fine example of a journeyman outfit doing what they do best. And that’s more than enough reason to give Jackdawg their due. (Sonic Past Music 2008)

Sonic Past Music website page

Michael Anthony Milton: Follow Your Call

If there’s one genre that’s often hard to critique it’s contemporary Christian. Not being a very religious person myself, it’s tough to know which angle to approach these things. Is it overly preachy? Is the music good? Could any of the messages in the lyrics apply to someone else who wasn’t a devout Christian? Well, it’s probably a safe bet that if you aren’t into this sort of thing, then this album won’t be worth your time. But Michael Anthony Milton does have a nice singing voice, and the songs are pretty enough, produced well, and aren’t too obtrusive. But I feel the same way about this that I felt about George Harrison’s Krishna stuff: it might be groovy to others, but I’m not feelin’ it. Let’s just split the difference and call it even, then. (self-released)

Michael Anthony Milton home page

Rolling Stones to tour in 2009?

Q104.3 says yes, if Ronnie Wood has his way.

The Rolling Stones are reportedly putting plans in place for a 2009 tour – after guitarist Ronnie Wood’s hopes of reuniting The Faces fell through.

Wood was eager to get the seventies band back together, telling Rolling Stone magazine that he and former frontman Rod Stewart were working on new material and talking about a series of concert dates later this year.

But Stewart dismissed the comeback reports, with his representative saying, “There are no plans for a Faces reunion tour this year.”

However, it is alleged Wood is eyeing a Rolling Stones tour because he is desperate to earn more cash to cover his impending divorce from estranged wife Jo.

The insider adds, “Keith (Richards) is particularly close to Ronnie and told him it would be a great way of getting back on his feet, both personally and financially, after all that’s happened over the past several months.”

Wood left his wife of 23-years in 2008 after his affair with 20-year-old Ekaterina Ivanova was exposed. He subsequently moved out of the family home and has offered Jo a reported $4.9 million-a-year divorce deal.

If you can, forget for a moment the picture of Wood, 61, having an affair with a 20-year-old. I mean, he literally could be her grandfather. Ew. But what if this affair ultimately resulted in the Stones going on tour so that he could generate some cash to pay for his divorce?

That’s some expensive nookie.

Daniel Lenz: Stuck in a Dream

There’s something tasty about Daniel Lenz’s electronica forays. It might be that it echoes some of the more carefree aspects of Information Society back in the early ‘90s, but then again the 15 tracks here sound like a lot of the stuff that was coming out back then – for better and for worse. The good news is that there’s a lot to enjoy here if you’re of the dancefloor crowd. The bad news is that like a lot of the other stuff in that genre, this album can wear a little thin before it’s all over. Still, solid tracks like “I Do It Again,” “This and That,” and “Time to Rock” are the kinds of things that would work amazingly well in some summer blockbuster action movie or even a video game. A few too many vocalists spoil the groove here and there, but overall Lenz is a lot better at doing this thing than many other similar-minded artists. (self-released)

Daniel Lenz MySpace page

I love you so much, I hate myself: Songs that bare their souls…and freak us out

Songs that bare their souls and freak us out

Most men hate Valentine’s Day, but we at Bullz-Eye actually love it, though for different reasons than you might suspect. The majority of us are either happily married or in long-term relationships (except for our fearless, terminally single leader), so Valentine’s Day is a sweet reminder of how happy we are that we’re no longer playing the dating game. (It’s fun when you’re young, guys, but trust us, you won’t miss it.) But the real reason we love Valentine’s Day is because it gives us an opportunity to make fun of songs that pretend to be heartfelt, but are really just sad. And we don’t mean “Brian’s Song” sad. We mean Milhouse Van Houten sad.

It all started with a Coldplay song. As we’re tapping along with the drums, we put the lyrics under a microscope and thought, “Did he really just say that? That’s pathetic!” From there, we began analyzing other songs that appeared to be sweet, honest confessions of love on the surface, but were just sorry cries for help in disguise or, worse, disturbing preludes to what a defense attorney would call “crimes of passion.”

We have broken our subjects down into three categories: stalker anthems, love songs for the spineless, and murder ballads, the last of which are mostly minus the ballad. Our research uncovered dozens upon dozens of songs that fit one bill or another, but for the sake of time and space, we’re whittling the list down to our favorites (all apologies to Elton John’s “Sorry Seems to Be the Hardest Word”). And, as a public service, we have provided musical antidotes for every song we dissect, in case anyone is overwhelmed with a case of the willies. Perhaps the most disturbing thing we uncovered is that one of the more sinister repeat offenders was…Barenaked Ladies? You better believe it.

Now I’m following you: Songs that profess a more “dedicated” kind of love
There are certain songs that love you. Like, really, really love you. Wait for you at the elevator love you. Watch through your window as you sleep love you. Whether you love them back is irrelevant – you were made for them, and it’s only a matter of time before you accept this to be true.

Song/Artist: “It’s No Good,” Depeche Mode
Incriminating Lyric: “The gods decree, you’ll be right here by my side / Right next to me / You can run but you cannot hide.”
Creep Factor: Low. Dave Gahan ranks just behind Jarvis Cocker on the list of least intimidating rock stars.
Musical Antidote: “You’re No Good,” Linda Ronstadt

Song/Artist: “Number One Crush,” Garbage
Incriminating Lyric: “You will believe in me / And I will never be ignored.”
Creep Factor: Admittedly, the lyric sheet reads like a diary entry written by Glenn Close in “Fatal Attraction,” but if you have a thing for sulky redheads in raccoon eye makeup – as many of us clearly did in the ’90s – the song is really sort of adorable.
Musical Antidote: “Puppy Love,” Paul Anka

Song/Artist: “Obsession,” Animotion
Incriminating Lyric: “I will have you, yes I will have you / I will find a way, and I will have you / Like a butterfly, a wild butterfly / I will collect you and capture you.”
Creep Factor: Too turned on to be creeped out. Keep in mind that one of the next lines is “Who do you want me to be to make you sleep with me?” so if we’re just talking about casual sex, wouldn’t you rather it be with someone who’s a little nuts and willing to role play? You bet your ass you would.
Musical Antidote: “We Don’t Have to Take Our Clothes Off,” Jermaine Stewart

Song/Artist: “I Will Possess Your Heart,” Death Cab for Cutie
Incriminating Lyric: “You reject my advances and desperate pleas / I won’t let you let me down so easily.”
Creep Factor: Holy shit. Most of the time, Ben Gibbard sounds like a harmless nerd, but with this song, he let us know that he’s just as capable of making us wonder if we should call the cops.
Musical Antidote: “Let’s Be Friends,” New Edition

To read the rest of Songs That Bare Their Souls and Freak Us Out, click here.

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