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Dress up like Weird Al, and he’ll call you!*

All right, so Bullz-Eye is doing their most off-the-wall giveaway yet. They are giving away The Essential “Weird Al” Yankovic, a two-disc retrospective of what can only be described as satirical genius. Three runners-up will receive the CD set, and one grand prize winner will receive the CD and…a five-minute phone call with Weird Al himself! Suh-weet!

Ah, but there’s a catch. This isn’t one of those contests where you just send your name in and sit by the phone. Nope, all entrants must provide a photo of themselves dressed as Weird Al. Happy Halloween! So break out your curly-haired wig and start mugging for the camera. But before you get started, take a look at the clip that Jib Jab put together of Al’s White Stripes-riffing homage to “Match Game” panelist Charles Nelson Reilly. Funniest clip we’ve seen all year. Giddy-up, Gene!

Try JibJab Sendables® eCards today!

For more information on Bullz-Eye’s Weird Al Yankovic contest, click here.

*- Odds of winning based on the number of entries. And how much you already look like Weird Al.

John Coltrane: Side Steps


RIYL: Red Garland, Sonny Rollins, Gene Ammons

If you’re looking for the soul-stirring genius of John Coltrane’s peak years, you’re not going to find it anywhere on Prestige’s five-disc box set, Side Steps. As an insight into Trane’s early development, however, this is exactly the place to start – and end – your search. The set chronicles the tenor legend’s brief period as a hired gun for established players like pianists Red Garland, Mal Waldron and Tad Dameron, fellow tenor player Gene Ammons (for whom Coltrane provided his services on alto instead), and even Sonny Rollins. No, none of those brilliant 1950s Miles Davis sessions for Prestige are here (Trane was a regular member of Miles’ band, as opposed to a freelancer), and as Miles had him under his regular employ, those recordings don’t fit the theme. But there’s plenty of prime hard bop to be enjoyed here, all recorded during the years 1956 and 1957, packaged with illuminating essays, detailed discographical information and plenty of photos. Newbies to Trane will want to start with his Atlantic Recordings, but working backwards from that point, Side Steps goes one further to complete his recorded history with class and style. (Prestige 2009)

John Coltrane MySpace

Seen Your Video: Weezer “(If You’re Wondering If I Want You To) I Want You To”

Weezer looked far and wide during the recording process of their new album, Raditude, which comes out November 3. Aside from collaborations with Jermaine Dupri and members of the All-American Rejects, Weezer also teamed with the phenomenon known as Lil Wayne. Unfortunately, the rapper just pled guilty to gun charges and faces up to a year in prison.

As for the video, it’s as silly as can be, and I wouldn’t expect anything less. The attractive woman walking through the town is Odette Yustman, known for her roles in “Cloverfield” and “The Unborn.”

Los Lonely Boys: 1969


RIYL: Santana, Blind Faith, The Doors

The Texas power trio loves classic rock and that affection is on display here with an EP featuring covers of five tunes from one of the greatest years in rock history, 1969. Santana’s “Evil Ways” kicks it off with a showcase for Henry Garza’s blazing lead guitar skills. Blind Faith’s “Well All Right” and the Beatles’ “She Came in Through the Bathroom Window” both receive the “Texican” treatment and become groovier than the original versions. The band makes the songs sound like their own with upbeat arrangements where Garza’s soulful vocals intertwine very nicely with his guitar playing. There are also jamming wah-wah solos at the end of each.

Tony Joe White’s “Polk Salad Annie” is the most obscure track on the disc, but it’s a bluesy rocker that fits right in. The Garza brothers close it out with The Doors’ “Roadhouse Blues,” which also receives an infusion of wah-wah before blowing up into a turbo-charged jam. All the songs retain a classic sound thanks in part to mixing by Andy Johns, the engineer who recorded the original version of “Well All Right” (as well as working with Led Zeppelin and the Rolling Stones.)

These artists are all obvious influences on Los Lonely Boys. But since there would be no point in making an EP of covers that sound just like the originals, it’s fun to hear the band do a strong job of re-arranging the tunes so that anyone of them would fit right into their live set. (R.E.D. Distribution 2009)

Los Lonely Boys MySpace page

Tim McCarver: Sings Songs from the Great American Songbook


RIYL: Frank Sinatra, Harry Connick Jr, Nat King Cole

Tim McCarver was a heck of a baseball player and is, despite the fact that many of you find his broadcasting annoying, a fantastic color analyst who teaches us more about the game with each passing telecast. He’s also blessed with a set of pipes that have granted him a long career calling games. But for those of you expecting a train wreck on McCarver’s debut as a singer, Tim McCarver Sings Songs from the Great American Songbook, you might want to save those eggs and tomatoes for someone else. We’ll give you that he’s nowhere in the class of crooners who made or make their living doing that, because you can certainly hear the green in McCarver’s wavering vocals at times. But for the most part, McCarver does a stand-up job on songs, that, let’s face it, are not easy to sing. It’s a nice little set of tunes, and among the best are the opener, “On a Clear Day,” the bouncy “I Wish I Were in Love Again,” and the one that he makes very believable giving his background, “There Used to Be a Ballpark.” Nobody expects McCarver to quit his day job, but he’s going to exceed lots of expectations with this one. (Archer 2009)

Tim McCarver at Archer Records

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