RIYL: Santana, Blind Faith, The Doors

The Texas power trio loves classic rock and that affection is on display here with an EP featuring covers of five tunes from one of the greatest years in rock history, 1969. Santana’s “Evil Ways” kicks it off with a showcase for Henry Garza’s blazing lead guitar skills. Blind Faith’s “Well All Right” and the Beatles’ “She Came in Through the Bathroom Window” both receive the “Texican” treatment and become groovier than the original versions. The band makes the songs sound like their own with upbeat arrangements where Garza’s soulful vocals intertwine very nicely with his guitar playing. There are also jamming wah-wah solos at the end of each.

Tony Joe White’s “Polk Salad Annie” is the most obscure track on the disc, but it’s a bluesy rocker that fits right in. The Garza brothers close it out with The Doors’ “Roadhouse Blues,” which also receives an infusion of wah-wah before blowing up into a turbo-charged jam. All the songs retain a classic sound thanks in part to mixing by Andy Johns, the engineer who recorded the original version of “Well All Right” (as well as working with Led Zeppelin and the Rolling Stones.)

These artists are all obvious influences on Los Lonely Boys. But since there would be no point in making an EP of covers that sound just like the originals, it’s fun to hear the band do a strong job of re-arranging the tunes so that anyone of them would fit right into their live set. (R.E.D. Distribution 2009)

Los Lonely Boys MySpace page

To my knowledge, the very first legitimate “supergroup” in rock and roll was Blind Faith, a band that included Eric Clapton, Ginger Baker, Steve Winwood, and Ric Grech. Then came CSN(Y), the Traveling Wilburys, and a few others that aren’t coming to mind. I’m not going to list the members’ credentials from these groups — that would take hours. Let’s just say if you’ve never heard of anyone from the Traveling Wilburys, I don’t know how you can physically perform the tasks of everyday life.

Anyway, I’ve been largely underwhelmed by the supergroups of this century. Bands like Velvet Revolver, the Transplants, Zwan, and Chickenfoot have, for my taste, never recorded anything interesting enough that confirms their collective talents. Well, a new supergroup has decided to enter the fold, and rather than dish out some lackluster effort, they actually seem intent on creating some solid music. They’re called Them Crooked Vultures and the outfit consists of Josh Homme (Queens of the Stone Age, Eagles of Death Metal), Dave Grohl (Nirvana, Foo Fighters), and John Paul Jones (Led Zeppelin). As a dedicated listener of the 70s, John Paul Jones makes this band worthwhile. The band has been surprising audiences at European festivals but has yet to play a show in America. Soon, that will all change, as they’ve announced their new tour dates.

The band’s just-announced nine-date U.S. jaunt kicks October 1 with a pair of gigs in Austin, TX, including a set for Austin City Limits. The rockers will hit major Midwest and East Coast cities like Detroit and Boston before touring the UK in December, but, sadly, will skip New York and the entire West Coast. Let’s hope this brief run is just the beginning!

Them Crooked Vultures Tour Dates: 10/1, Austin, TX (Stubb’s)
10/2, Austin, TX (Austin City Limits Festival)
10/5, Nashville, TN (War Memorial)
10/6, Columbus, OH (LC Pavilion)
10/8, Detroit, MI (The Fillmore)
10/9, Toronto, Ontario (The Sound Academy)
10/11, Boston, MA (House of Blues)
10/12, Philadelphia, PA (The Electric Factory)
10/14, Washington, DC (930 Club)
12/10: Plymouth, UK (Pavilions)

12/11: Portsmouth, UK (Guildhall)

12/13: Blackpool, UK (Empress Ballroom)

12/14: Birmingham, UK (O2 Academy)

12/15: Edinburgh, UK (O2 Academy)

12/17: London, UK (HMV Hammersmith Apollo)

I’m not sure why California isn’t getting any love, but I’m sure they’ll get around to it. Their first album, Deserve the Future, is due out sometime next year.