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Strokes returning to the stage after lengthy hiatus

Strokes

The Strokes haven’t played a live gig since 2006. That’s strange to think about considering how instantly popular they became after the release of their debut album, Is This It. Frontman Julian Casablancas has recently released a solo album, Phrazes for the Young, and kicked off a tour of America, Canada, Europe, and the UK. Most had considered The Strokes permanently defunct, but it should please their countless fans that the band is playing the Isle of Wight Festival next year. Jay-Z and Pink will also perform.

The three day festival, held at Seaclose Park, Newport, takes place 11-13 June 2010 and will also see performances from Pink, Orbital and Blondie.

Last year’s event was headlined by The Prodigy, Stereophonics and Neil Young.

Tickets for the festival go on sale on 4 December.

Maybe the band will play Coachella as well.

Norah Jones: The Fall


RIYL Cassandra Wilson, Grace Potter, Patty Larkin

Advance word to the contrary, Norah Jones’ fourth album shows a marked change in approach but little difference in attitude. Stirring up the ambiance with synths, effects, beats and a general trend towards more modern programming tools, Jones lays out a steady series of laments about traitorous lovers and ruined relationships with a distinct emphasis on disillusionment in general. Titles like “Stuck,” “I Wouldn’t Need You” and “You’ve Ruined Me” offer an early hint of her malfunctioning mindset, but lines like “If I touched myself the way you touched me…then I wouldn’t need you,” speak directly to her disappointment. Conversely, the carnival-like atmosphere of “Chasing Pirates,” the practically jaunty “Tell Yer Mama” and the propulsive duo of “Young Blood” and “It’s Gonna Be” prove a welcome respite from the deathly serious tact that Jones helped trademark on her three earlier albums.

Norah edit 2

And while there’s still ample evidence of that wounded, torch song set-up imbued in “Manhattan,” “Even Though,” “I Wouldn’t Need You” and “Waiting,” even her more sobering perspectives seem somewhat more illuminated, given fuller arrangements that detract attention from her solitary keyboard and instead steer the proceedings towards the emphatic strum of her electric guitar. Ending the album on a lighter note that finds her offering an ode to her dog – the winsome “Man of the Hour” – shows that for her all her trepidation and turmoil, Jones has the capability of picking herself up, no matter how serious the fall. Blue Note 2009

Norah Jones MySpace page

Paul McCartney: Good Evening New York City


RIYL: Beatles, Bruce Springsteen, The Rolling Stones

When Paul McCartney opined about the bliss of eventual retirement in “When I’m 64,” no one could have guessed at the time, that in actual fact he’d put that premise to the test and choose to ignore that option completely. Indeed, here he is at 67, showing no signs of slowing down while wailing away and glibly commanding the stage like a rocker half his age. McCartney’s sixth live set in the past 19 years – a remarkable feat in itself – finds the aging mop top dutifully spanning his entire career as always , but oozing out an emotional commitment that’s truly astonishing. Yes, the usual standards – “Let It Be,” “Yesterday,” Hey Jude,” “Live and Let Die” – make the cut for the umpteenth time, usurping slots that could have best been taken from the hundreds of other worthy contenders. (It’s worth noting that the entirety of McCartney and Flowers in the Dirt, unquestionably two of his best albums, have been booted entirely.) Still Paul, ever the crowd-pleaser, clearly doesn’t want to deny his fans the old stand-bys.

Recorded at the opening show of Paul’s three-night stand at Citi Field (a fitting choice, given its approximation to Shea Stadium), the two-CD/one-DVD Good Evening New York City spans nearly three dozen tracks, with the usual inclusion of newer material – the jocular “Dance Tonight,” the full tilt “Only Mama Knows,” the irresistible “Flaming Pie” – along with a handful of songs seldom revisited; an emotional ode to Lennon, “Here Today,” the ever-compelling duo “Paperback Writer” and “Day Tripper,” a jaunty “Mrs. Vanderbilt.” Tributes to former band mates via a ukulele-initiated “Something” and an unlikely medley of “A Day in the Life” (with Paul managing John’s part as well as his own) and “Give Peace a Chance” add a nice touch, but ultimately it only heightens the sense of nostalgia that can’t help but shadow every McCartney appearance. Ghosts of Shea haunt practically every facet of the proceedings, from the archival clips of that concert to animated images appropriated from the recent “Beatles: Rock Band” release to an effusive reprise of “I’m Down,” Shea’s rarely performed show-stopper. As much as Macca strives to remain freshly re-groomed, clearly he can never outrun the memories, causing even his best new efforts to eventually dim in comparison to his former band’s luster. After all, when it comes the Beatles, memories don’t easily cede the spotlight.

At times in fact, it seems like heresy hearing Paul’s backing band appropriating john, George and Ringo’s roles on the old Beatles chestnuts, or for that matter, finding Billy Joel offering up a cameo on “I Saw Her Standing There.” But then again, Paul’s four-piece backing band is as adept as it is streamlined, and given that the current set stretches nearly three hours as opposed to the 30 minutes granted to Shea’s screaming masses, there’s something to be said for updating the MO. Ultimately, it’s a good – make that, great – evening indeed. (Hear Music)

Paul McCartney website

Live Nation and iTunes reach deal

Live Nation

Perhaps in an effort to challenge audio bootlegs and video taken on camera phones, Live Nation and Apple have teamed to provide concert footage via iTunes.

Apple’s iTunes will have a section featuring the concerts of about 20 artists ranging from Jesse McCartney to Ziggy Marley, when the service begins, the companies said in a statement. They expect hundreds of more shows in the coming months. Prices will start at about $7.99.

Los Angeles-based Live Nation will produce most of the offerings from the more than 20,000 concerts it promotes each year. The company has reached licensing rights deals for live performances with major label owners and artists to enable a smooth launch of the service, it said.

Eh, there’s something enticing about a shaky (and probably illegal) video recorded by the average concert attendee. Plus, I don’t have to pay to watch it on YouTube.

Dinosaur Jr. at “Yo Gabba Gabba” live show

“Hi, kids.”

Last night, Dinosaur Jr. performed at the “Yo Gabba Gabba” live show at New York’s Beacon Theater. “Yo Gabba Gabba” is a spazzed-out Nickelodeon show sure to cause future problems for our youth. In the video, the band performs “Banana,” a song from the show originally done by L.A. ska band The Aggrolites.

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