Category: Rock (Page 189 of 241)

Akron Watson Unfairly Booted from American Idol

Contestant Akron Watson dazzled “American Idol” judges and all of America this past Tuesday with renditions of Sam Cooke’s “Change is Gonna Come” and Marvin Gaye’s “Let’s Get it On.” This was the guy who auditioned with his cousin, but obviously had all the singing genes in the family.

But just reported on People.com is the fact that the producers called Watson back in November and told him he was no longer welcome to the Hollywood round. Worse, they gave him no reason.

Apparently Watson has a marijuana possession blemish from 2003, but claims he divulged this to the Idol producers before auditioning.

This seems extremely unfair, because not only did Watson disclose his past in full as required, but he had rightfully earned his golden ticket to Hollywood only to have it stripped away. So the dude made a mistake a few years ago……give him a break! Watson is also asking for a break, as he has set up a MySpace page for fan support. If you saw this guy perform, you know he’s worthy of going really far. So help the cause.

For you Idol producers, a big thumbs down to you. First, you waste an hour of my time last night…now this.

American Idol Just Stole An Hour From My Life

Leave it to Fox. Just when they were being nice enough to cut the audition episodes of “American Idol” from two hours to one, they decided to throw a filler at us. Last season, there were seven episodes of audition rounds, and on the eighth, Hollywood week. This time, the eighth was a recap of some of the best and worst contestants, with a few new ones we haven’t seen yet peppered in.

Hey Fox, did you just see me open my mouth for a BIG FREAKING YAWN?

Anyway, since they aired it, I’m gonna write about it. First, there were a few entrants who made it to Hollywood that we hadn’t seen yet, most notably Tami, who looked like a rocker chick from the sixties.
Tami sang the Allman Brothers’ “Whipping Post,” and was both talented and really different. Other standouts who made it through were Gina Glockson, who basically professed her love for Simon (these girls aren’t stupid…just butter up the old man); and Lakisha Jones, who sang Aretha Franklin’s “Think.” This chick might make the finals, she was that good.

They also showed how various contestants tried to dress different to impress the judges, and that usually backfired. The first chick they showed, Christa, dressed, as Simon put it “like the inside of a dust bin.”

There were these three girls who dressed as waitresses on roller skates…I’m not sure if this is how they really earn their living or if they just rented the outfits….but the bummer of it was that only two of them made it to Hollywood. Ebony was the best, followed by Ashley, followed by Heather. I’m really not sure what the judges saw in Ashley, but they voted her through.

Other moments from last night were Brandon, who did a singing meets beat-box thing that was really good, but not good enough to advance him; Wes, a “composer” who had a huge gap in his teeth and did this stomping thing when he sang, most likely to cover up the fact that he couldn’t sing; and this dude Alexander, who professed his love for Paula. Simon added that if Paula had a mustache, the two could have been separated at birth.

Are you bored yet? Becuase I sure was last night.

Next week is Hollywood week….let the catfighting, the drama, and the real competition begin. And someone please pour Paula Abdul another drink…I mean, I wanna get my money’s worth!
See you next week….

American Idol: A Big State Yields Lots of Bad Singers

Last night was the final stop on the “American Idol” audition tour–in San Antonio, Texas. Mercifully, we have reached the end of the portion of this season where they weed out the really bad singers and show us a few good ones that get to advance to Hollywood.

Some of the highlights of last night’s auditions included Bailey Brown, a 16-year-old cute blonde chick (is it just me or is America producing chicks like this who can actually sing at an alarming rate?). Bailey sang Faith Hill pretty flawlessly. Then there were the cousins, Akron and William. William went first and was awful, singing “Amazing Grace” like an off-key Fat Albert. But Akron fared much better, and even though Simon said his performance was boring, he sang good enough to advance.

18-year-old Ashley didn’t make it through the first time, because she sang really well but was one of those singers who puts more effort into technique and facial expression than actual vocals and melody. For a change, Randy and Paula said no, and Simon actually liked her. So what did they do? They gave her a second chance. This time, her facial expressions were even more pronounced. The judges agreed that Ashley has some bad habits, but they also agreed to let her fix those habits in Hollywood.

Finally, there was Jimmy McNeal, who closed out the show with “Cupid” and Randy called him a “little Ruben,” referring to Season 2’s enormous champ. This guy was really good and he had a charisma that could take him far.

Then, of course, we had the duds….

First, there was Bryan, who sang Billy Idol’s “Rebel Yell” and pretty much yelled the whole song. Look, Bryan, you can fool a drunk Paula Abdul some of the time….

Jasmine Holland was a terrible singer and the judges were kind of snickering as she sang. She said this was “rude,” and really, it kind of was. But then it got comical when she said to Randy Jackson: “Who are YOU anyway? What have you ever done besides this show?”

Sandie sang “Black Velvet” from the back of her throat like she had Cher stuck in there. Simon said it was almost like a language he couldn’t recognize, and that was pretty accurate.

Finally there was Jake Tudor, who Simon said should be singing in a dark bedroom somewhere. Jake accepted the judges’ comments, then proceeded to bleepity bleep them all on the way out. A fitting end to the horror that made up a lot of this season’s primary auditions.

But wait, there’s more. Just when you thought the show was ready to move on to Hollywood, they gave us a glimpse of tonight’s show. They are going to show us all the bad auditions from the seven cities that they haven’t yet shown us. Ugg. Hey Fox, what did I do to deserve this? I’ll do anything…even go buy your sponsors’ stupid products. Okay, okay, if it’s only for one more night.

See you all tomorrow. And after that, it’s welcome to Hollywood BAY-BEE.

Bands Reunited…? Yeah, not so much.

It’s been quite some time since we’ve seen a new episode of VH-1’s “Bands Reunited” – though the old episodes still pop up on VH-1 Classic once in awhile – and while that might be because lots of artists were inspired by the show, cut to the chase, and got themselves back together, it’s equally possible that this story got around.

Surely, no one’s naive enough to believe that you’re seeing everything that happened, as it happened, on an episode of “Bands Reunited,” but this decidedly-detailed discussion of Information Society lead singer Kurt Harland’s experiences with Aamer Haleem and company is enough to make anyone gun-shy about reuniting their band.

Two highlights to entice you to click and read the whole thing:

Voice-Talent guy asks me a series of run-of-the-mill interview questions, nothing too interesting. Someone had, however, provided him with a great deal of random and extremely obscure trivia. He asked about “Bug Summer,” which was a humorous term Paul and I gave to the summer of ’84 when we were living together in Minneapolis. Why? It was as though they had received a grab-bag of factoids with no way to interpret them. (And, of course, I expect this was, in fact, the case.) Eventually, he focused on Amanda, which was kind of odd, since she was only in the band for 2 of InSoc’s 16 years. Whatever. He began to pick and pick and pick on the question of why Amanda left. I felt it was too personal for public consumption and I declined to answer. First nicely, then firmly. Eventually he says, smugly: “Well, we already talked to Amanda and she told us it was because she was addicted to heroin.” I found this very annoying and said “Then why are you asking me?”
_ _ _ _ _ _ _ _ _ _ _ _ _

I guess that, during that conference call, they had gotten the impression that I wanted to get paid. I think I said something like, “Taking time off work to drive to L.A. to do a free show and be on TV so that Viacom Inc. can enhance shareholder value just isn’t something I want to do.” Somehow, they took that to mean that I was asking for money. So one of them offers to pay me. I pointed out that, since I didn’t want to do it, my price would be higher than I’m worth, and that when they multiply that by 4, it would just break their budget. The guy points out that he’s only extending this offer to me, and not the other bandmembers. I was stunned. Can you believe that? They thought that I would take money, knowing that my bandmates were not getting paid. It is unbelievable! This is when I began to feel that they really had no respect for me at all.

Does this mean we can buy “Mean Mr. Mustard” on iTunes?

Apple Inc. (the guys who invented the iPod) and Apple Corps (the guys who invented Revolver) announced Monday that they’ve agreed to settle out of court. The two companies have been at odds for years over Apple Inc.’s use of an apple as its logo. Apple Corps was founded in 1968 by the Fab Four to oversee their business interests, using a green apple as its logo.

While financial terms were not disclosed, the new deal give Apple Inc. ownership of all of the trademarks concerning “Apple,” including the logo for iTunes. In return, the computer maker agreed to license certain trademarks—the ones pertaining to specific music—back to Apple Corps. Both sides also agreed to end litigation and pay their own legal costs.

A deal seemed imminent for several weeks. In January, when trumpeting the new iPhone, [Apple Inc. CEO Steve] Jobs proclaimed the company was changing its name to Apple Inc. and expanding its business to include more high-tech gizmos in addition to Macintosh computers.

[Apple Corps] confirmed months ago that the Beatles were in the process of remastering their entire catalog for online sales. Industry analysts and fans alike point to the just-announced deal as a precursor for the band’s iconic songs and albums to finally be sold via iTunes. Some rumor sites have gone so far to predict Jobs unveiling a Beatles-themed iPod.

Now if we can just get that AC/DC catalog on iTunes, we’ll be good to go.

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