Category: CD Reviews (Page 136 of 399)

The New Up: Better Off


RIYL: Stone Temple Pilots, No Doubt, Radiohead

San Francisco quintet the New Up abandoned the album format with 2008’s Broken Machine EP, the first in a series of three EPs the band began working on with producer Jaimeson Durr (Dan the Automator, Chickenfoot). Better Off, the second EP in the series, picks up where Broken Machine left off stylistically, while songs like opener “Dear Life” and the title track get some extra breathing room with looser, more swinging drums and percussion than before. While all five of the EP’s songs are solid, well-crafted tunes, the title track in particular turns out to be the real earworm on the disc. With a useful “be thankful for what you got” type of philosophy, a powerful vocal from Emily Pitcher, an unforgettable chorus and cherry-on-top flute melody from Hawk West, “Better Off” stands out as a formidable rocker and perhaps the best song in the band’s catalog to date. While it may overshadow the other four tracks on the EP, the remaining tunes nonetheless hold their own and maintain the New Up’s trend of favoring quality over quantity. (The New Up 2009)

The New Up MySpace page

Ramona Falls: Intuit


RIYL: Badly Drawn Boy, Menomena, Bon Iver

Intuit lives up to its name in many ways. The debut by Ramona Falls, a solo project of Menomena’s Brent Knopf, is a masterful work that needs to be absorbed indirectly, because while a first listen quickly demonstrates its Alternative/Indie Rock pedigree, it escapes any easy comparisons and is tricky to grasp. That isn’t to say it is inaccessible. Far from it. The first three tracks are powerful songs that are intensely hooky. “I Say Fever” is especially rocking, with a classic soft-hard juxtaposition of stanza and refrain. Yet they are all completely different and keep the listener guessing. Such cognitive dissonance can often backfire, causing a loss of cohesion and thus disinterest, but on Intuit it works like a charm. When the stark and insistent drum line of “I Say Fever” fades, the muted piano beat of “Clover” picks up and spins you into a more a wistful bent. “If I’m dreaming you, and you’re dreaming me, why don’t we choose a different story?” Knopf asks, lyrically personal and emotional without ever stooping to clichés.

The album isn’t perfect. It slows down and gets a bit too diffuse by the end, but Knopf’s plaintive voice washes through tracks that sway between the richly textured and almost Talk Talk-like minimalism. Some will argue this comparison, but there is a similarity in experience in listening to Ramona Falls and to a great Decemberists album. Not that they sound anything alike – there is no Old English folk ballad quality on Intuit, but as with Colin and company, Knopf creates complex songs that are aurally catchy but challenging both intellectually and structurally. Intuit is both smart and passionate and extremely, intuitively rewarding. (Barsuk 2009)

Ramona Falls MySpace page

Wax Tailor: In the Mood for Life


RIYL: Avalanches, DJ Spooky, Portishead

Anyone jonesing for another Avalanches album – and really, who isn’t? – would do well to pick up the latest effort by Wax Tailor, the nom de guerre of French turntablist Jean-Christophe Le Saoût. In the Mood for Life careens between cut & paste pastiche (unofficial “Frontier Psychiatrist” sequel “Sit and Listen,” the rhyme-stealing “B-Boy on Wax”) and downbeat trip-hop (“Dragon Chasers,” “Dry Your Eyes”), with a few straight-up hip-hop tracks like “Until Heaven Stops the Rain” and “This Train” and the ’60s girl pop splendor of “Leave It” sprinkled in for good measure. The old-school rhyme flow is welcome – though the rhymes in “Say Yes” are painful – and while he’s strolling down Memory Lane, Le Saoût makes the mistake of peppering the album with the dreaded ‘skit’ tracks, tiny bridge bits from one track to another that, for the most part, would be just fine tacked on to the beginning of the following track. But we’re splitting hairs: In the Mood for Life, for all its styles, has a singular vision that ties everything together, making this much more than a ‘DJ desperately trying to be all things to all people’ affair. Thank heaven for small miracles. (Le Plan 2009)

Wax Tailor MySpace page
Click to buy In the Mood for Life from Amazon

The Band of Heathens: One Foot in the Ether


RIYL: The Band, Little Feat, Kings of Leon

After evoking obvious reverence for classic Americana on their self-titled studio debut, the Band of Heathens morph their roots rock regimen with hints of blues, soul and a swampy moan. The allusions to the Band are still there of course – the new album’s “L.A. County Blues,” “What’s This World” and “Look At Miss Ohio” instantly reaffirm those references – but this time around they expand their palate, journeying up the Mississippi with “Golden Calf,” emulating an old-time gospel choir on “Shine a Light” and taking a funky furlough via “You’re Gonna Miss Me” and “Somebody Tell Me The Truth.” Varying the pace from unassuming shuffles to tattered refrains, the group colors the arrangements with rustic embellishment – banjo, Wurlitzer piano, dobro, mandolin, lap steel and forlorn vocals – clearly enhancing the set’s distinct retro feel. An able demonstration of genuine down-home resolve, One Foot in the Ether provides the band taking a sure step forward.

The Band of Heathens MySpace page

Calvin Harris: Ready for the Weekend


RIYL: LCD Soundsystem, Daft Punk, Lady Gaga

For those who dig their electronica with a generous helping of humor and irony, Calvin Harris’ 2007 debut I Created Disco delivered even beyond its oh so ironic and humorous title (the dude was born in 1984!) and home grown charm. Unfortunately, while Calvin has gained a more polished sound and access to more bells and whistles than in the past, he has lost his sense of humor. Tunes like “You Used to Hold Me,” “Worst Day” and “Blue” (with a damning cliché of a lyric in “everything around me is blue / the color that reminds me of you”) are indicative of an artist who has some breakup tension to unleash – in this case, a better place to do that would be in a therapist’s office. Calvin’s cheekier take on electronica was a classic pick-me-up. If he can get his head back into that space, perhaps he’ll be a whole lot happier – and so will the rest of us. (Columbia 2009)

Calvin Harris MySpace page

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