Category: Electronica (Page 9 of 34)

Lollapalooza 2010 Pre-Day One: Choose your battles

One of the things about Lollapalooza’s marketing angle was that we’ve always found amusing is the idea that the consumer was getting well over 100 bands for about $200, so they’re paying about two bucks per band. The problem with that logic, of course, is that most of the time there are five bands playing at once, meaning that you couldn’t possibly see every band that you’re supposedly paying two bucks to see. And that’s all right – we get that they’re trying to provide as much entertainment for as many different musical cliques as possible, and that’s how it should be. Yes, it may create the occasional conflict – last year’s biggie for us was when they pitted the Kaiser Chiefs against the Airborne Toxic Event – but for the most part, the worst thing you’ll have to deal with is missing the beginning or end of a band’s set as you’re trekking from the northern stages to the southern stages, or vice versa.

This year, however, boasts some scheduling conflicts that frankly have us scratching our heads. Why, for example, book Mavis Staples and Raphael Saadiq, presumably here to add some color to a largely lily-white music festival, and then have them play at the same time? Odds are, anyone who’s interested in seeing one of those two would like to see the other; why make that impossible? If crowd control is the issue, it couldn’t have been too much trouble to have them play one after the other on opposite ends of Grant Park, would it? Or even better, have them play back to back on the north side or south side. We know that they all have other touring commitments that complicate things, but really, we see no reason why Saadiq and Staples couldn’t play against artists that, you know, they have nothing in common with.

But alas, there are a lot of bands that we’d love to see this year but can’t, due to some conflict or other. In order to see Devo, Green Day, 2Many DJs and Wolfmother, we’ll have to miss the New Pornographers, Cut Copy, Phoenix, the Strokes, and MGMT. On a heavily front-loaded lineup (Friday is easily the most star-studded lineup this year), missing out on five bands is big. We suspect that we’ll be killing much time at the DJ tent this year, and that’s all right: we had a great time there last year (thanks to our friend Leyla at Sunday Morning Soliloquy for showing us the light), and with the inclusion of Ancient Astronauts and 2ManyDJs, a.k.a. Soulwax (they’re huge in Belgium, because they were born and raised there), Perry Farrell clearly understands the importance of taking the DJ tent seriously. We still haven’t forgiven Beastie Boys DJ Mixmaster Mike, though, for making us late for the Go! Team in 2006 when he blew off his appearance at a Hard Rock function. No one’s late at Lolla, period. Well, except Amy Winehouse, and you all saw what happened after that. (much drinking and drugs…)

Still, scheduling conflicts aside, we’re looking forward to a fun – and if the current forecast is to be believed, not terribly hot – weekend of music, and though we’re missing the New Pornographers, we’re interviewing one of them next week. Wonder how she’ll react when we tell her we decided to see Devo instead…

Along with a giant, comprehensive recap of the festival highlights, there will be nightly recaps of each day’s events, so make sure to check back here each day to find out what went down.

Me, Myself, and iPod 7/28/10: Bayside High stole my record collection

esd ipod

Have a ton of stuff to do before heading off to Lolla next week, so this will be a short one.

Pete Yorn – Precious Stone
New track from Pete’s upcoming, Frank Black-produced album Self Titled. Sounds like Pete, but rawer, which is just what I was expecting.

Ex Norwegian – Jet Lag
Having reached out to me on MySpace a while back, these guys are quickly becoming a favorite around these parts. At the risk of tagging them as a throwback band – to the ’90s, no less – their sound is definitely not of this time. Big, ringing choruses, slightly dirty bass lines, horn-kissed verses…this would have been a #1 modern rock hit in 1995.

White Car – No Better
Holy Wax Trax, Batman. This Chicago industrial outfit has just made a track that will have fans of “Everyday Is Halloween” running for their Doc Martens.

Team Bayside High – No Sleeves Attached DJ Mix
In truth, this is not the most mind-blowing DJ mix you’ve ever heard. In fact, it’s pretty raw and basic, and when the drums kick in at the end of “Song 2,” I couldn’t help but wince a little. But I like their choice of songs, since they spend most of the time mixing rock songs, and I like the melding of rock and dance. Putting “Smells Like Teen Spirit” in here was a stretch (they had to speed it up to the point where it sounds unnatural), but we’ll still check out their DJ set at Lolla, schedule permitting.

Elogy: One


RIYL: Coldplay, Aqualung, Passion Pit

Not everyone can lead. It’s just a fact of life. Some will lead, and the rest will follow, and you will find no greater place to observe this behavior in action than in the world of music, where every band who scores even a sliver of attention inadvertently gives birth to a gaggle of copycats. Most of which, naturally, suck hard.

However, just because someone is a follower does not mean that they’re not bringing something new to the table, and California trio Elogy is a good example. From the first breath that singer Derek Cannavo takes on One, the band’s debut album, it’s clear that he really, really likes the way Chris Martin sings, executing both of Martin’s trademark moves (the aching baritone, followed by the aching falsetto) in a matter of seconds. And yet, for all the tricks the band may have stolen from other bands’ playbooks, One is a consistently engaging listen, stuffed to the gills with anthemic choruses and slice & dice programming that will make Passion Pit green with envy. The soaring “Eager We Are” will surely land in a CW show in the next six months, while “Welcome to Inertia” out-Aqualung’s Aqualung, skillfully blending major keys with full-blown melancholia. The band’s true star, though, is drummer Nick Lyman, who positively bashes his set when he’s not unleashing drum samples that sound like Everything but the Girl’s Walking Wounded set on puree.

If they can stay away from overblown power ballads like “Rest Your Senses” (think Staind’s “It’s Been Awhile” for the bedroom pop set), there should be little preventing Elogy from jumping to the next level. It may not be the most unique first step a band’s ever taken, but it would not be at all surprising to see Elogy evolve into a band that others want to copy. (Elogy 2010)

Elogy MySpace page
Click to buy One from Amazon

Me, Myself, and iPod 7/14/10: Set phasers to chill

esd ipod

Note to self: never go away for the weekend. Had 160 emails waiting for me when I got back. Ugh.

Dale Earnhardt Jr. Jr. – Vocal Chords
Fans of Robin Williams comedy album Reality, What a Concept surely laughed out loud when they saw the name of this Detroit band (“Oh no, Sammy Davis Jr. Jr.!”). For a city known for its no-nonsense rockers, this tune is remarkably sunny and airy, a lot like many were expecting the most recent Vampire Weekend album to sound like.

SAADI – Bad City
Sounds like an unfinished Curve track. That’s not a bad thing, in our book.

Here We Go Magic – Casual
Ooh, dreamy. Perfect post-rave chill music. I bet the Magic Numbers like these guys.

New Collisions – Dying Alone
After my beloved Tribe stalled on their way to world domination, I never miss the chance to pimp a Boston band, especially if it’s a female-fronted five-piece, just like Tribe. Oddly enough, this group may be coming 20 years after Tribe, but this song sounds like it was recorded roughly five years before them. (Read: it’s new wave-y.)

Neon Indian – Psychic Charms (Apache Beat remix)
As Otto said when he watched Bart play his drums “Hardest Button to Button”-style on “The Simpsons,” “Ooh, trippy!”

Lower Dens – Hospice Gates
Bravely venturing into Mazzy Star-ish ambient guitar pop territory without boring me to tears. Well done, gents. That’s a compliment, seriously.

S. Carey – In the Dirt
Bon Iver percussionist makes solo album. Pitchfork wets themselves. And while I live for resisting anything that can be remotely classified as hipster, this is pretty. Very pretty, in fact.

The Chemical Brothers: Further


RIYL: Fatboy Slim, 808 State, Crystal Method

After briefly flirting with the mainstream in 2005 thanks to their Indian-riffing rump shaker “Galvanize,” one would forgive the Chemical Brothers if they liked the look of the spotlight and decided to spend some more time there. It’s to their immense credit, then, that their post-“Galvanize” efforts have been the most noncommercial work of their career, and their latest album, Further, is the most insular album they’ve made to date, not to mention their most fitting album title.

Chemical_Brothers_04

If they recorded for anyone other than Astralwerks, one of the last artist-friendly labels left standing, the A&R man would surely be telling them “I don’t hear a single,” because Further, well, doesn’t have one. In fact, the album has a lot of “silhouette” tracks, a trick that electronic acts use where they start with an existing song and keep adding bits to it while slowly removing everything from the original track until they have something brand new. The 12-minute “Escape Velocity” is a direct descendant of “It Began in Afrika” and “The Sunshine Underground” (but not as catchy as either), while “Another World” is a slower version of “Star Guitar” and “Horse Power” sounds as if it were built from the bones of “Break Shake Bounce” and “Hey Boy Hey Girl.” The closest the album comes to a pop song is the blissed-out psychedelia of “Dissolve.” Not coincidentally, this is also the album’s finest moment.

Further is both admirable and damned frustrating. Rowlands and Simons only make music for themselves, and that is how it should be (they refrained from using guest performers this time around, which is a nice change of pace), but we’re beginning to see the limits of their range as songwriters. They’re also trying just a bit too hard to avoid anything that could be classified as Big Beat, even though those records were some of the best things they’ve ever done. It’s good to be true to yourself, but there are times when it’s not such a bad thing to give the people what they want. (Astralwerks 2010)

Chemical Brothers MySpace page
Click to buy Further from Amazon

« Older posts Newer posts »