Category: Americana (Page 20 of 23)

Samantha Crain & the Midnight Shivers: Songs in the Night

Sparked by critical kudos and two sensuous sets of songs, Oklahoma singer/songwriter Samantha Crain has already carved out an impressive and well-deserved reputation, despite the fact she’s a mere 22 years of age. This beguiling follow-up, dreamily titled Songs in the Night, follows only a few months after her critically lauded debut, the Confiscation EP, but it represents a forward progress that’s all the more remarkable for the relatively rapid speed of its arrival. Unlike others her age, Crain leans away from a more insurgent stance, maintaining instead a decidedly lowered gaze. Yet, while she opts for unembellished arrangements, the delivery doesn’t belie her enthusiasm; the ebullient surge of songs like “Rising Sun,” “Long Division,” “Songs in the Night” and “Bullfight (Change your Mind)” makes her back country balladry all the more endearing. Don’t mistake Crain for some freewheeling folkie, however. There’s a sense of urgency infused in “Devils in Boston,” while the forlorn sprawl of “The Dam Song” and the skewered theatrics that drive “Bananafish Revolution” show her savvy. Songs in the Night may suggest the sound of nocturnal rumination, but in truth, it’s as bright and promising as daybreak over the horizon.

Samantha Crain MySpace page

Paleface: The Show Is on the Road

Following A Different Story, last year’s self-released comeback after an extended absence, The Show Is on the Road represents Paleface’s continued progress on the road to recovery. Once one of the prime movers in New York’s fabled Anti-folk scene, his journey hasn’t been easy; a decade ago, he collapsed and nearly died after being stricken by an onslaught of alcohol abuse, pneumonia and hepatitis. Those problems now well behind him, he opts for a rambling, ramshackle approach that’s both unhinged and unembellished, eschewing more sophisticated arrangements for a low-key, down home sound. The title track starts things off on a note of upbeat optimism, and as the album saunters on, songs such as “Try to Hold Your Own,” “Holy Holy” and “Pondering the Night Sky” maintain that jaunty lilt established early on. Yet, despite the nonchalant atmosphere and the DIY aesthetic, nods to the past are inevitable. “New York, New York” bids a wistful farewell to Manhattan, where he once resided before heading to a new life in North Carolina, while “Raise the Glass” offers salutations to past excess. No matter though; with the show on the road, Paleface procures a rollicking return.

Paleface website

Doug Paisley: Doug Paisley

He may share the same surname, but Doug Paisley holds little in common with that more famous Paisley who bears the name Brad. Hailing from Toronto Canada, Doug takes an everyman approach to his craft via a soft strum and an affable folk finesse, a far cry from the commercial country branding that Brad’s parlayed into superstardom. But while his songs may seem rather unassuming, they resonate with resilient melodies and a heartfelt delivery that sounds simultaneously both weathered and refreshing. The lilt and sway of a steel guitar illuminates “We Weather,” while somber keyboards enhance the graceful balladry of “Take Me with You” and “What About Us.” Mostly though, this material finds a comfortable middle ground that sounds like the essence of ‘70s soft rock, a sound that would make James Taylor or Jackson Browne beam with approval. It’s also a refreshing shift in stance from the overly mannered, self-conscious approach that’s plagued many singer/songwriter types in recent years. That makes Paisley’s premiere effort one of the best debut discs in recent memory. (No Quarter)

Doug Paisley MySpace page

The Gourds: Haymaker!

Even those with half an ear wouldn’t mistake the Gourds for anything but a Texas band. From their sound, which is tough to describe since it has so many different elements (alt-country with creole and Tex-Mex seasoning? Hillbilly soul?), to their songwriting (with topics that run the typical Gourds subject matter weirdness: road trips, love, a guy named Thurman, unrequited love, fossils, love, Shreveport, women), this Austin-based five-piece is definitely of a place. Haymaker!, their ninth studio album, boasts more of a country sound than their last two albums, 2007’s Noble Creatures and 2006’s Heavy Ornamentals, but with the Gourds, country gets rightfully twisted to include soul, rock, swamp boogie, and a lot of the usual elements that listeners have come to expect from a Gourds album. Haymaker! thankfully is also a lot less ballad-heavy than Noble Creatures, so it naturally has a more playful feel. And while there’s nothing here as immediately stand-out as their cover of Snoop Dogg’s “Gin and Juice” – c’mon, that was 12 years ago, man! – there’s enough here for Haymaker! to be a contender for the best Gourds album yet. (Yep Roc 2009)

The Gourds MySpace page

Bon Iver: Blood Bank

Thankfully, Justin Vernon’s international reputation wasn’t sullied by his deliberate mangling of the French words for “good winter” as his choice for his nom de plume Bon Iver. Indeed, with the release of his much-touted debut For Jessica, Forever Ago, his Gothic backwoods motif somehow struck a chord with Americana enthusiasts both here and abroad, winning unusually rave reviews for a rookie artist from so far a field in the heartland. This four-song set, a prequel of sorts, maintains the wistful gaze and low-lit aura that dominated that debut, but also draws the shades back to reveal a little more light. Opening track “Blood Bank” maintains his steady strum but ups the energy level to a more enthusiastic pace. The hollow-eyed desire of “Beach Baby” falls back to a plaintive pastiche, but “Babys” slowly builds towards a semi-psychedelic crescendo. The EP ends in much the same way, ethereal harmonies weaving in and out, as if Bon Iver had consulted Brian Wilson about how to affect a cosmic shift. Recommended for those who believe ambiance is everything. (Jagjaguwar)

Bon Iver MySpace page

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