Category: Alternative (Page 69 of 155)

Steal This Song: Metric, “Help, I’m Alive (Acoustic Version)”

This news will make our friend Heidi happy: Metric are about to release Fantasies, the band’s fourth album, and if the first single, “Help, I’m Alive,” is any indication, these guys are about to make the jump into the big leagues. Nice combination of electronic flourishes and acoustic instruments, and a Velcro hook in that “Beating like a hammer” line. Check it out.

And for you Metric fans who want more more more, the band is also giving away an acoustic version of “Help, I’m Alive,” for the low, low price of…your email address.

The Damnwells: One Last Century

For Alex Dezen, who for all intents and purposes, IS The Damnwells, to release an entire album for free download on the Paste Magazine website was a stroke of genius. It’s not like the guy isn’t already revered in sub-radar pop/rock circles, but now he’s given those in said circles every reason to preach the gospel of the Damnwells to anyone who will, you know, damn well listen, and for them to spread the word with no repercussions of piracy. But by no means is One Last Century devalued, nor is it a bunch of crappy B-side recordings that Dezen dug up from his basement. It’s more of the same brilliant melodic, heartfelt and smartly arranged songs we’ve come to expect, a continuation of sorts from 2006’s Air Stereo. He only wanted to release this one for free a) because he wants more people to discover the band, b) because today’s economy makes free stuff attractive, and c) because he can. On One Last Century, you’ve got the gamut that runs from sugary pop (“Bastard of Midnight” or “55 Pictures”) to beautiful acoustic (“Soundtrack” or “Say”) to riveting mid-tempo (“Like It Is” or “WWXII”). Go ahead, try and find something you don’t like here – you won’t find a better value anywhere. (LABEL: Paste Magazine)

The Damnwells MySpace page

Link to Download One Last Century for Free

Ume: Sunshower EP

Ume (pronounced…I have no clue) (Editor’s note: it’s pronounced Ooh-may) is an Austin-based alt-rock trio led by the impressive, alliteratively-named Lauren Langner Larson. She’s not full-on riot-grrl, but Larson has an edge to her voice, with a growling undertone constantly on the threat of bubbling over and taking control throughout their latest EP Sunshower. Her screams on the opening “East of Hercules” have echoes of Brody from the Distillers and Joan Jett; throaty, guttural and utterly powerful. What really makes her, and by extension Ume as a whole, stand out is Larson’s ability to go back and forth between her punk-rock growls and a more dominant melodic singing voice that wouldn’t be out of place on a Top 40 pop record. The music behind the bipolar vocals isn’t half bad either, and is equally manic in a Pixies loud-quiet-loud kind of way, but they do the loud parts better than the quiet ones. When they keep it mellow too long they suffer, and the full-on ballad title track sinks before it takes off because there’s no power or emotion to carry it. The other slow track on the album, “The Means,” works better because the restrained first half builds to an explosive second half where Larson is once again able to showcase her quality vocal chops. Ume released a full-length record back in 2005, and this far-too-short EP is evidence that they’re ready for another. (Hulga 2009)

Ume MySpace Page

Various Artists: He’s Just Not That Into You: Original Motion Picture Soundtrack

If a dude admits that he likes a chick flick, he might lose certain privileges, like, you know, the privilege to not be hassled by his buddies. But soundtracks are another story, because sometimes they surprise us with songs we actually like or even ones we have listened to and purchased on our own before. As for “He’s Just Not That Into You,” which is the chick flick of chick flick titles, there are some songs on its soundtrack that will let you guys keep your street cred and then some, such as My Morning Jacket’s “I’m Amazed,” the Black Crowes’ “By Your Side” and the Replacements’ “Can’t Hardly Wait.” But even the estrogen-heavy stuff isn’t bad – Tristan Prettyman’s “Madly” and Erin McCarley’s “Love, Save The Empty” are catchy and worth a download, and make up for the sappy James Morrison tune (“You Make It Real”) or the over-played Human League hit, “Don’t You Want Me.” But the kicker? Scarlett Johansson’s “Last Goodbye” is the closer, and it is so not bad at all – there’s no surprise she has a sexy voice, but it’s her delivery and the beauty of the song itself that will surprise the most skeptical of you all. (Warner Bros.)

Movie Website

Eric Hutchinson: Sounds Like This

Sometimes a record company, you know, steps in it. Because breaking new artists these days has become practically foreign to major labels, it sometimes takes a stroke of luck, or in the case of pop singer and songwriter Eric Hutchinson, the stroke of a buddy’s computer keyboard. Hutchinson, whose infectious, R&B-laced pop runs in the same musical circles as Gavin DeGraw and Maroon 5, was signed to Maverick Records before parent company Warner Brothers closed Maverick’s doors, leaving this talented dude with a sparkling product and no label to pimp it. But not to worry, he kept touring and then found overnight success when a high school buddy e-mailed a link to Eric’s music to celebrity gossip dude Perez Hilton. Just like that, Hutchinson went from no-name to peaking at #5 on the iTunes album chart, making him the highest charting unsigned act in the digital age. It’s no fluke, either. Sounds Like This, originally released on Hutchinson’s aptly titled Let’s Break Records, is just dripping with hooks, especially on the incredibly upbeat and soulful “You Don’t Have to Believe Me” and on “Rock & Roll,” the kind of track Jason Mraz wishes he could write. But even when Hutchinson brings down the volume, as he does on “Food Chain,” he can’t help but put you in a good mood. (Warner Bros./Let’s Break)

Eric Hutchinson MySpace Page

« Older posts Newer posts »