Category: Rock (Page 70 of 241)

Love and Theft: World Wide Open

November 12, 2009 /


RIYL: Poco, Jimmy Wayne, Restless Heart

Every once in a while, a country act comes along that opens eyes and ears. Sometimes they’re so good that they also open mouths. Frankly, that may not seem to be difficult when many acts in the genre not only do not write their own music, but also don’t sing it. That might sound harsh, but it’s a fact of life on Music Row these days. But alas, there is a new kid in town, or, should we say, kids. Love and Theft is a trio of young men who can write, sing and deliver three-part harmonies that not only rival the best country has to offer, but also may bring to mind classic country rock acts like Poco and Restless Heart. Their debut on Carolwood, World Wide Open, is one insanely catchy song after another, and a breath of fresh air that could just amount to a hurricane in Nashville. The title track is punchy and powerful, and features the kind of chorus today’s music industry execs drool over, but there are plenty of other gems – like the rocking “Runaway,” the harmony drenched “Don’t Wake Me” and the stunning, goose-bump inducing closer “Drowning,” which is easily the best track on here. If you’ve been meaning to give country music another chance, make this be the band that brings you back. Heck, you don’t even have to dig country, because it’s just as much a pop record. Either way, Love and Theft is a young act with unlimited potential. (Carolwood 2009)

Love and Theft MySpace page

CD QuickTakes, CD Reviews, Country, Pop, Rock

Radney Foster and the Confessions: Revival

November 12, 2009 /


RIYL: Steve Earle, Rodney Crowell, Ryan Adams

No doubt about it – Revival is quite an apt title for this latest effort from Texas-bred singer/songwriter Radney Foster. Formerly half of the country pop duo Foster and Lloyd, he’s come a long way towards establishing an Americana brand since initially venturing out on his own in the early ’90s. That said, Revival finds him significantly raising the bar and setting a new standard as far as his own output is concerned. An uplifting, soul-defining statement of unadulterated affirmation, both the messages and melodies linger long after the final notes fade away. The songs soar like expansive anthems, and on tracks such as “A Little Revival,” “Forgiveness” and “Shed a Little Light” those stirring sentiments evoke a spiritual ferocity and unbounded optimism in a manner that’s genuinely affecting. “I Made Peace with God” and “Suitcase” are especially revealing, each a testament to a new-found faith that Foster invokes without hesitation.

Still, it would be misleading to dismiss him solely as a would-be Bible thumper; the rowdy and rollicking “Until It’s Gone” and the carefree abandon of “Trouble Tonight” show Foster still solidly ensconced in secular realms. Newcomers ought to consider this an excellent place to begin, while Foster fans will find this his most indelible effort yet. Clearly, this Revival rates a solid hallelujah and an unqualified amen. (Devil’s River Records 2009)

Radney Foster MySpace page

Americana, CD QuickTakes, CD Reviews, Christian, Country, Folk, Rock

Jets Overhead: No Nations

November 12, 2009 /


RIYL: Snow Patrol, Keane, Radiohead

Dreamy, brooding alternative rock may have begun with Radiohead, but one thing is for sure – it’s never gone away. There are bands that have kept the torch burning, from Coldplay to Snow Patrol to Doves to today’s entry, Canadian outfit Jets Overhead, who have just released their latest, No Nations. If you have been a fan of any of the above mentioned acts, you’ll find something to like from Jets Overhead – pulsing bass, swirling synth and guitars, and that whole faux British accent that seems to be the perfect vehicle for the genre. But there’s more to Jets Overhead; the album is eclectic enough to keep you from getting bored, and the songs are catchy, too. There are tracks that are made for AAA radio, such as “Weathervanes (In the Way)” and “Heading for Nowhere,” and there are haunting, sparsely produced gems like the title track or “Fully Shed,” the latter of which features some psychedelic sounding harmonies. Somehow, it all works, and it keeps that dreamy, brooding, alt-rock train chugging along. (Vapor 2009)

Jets Overhead MySpace Page

Alternative, CD QuickTakes, CD Reviews, Pop, Rock

The Echo Falls: The Echo Falls

November 12, 2009 /

The Echo Falls is a lesson in simplicity – the debut album from this San Francisco based trio features three guys (including front man and songwriter Alex Mandel) who will remind you of both ‘70s pop (think Loggins & Messina or Seals & Crofts) and current lo-fi hipsters (think Death Cab for Cutie). Delivering songs using only an acoustic guitar, upright bass and sparse drums and percussion will do that, but the tracks themselves have an endearing vibe that is a refreshing counterpoint to what passes for adult album alternative these days. Mandel waffles between tenor and falsetto and does it with ease, and the songs range from the triumphant kickoff “Road to Parnassus” to the (you have to hear this to believe it) They Might Be Giants-meets-Suzanne Vega quirky vibe of “Watchtower.” There’s other elements at work here too; breezy college rock (“Every Second Thought” and “You Have it All”) and ‘70s folk (“Fall Asleep in the Sand”). But the best track of all is “Love Over Time,” which could be the best guitar song Ben Folds never wrote. There’s enough to please many folks on this debut – it’s not like you can vary things a whole lot with sparse production, but the Echo Falls do a pretty decent job of it. (The Echo Falls 2009)

The Echo Falls MySpace Page

Alternative, CD QuickTakes, CD Reviews, Folk, Pop, Rock

Rush: Working Men

November 11, 2009 /


RIYL: Throwing your money away

Word on the street is that Rush has parted ways with longtime label Atlantic to sign with Roadrunner, and with Working Men, Atlantic’s flogging of their slice of Rush’s catalog (the band signed with the label in 1989) has officially gone from ridiculous to hilarious. It’s a collection of tracks from the band’s live albums Rush in Rio, R30, and Snakes & Arrows Live, and since live albums are essentially a compilation of a band’s hits, that makes Working Men a one-CD compilation of two two-CD compilations and one three-CD compilation. In other words, this might be the most unnecessary album ever made, the Rush equivalent of those budget Super Hits compilations that clog the counters of the Gas ‘n Sips on the highway. There is one unreleased track, a version of “One Little Victory” from the R30 tour. But since “One Little Victory” appears on the Rush in Rio DVD and the R30 Blu-ray, the word “Unreleased” should come with an asterisk.

The performances of these songs, of course, are fantastic – though the audio on the DVD for the Rush in Rio and R30 tracks sounds positively awful – but chances are, if you’re a Rush fan, you own them already, and if you’re not, well, you’re not buying this album anyway. One of the more puzzling releases we’ve seen all year. (Anthem/Zoe/Rounder 2009)

Rush MySpace page

Artists, CD QuickTakes, CD Reviews, DVD Quicktakes, Rock

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